For a first attempt, it's a masterstroke! Released in 1976, Bright Size Life was Pat Metheny's first record as a leader. Just 21 years old, the American guitarist already showed a real maturity as a virtuosic composer and performer.

Paul McCartney’s tenth solo album, 1997’s Flaming Pie, will become the 13th instalment in his Grammy-winning Archive Collection on 31 July. The acclaimed set, which featured such favourites as ‘Young Boy,’ ‘Calico Skies’ and ‘Beautiful Night,’ will be released in multiple formats with a treasure trove of unheard home recordings, demos and other rarities.

This album was produced by the band, instead of with an outside producer as had been done with their previous albums. According to the band they chose to do this to make the music sound raw once again, more or less returning to their roots. They were pleased with the results. Essentially, AC/DC wanted to move forward a bit from their current sound and worked hard to go back to the basics.

Whitney Dancin' Special is the first extended play/remix album by Whitney Houston, it was released exclusively in Japan.

Harry Gustaf Nikolai Gädda, known professionally as Nicolai Gedda (11 July 1925 – 8 January 2017), was a Swedish operatic tenor. Debuting in 1951, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording.

Excellent instrumental country recordings via Wild West Canyon Records.

Nancy Sandra Sinatra is an American singer and actress. She is the elder daughter of Frank Sinatra and Nancy (née Barbato) Sinatra, and is widely known for her 1966 signature hit "These Boots Are Made for Walkin'". Other defining recordings include "Sugar Town", the 1967 number one "Somethin' Stupid" (a duet with her father), the title song from the James Bond film "You Only Live Twice", several collaborations with Lee Hazlewood such as "Jackson", "Summer Wine" and her cover of Cher's "Bang Bang (My Baby Shot Me Down)".

The exploration of Sir Donald Tovey’s music on Toccata Classics continues apace with two highly contrasted works: the bright, Classically oriented Variations on a Theme by Gluck, Op. 28, for flute and string quartet written in 1913 and the Piano Quintet from thirteen years earlier – an expansive, Brahmsian work of symphonic scale: it is almost an hour in length.

The composer of Julietta left seven string quartets that do not, by any means, form a cycle but rather a succession of testimonies stretching from 1920 to 1947. This second volume – the first is on PRAGA 250 205 - juxtaposed the French Quartet (No. 1), a lengthy and luxurious, homage to Debussy and Dvorak, the shortest (No.3) ‘pocket’ Quartet and the Sixth written in the post-war utopia, a fantastic counterpoint of madrigals for strings with astonishing polymelodicism, introduction da camera to last Symphony No. 6 (Symphonic Fantasies, 1951-53), with his earnest, struggling character and high symphonic spirit.

Second volume devoted to the chamber music of the Hungarian pianist-composer-conductor, illustrating the late blossoming of a neo-Germanic Romanticism combined with Magyar nationalism in the style of Brahms. Concertante music in the heritage of Liszt, creating a dialogue between the keyboard compere, with strings treated like an ensemble of soloists. A new tribute paid to a master who made the Hungarian musical scene and his younger colleagues Bartók, Kodály and Weiner internationally famous between the wars.

These pieces are remembrances of some Gidon Kremer’s passings in Prague, during Soviet time… Kremer was then at the dawn of his career, one among the most brilliant for a violinist in our time! As an ‘ambassador’ of the Soviet Ministry for Culture in the ‘brother countries’, he owed to his mentor, David Oistrakh, a sort of freedom, demonstrated here in this recording. His absolutely perfect touch and his freedom of expression were the delight of his patrons in the welcoming communist countries…

'Appalachian Spring' and 'El Salón Mexicó' are archetypical of what many people consider to be the sound of American music, evoking the vast landscapes, cowboys and pioneer spirit. Yet, in the 20th century perhaps only Stravinsky was as adept in as many styles as Aaron Copland [1900-1990]. His Piano Concerto, first performed by Serge Koussevitsky, is a good example of Copland the modernist but he also wrote chamber music, ballets, operas and film scores, as well as teaching, writing and latterly conducting.

Clear, precise music featuring rhythmic refinement as free as it is polished, with vibrations that are, in the final analysis, more morbid than conquering, a series of enchantments idealising the violin as the charming bard of the inexpressible. A new form of Expressionism and a timeless challenge for performers.

"Human Touch" is the ninth studio album by Bruce Springsteen. The album was released on March 31, 1992. The album was co-released on the same day as "Lucky Town". It was the more popular of the two, and it peaked at number two on the Billboard 200, with "Human Touch" (paired with Lucky Town's "Better Days") peaking at number one on the Album Rock Tracks chart and #16 on the Billboard Hot 100 chart.

Indonesian keyboard star Dwiki Dharmawan returns following his 2015 MoonJune Records debut, the more fusion-heavy "So Far, So Close", with the even more ambitious "Pasar Klewer". Recorded at London, England's EastCote Studio in June 2015, this vibrant, acoustic piano-driven two-CD set features the cream of Britain's younger expat crop, blending with Indonesian musicians to create a passionate, seamless cultural cross-pollination.