Here again are the boys from Chicago who brought Miles back with The Man With The Horn. Robert Irving III on keyboards took over the role that Miles had assumed with a true sense of harmony and only a rudimentary mastery of synthetic sounds and movements.

Over the years, many of the countless attempts to portray Beethoven have veered towards the one-dimensional: the hero, the titan, the free spirit, the rebel and non-conformist, the musical libertarian…

A 2CD set featuring 20 songs performed at the storied London venue during Loreena McKennitt's Lost Souls European tour.

Recorded live at Rome’s Auditorium Parco della Musica last November, this album documents the meeting of the doyen of Italian jazz, Enrico Rava, with Joe Lovano, masterful US tenorist of Sicilian heritage.

American folk singer and songwriter Joan Baez has performed publicly for fifty years, releasing more than thirty albums. Usually considered a folk singer, her music has ranged from rock and pop to country and gospel, and she has always been a passionate activist in favour of nonviolence, civil and human rights, and the environment.

Marek Janowski and the Dresdner Philharmonie present a new recording of Mascagni’s Cavalleria rusticana, the verismo opera par excellence.

I’d read On purge bébé ! even before I composed Pinocchio. I said to myself: ‘This is a wonderful play… but it’s impossible to turn it into an opera’. And if I say something like that, it means that I’m going to do it — it’s like I’m setting myself a kind of challenge! I liked a lot of things in this play. It’s rather malicious, as it presents an image of a smug, pretentious, and uneducated petty bourgeoisie and their complete dishonesty. I don’t think anyone has ever done an opera based one of Feydeau’s plays — at least, not that I know of. People don’t think of turning Feydeau into an opera…

An exceptional amount of musical activity took place in the court of Ferrara during the latter years of the 16 th century, in particular thanks to a remarkable trio of female voices who had been trained by Luzzasco Luzzaschi, the court’s maestro di cappella. To hear them was a privilege that Alfonso d' Este allowed his guests only briefly and infrequently. Their repertoire was kept secret and was finally published — and then only in part — in 1601. The singers of La Néréide here devote their first recording to this collection in its entirety, reconstructing the conditions in which these works were created with harpsichord, viol and lute accompaniment: the harpsichord would have been played by Luzzaschi himself, whilst the three singers mastered the other instruments with as much skill as their voices.

It is with great pleasure that we present you with a musical project of the Cantores Sancti Nicolai Men’s Choir — the album Sacred Music for Men’s Choir.

Grammy Award-winning Chicago-based percussion quartet Third Coast Percussion (Sean Connors, Robert Dillon, Peter Martin, David Skidmore) presents Between Breaths, an album of world premieres of works by four contemporary composers, plus a new work by the quartet itself.

The title of this album evokes not only the life-long journey of all these musicians, but also a lasting friendship between soprano Barbara Hannigan and the Emerson String Quartet. One of the greatest string quartets of the last four decades, the Emersons will disband in October 2023. Barbara and the Emersons were determined to record Schoenberg's Quartet No. 2 since they started performing the work together in 2015.

Conspirare, the nonpareil and GRAMMY®-winning choral ensemble from Austin, Texas, presents an emotionally rich and wide-ranging program with House of Belonging.

This album already carries the intention in its title: "A Tribute to Bach" is meant to be a deep bow by the world-renowned recorder player Maurice Steger to the great master of the music world, Johann Sebastian Bach.

Navona Records is proud to present MUSIC FOR STRING QUARTET, the world premiere recording of renowned composer Leonard Bernstein’s long-lost work. Composed by an 18-year-old Bernstein during his studies at Harvard, the piece has been steadfastly shepherded from its re-discovery to this historic release by former Boston Symphony Orchestra Librarian John Perkel, and is performed here by Lucia Lin, Natalie Rose Kress, Danny Kim, and Ronald Feldman. “Movement I” and the newly-discovered “Movement II,” which was found within the U.S Library of Congress, are accompanied here by the seldom-recorded duo piece Elegies for Violin and Viola by composer Aaron Copland, a musical mentor, collaborator, and dear friend of Bernstein’s.

Probably no other band has interwoven prog rock and folk as masterfully as the Brits of Jethro Tull have managed to do. It became the unique selling point of the group around Ian Anderson how they innovatively merged both influences into a new and exciting whole.