'Mighty Vertebrate' is the International Anthem leader debut from Adelaide, Australia-born bassist and composer Anna Butterss.

Venice, during the time of Vivaldi, Jommelli, and Porpora, was a city pulsating with musicality: everyone made music, lived from opera to opera, the baker delivered his bread singing, people spontaneously sang songs on the streets. In short, Venice was a bustling city, vibrating with the most beautiful tones and harmonies, produced by its residents and composers.

The Romero brothers are classically trained sons of a master guitarist who build an "electrical crescendo" with their music that sometimes transforms the decorum of classical concerts into the explosiveness of a rock concert.

As is the case with so many 18th-century composers, Giuseppe Sarti (1727–1802) enjoyed fame in his lifetime to rival W.A. Mozart’s but is scarcely known today. Some might remember him as the author of the aria “Come un agnello”, borrowed by Mozart in Don Giovanni. After all, Sarti’s arias were in his lifetime regarded as true models of Italian style. Even after his death, they were regularly performed in the salons of the nobility. But by about 1840 the memory of the man and his works had largely faded. In recent decades, however, there has been a renewed focus on Sarti; not only for his compositions, but also for his merits as a pedagogue and theorist.

This recital offers a fine mix of Bach’s organ works, at larger and smaller scales, on the renowned historical instrument made by Alsatian organ builder Johann Andreas Silbermann of Strasbourg, a master of French baroque organ construction. It follows in a distinguished line of recordings of Bach made in the extraordinary acoustic of the Arlesheim Cathedral, by such luminaries as Walter Kraft, Karl Richter and Lionel Rogg.

Giovanni Antonini and his ensemble Il Giardino Armonico celebrate the composer who made them famous: Antonio Vivaldi. Their recordings of The Four Seasons and Cecilia Bartoli's famous first Vivaldi recital left an indelible mark on the discography of the Red-haired Priest! Their musical fireworks display continues with a programme of concertos that is bound to provoke strong reactions, since it is the result of a meeting with a musician who is equally adept at shifting boundaries, the violinist Patricia Kopatchinskaja.

The brand new Heroes Of The Great War EP focuses on some of the boldest, most courageous heroes of World War I. For SABATON, these are people whose stories need to be told and whose narratives truly resonate with the band on a personal level.

An eminent ambassador of the ‘French touch’ in jazz and winner of many awards (Django-Reinhardt, Victoires du Jazz, Django d’Or, SACEM jazz awards) – Baptiste Trotignon has been composing for symphony orchestras and classical musicians for several years. The music on this album is not ‘symphonic jazz’, says Trotignon, ‘but you can hear the sounds of the Afro-American musical language, whether in the harmonies or in the very motoric rhythms that are always in motion (dances, toccatas, grooves)’.

The collection presented in this recording by the voice of the mezzo-soprano Manuela Custer – accompanied by Raffaele Cortesi on the piano and the strings of the Dafne Quartet – offers us a series of valuable composers trying their hand at the genre of vocal chamber music. The common denominator of the compositions presented are the Dante Alighieri rhymes – certainly one of the greatest poets of all time – whose immortal verses inspired generations of artists over the centuries.

Bovet studied under Marie Dufour in Lausanne, Pierre Segond in Geneva and Marie-Claire Alain in Paris.

Does a passport reflect cultural identity or merely nationality? Born in Belgium but raised in the United States, questions of identity are a constant in the life of cellist Pierre Fontenelle.

Jacques Pache was born in Belgium, where his father officiated as a pastor. At the age of one, he returned to the country, to Missy near Payerne, where he spent a happy country childhood.

A new recording of Paganini’s eccentric ‘diary of invention’ for guitar by a young Italian musician with a fast-growing reputation in both rock and classical genres.
Giacomo Carletti took up the guitar at the age of 13, initially playing electric. Impressed by his talent, the composer Edoardo Catemario encouraged Carletti to take up the classical guitar. He now makes his career as a busy recitalist with the classical instrument while keeping up his pop and rock connections by playing electric guitar in several bands.
As Carletti remarks in his booklet essay for his debut album on Brilliant Classics, the 43 Ghiribizzi by Paganini stand as a testament to his musical ingenuity and sense of fun. They present a showcase for his technical prowess but also reveal a lighter side to the virtuoso often caricatured as a dark and forbidding figure.