The Greek violinist and Italian pianist come together for a selection of Beethoven’s duo sonatas. The BBC Music Magazine review of their joint recording of the entire series described Kavakos’ tone as ‘sweet and full-blooded, never overblown’, and Pace’s contribution as ‘lithe, characterful and sensitive. Both are crucial to the album’s success.'

Legendary dance industrial outfit KMFDM returns this fall with a new album.

Deutsche Grammophon presents the previously-unreleased soundtrack to the 2008 film Personal Effects, written by the late composer Jóhann Jóhannsson. Directed by Emmy-winning David Hollander, Personal Effects stars Ashton Kutcher as Walter, a wrestler who finds romance with an older woman (Michelle Pfeiffer) when he returns home to punish the man who brutally murdered his sister.

Something to remember while listening to the 2020 anthology Beastie Boys Music is that the band never knew what they were doing exactly—they had ideas but not really a plan. At least, not evidently. Listening to Music, the impression is of a band in a state of restless experimentation, true to themselves but so dilated and available to what the world had to offer that they couldn’t stay in place for long. They were magpies, and in their continuous absorption—new and old, white and black, cool and cool-in-waiting—they not only redrew boundaries between hip-hop, pop, and rock, but anticipated a culture in which stewing together your disparate interests could be a gesture of creativity in and of itself.

Cheat Codes is Danger Mouse’s first hip-hop album in seventeen years - since his 2005 DangerDOOM collaboration with the late, great MF DOOM - and Black Thought’s only full length collaboration beyond his pioneering music in The Roots. On No Gold Teeth, Danger Mouse’s soulful, freewheeling production serves as the perfect backdrop to Black Thought’s metronomic, pin-sharp and chorus-free lyrical deluge. The result is a dizzying, thrilling opening single from two of contemporary music’s most respected artists.

A mellow, exotic midnight funk / groove sound with roots in Thai funk sounds and even a major break here in Japan, and all performances sold out in Japan! It is a piece planned as a anthology release when they decided to participate in Fuji Rock. These are songs compiled from their initial EPs, including live standards "The Infamous Bill" and "The Number 4" that are hard to obtain physically now. Compilation of cover songs such as "Firecracker" of MARTIN DENNY, famous for YMO's cover, and "LaJavanaise" of SERGE GAINSBOURG, as well as and unreleased songs.

Lynyrd Skynyrd Collected focuses on the entire catalogue of the band and besides their well-known songs this record also includes the hidden gems. The American band Lynyrd Skynyrd became famous by popularizing the Southern rock during the '70s. With their signature songs "Free Bird" and "Sweet Home Alabama" they were getting worldwide attention. Their list of impressive songs is endless and are all Collected for this double LP. You'll find classics like "Saturday Night Special" and "Call Me the Breeze" on the album, but also "Need All My Friends" (as Lynard Skynard) and "Don't Ask No Questions". Their breakthrough hit "Sweet Home Alabama" helped them to increase the reach of their guitar driven southern rock sound. It was the first of many hit singles and albums, pushing the band higher on the music stage.

“The last 2 years have been so hard for so many people. ‘Heartbeat’ is a reminder that love and empathy is not a finite resource. There is love enough.” – The Midnight

This album is intended to be your guiding light through days of darkness. The second album (CD and LP) by Swedish progressive jazzrockers HOOFFOOT mixes spontaneity with carefully crafted themes and the music falls into place as natural and prophetic as the album title; “THE LIGHTS IN THE AISLE WILL GUIDE YOU”. Although not a concept album as such, maybe the four instrumental compositions on this album are all about navigating a world in flux? There is definitely a sense of constant change and movement in the music. Just like a spy novel from 1976-1979 you want to find out where it is all heading. Why those specific years? Read more below to find out.

This recording marks a very important occasion for the two musicians, and is the result of three days of intensive rehearsal and recording. The venue was Cami Hall in New York, chosen for its location, acoustic properties, character and charm. This album is a feat of improvisation and none of the spontaneity is lost through the recording of their music on to tape. Once again, Naim sought the expertise of sound engineer Ken Christianson from Pro Musica, Chicago, who was there to capture this musical milestone.

Regular performances in some of the world's most prestigious venues have confirmed Florilegium's status as one of Britain's most outstanding period instrument ensembles. Florilegium has established a reputation for stylish and exciting interpretations of music from the Baroque era to the early Romantic revolution and since its formation, Florilegium's performances have received outstanding critical acclaim around the world.

Return to Forever is a jazz fusion album by Chick Corea, simultaneously functioning as the debut album by the band of the same name. Unlike later albums by the group, it was released by the ECM label and produced by Manfred Eicher. The album was not released in the USA until 1975.

Mahler's Symphony No 4 conducted by Yannick is part of the magnificent MAHLER box set recently released by the Berliner Philharmoniker.

Dead & Company is an American jam band consisting of former Grateful Dead members Bob Weir (guitar), Mickey Hart (drums), and Bill Kreutzmann (drums), along with John Mayer (guitar), Oteil Burbridge (bass/drums), and Jeff Chimenti (keyboards). The band continues the strong live tradition of the Grateful Dead, creating unforgettable experiences at their shows, no two performances being alike.

Originally released in 1960, "Byrd In Flight" features performances by trumpeter Donald Byrd with Hank Mobley (tenor saxophone) Duke Pearson (piano) Doug Watkins (bass) Lex Humphries (drums). Some tracks feature Reggie Workman instead of Doug Watkins on bass.