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Following the events of Marvel’s Spider-Man Remastered, teenager Miles Morales is adjusting to his new home while following in the footsteps of his mentor, Peter Parker, as a new Spider-Man. But when a fierce power struggle threatens to destroy his new home, the aspiring hero realizes that with great power, there must also come great responsibility. To save all of Marvel’s New York, Miles must take up the mantle of Spider-Man and own it.Key FeaturesThe Rise of Miles Morales

There's nothing that bonds a group of single black women together more than sidestepping the land mines of living, working and dating in Atlanta. In a sea of swipe-lefts, social media drama and unrealistic #relationshipgoals, these friends try to find their Mr. Right.

Fluid Brass brings together the repetition sampling concepts of the Fluid Shorts line by Performance Samples in a dedicated tool that is built into Audio Imperia's powerful Pyramid engine for fluent and rapid repeated patterns on brass. With 2 players per section (except for 1 Tuba player), the library can be used for both lead lines and chordal work, and its expanded range of 6 dynamics, 6 repetition speeds, and up to 10 round robins (triggered via simply playing faster) closes the technical gaps to create a seamless performance.

Introduction To Typography

One Kit Wonder: Dry and Funky is a modern take on a classic deep and dry drum sound - kick, snare and toms all low tuned and heavily muffled, and the whole kit recorded in a small booth for the ultimate in tight, short tones. The cymbals are a dark set of K’s, offering just the right balance of earthy complexity and shimmering detail. With the kit recorded in such an acoustically inert environment, the separation and imaging are spectacular!

Ji Min Oh is one of those singers who has made an instrument out of her voice: from the softest, most delicate nuances to the clearest fortissimo, her timbre is clean, precise, powerful, and yet expressive and moving. Therefore, after the session – when we sampled her for Spaghetti Western – we thought to extend the sampling with a unique legato articulation with syllables and quasi-words to make the most out of her remarkable lyrical voice.

Dive into bold cinematic experiences with Charisma Volume 1, where over a hundred ready-to-use, versatile vocal phrases await. Featuring transcendently beautiful recordings in multiple keys, the phrases are easily searchable to quickly infuse your project with color and personality. Written and performed by Elizabeth Zharoff, opera singer and founder of YouTube’s The Charismatic Voice.

SunScapes features a new Ambient Music concept that has received strong feedbacks from the many followers of the legendary Café del Mar. SunScapes is a deeply atmospheric journey featuring some of the most iconic ambient artists such as Marconi Union, Biosphere and Max Cooper.

John Martyn's follow-up to 1973's Inside Out is a much more song-oriented, less experimental effort which concentrates on the joys of home and family. Sunday's Child skillfully blends the sensual ("You Can Discover") with the sweet ("My Baby Girl"), the modern ("Root Love") with the traditional ("Spencer the Rover"), and the tormented ("Sunday's Child") with the satisfied ("Satisfied Mind," "Call Me Crazy") while retaining its cohesiveness. The record, his sixth on his own, shows the many facets of Martyn's playing, from his effects-driven electric guitar to his signature acoustic work, which can be both aggressive ("The Message") and gentle ("Lay It All Down"). This album contains a collection of strong original songs, as well as a pair of wonderful covers: the traditional British ballad "Spencer the Rover" and the country standard "Satisfied Mind." His last recording of new material for three years, Sunday's Child is a fine farewell to this period of Martyn's ever-changing career.

Conservative in his musical style as in his politics – rightly or wrongly the whiff of Fascism hangs over his name – Ottorino Respighi is remembered today almost exclusively for the blazing triptych of Roman tone poems. He also, however, produced a corpus of chamber, keyboard and vocal works, not to mention operas and orchestral pieces, many of which are crying out to be rediscovered. Slowly they are finding their way into concert programmes and on to record, and this disc from the Ambache should bring three of them a well-deserved wider currency. The superb Piano Quintet in F minor occasionally recalls Franck (who wrote one in the same key), but its piano-dominated lyrical effusion is wholly individual. The substantial ten-minute first movement is inadequately balanced by a two-minute Andantino and four-minute scherzo-like Vivacissimo, however, and it is possible that a finale has somehow become detached.