Colors are meant to be seen. What if they are meant to be heard? This album was written during the Covid-19 pandemic. James was in the US with a baby. Daniel was in France in a garden shed. There were four failed album ideas before this one: infant piano preludes, emotion surveys, months of the year, plant songs. In Colors almost experienced a similar fate. Our third wheel rolled away. We had to finish it ourselves or start over. The garden grew. The baby became a toddler. Instruments used: voice, flute, treated acoustic guitar, electric bass, Fender Rhodes Mk 1, Casio MT-35, Yamaha MX49 drums, Multivox MXD-5.

The Motor City does it again, folks! From the birthplace of some of the most significant sounds of the past sixty-odd years, the Stools are certainly no exception to Detroit's musical legacy. The trio's self-professed "Nuggets vs. Killed By Death" sound is back in full effect on 'R U Saved?', which could be considered the first proper Stools full length after a slew of EPs and singles. Whether you're just hearing 'em for the first time or have been tuned in through past releases on Drunken Sailor, Goodbye Boozy, Third Man, and Big Neck - the Stools are at the top of their game here in 2023.

Siblings Henry and Rupert Stansall, known as Ruen Brothers, are saddling up from their home of Scunthorpe, England to ride into unmarked territory. Inspired by their love of noir and neo-western films, their cinematic new album Ten Paces exhibits the rich, sonic versatility of the brothers, as every instrument heard on the album is performed by Henry and Rupert. The anthemic build of "The Fear" to the lonesome balladeering of "Bullet Blues" showcases these two outlaws at their creative peak.

Flagowym repertuarem dla polskiego pianisty Maksyma Rzemińskiego są interpretacje klasyki muzyki filmowej oraz ilustracyjnej.

Eco era eco. She loved her own voice.

Antoine-Pierre de Bavier, also known as Antoine de Bavier and Anton von Bavier was a twentieth-century Swiss clarinettist and orchestral conductor.

Fritz Reiner, einer assimilierten jüdischen Familie aus Pest entstammend, studierte auf Drängen seines Vaters zuerst an der Budapester Universität einige Jahre Jura, bevor er die Franz-Liszt-Musikakademie besuchte, um sich bei István Thomán im Klavierspiel und bei Hans Koessler in der Kompositionslehre ausbilden zu lassen.

Gauk studierte am Sankt Petersburger Konservatorium Klavier bei Felix Blumenfeld, Komposition bei Alexander Glasunow und Dirigieren bei Nikolai Tscherepnin.