Myrna Joy "Jody" Miller (November 29, 1941 – October 6, 2022) was an American singer, who had commercial success in the genres of country, folk and pop. She was the second female artist to win a country music accolade from the Grammy Awards, which came off the success of her 1965 song "Queen of the House". By blending multiple genres together, Miller's music was considered influential for other music artists.

The Fugees translated an intriguing blend of jazz-rap, R&B, and reggae into huge success during the mid-'90s, when the trio's sophomore album The Score hit number one on the pop charts and sold over five million copies. The trio formed in the late '80s in the New Jersey area, where Lauryn Hill and Prakazrel Michel ("Pras") attended a local high school and began working together. Michel's cousin Wyclef Jean ("Clef") joined the group (then called the Tranzlator Crew), and the trio signed to Ruffhouse/Columbia in 1993. After renaming themselves the Fugees (a term of derision, short for refugees, which was usually used to describe Haitian immigrants). Though the group's debut album, Blunted on Reality, was quite solid, it reflected a prevailing gangsta stance that may have been forced by the record label. Presents the Carnival No matter how pigeonholed the Fugees may have sounded on their debut, the group had obviously asserted their control by the time of their second album, The Score. With just as much intelligence as their jazz-rap forebears, the trio also worked with surprisingly straight-ahead R&B on the soulful "Killing Me Softly With His Song," sung by Lauryn Hill. Elsewhere, Clef and Pras sampled doo wop and covered Bob Marley's "No Woman No Cry," giving the record familiarity for the commercial mainstream, but keeping it real with insightful commentary on their urban surroundings. The Score became one of the surprise hits of 1996, reaching number one on the pop charts and making the Fugees one of the most visible rap groups around the world.

Hihats forever. This pack from That Sound has everything, we mean everything, you might need when it comes to the hihats. Hihat Heaven was recorded in a studio using modern mic’ing techniques, but just removing the other drums! Imagine a drummer playing the hihats without the snare, kick and toms - that is what is happening in this pack. So, where a snare is hit in a normal groove, a snare was (imaginatively) hit in this pack.

Singer-songwriter Jimmy Thomas had this to say about recording with the Ike & Tina Revue: “I’ll tell you some strange stuff. I’ll tell you why you get confused with this stuff. Everybody gets confused. Look … Ike was a wheeler-dealer when it came to … I mean he knew how to juggle. In them days people like myself … in the organisation … we were just young, only Ike knew what was going on. And Ike would make masters and masters of other masters and wheel and deal and change names around and stuff … like, I wrote two or three Ikettes songs that sold pretty good and Ike stuck his name on ’em and stuff like that. Because he said, ‘Hey, don’t worry about it, I got the publishing company so the money’ll come’ … you don’t know until later on, a few years later you learn better and you do it different. But, yeah, he sold a lot of masters more than one time. He re-recorded songs, you know, new masters of various songs. That’s why you see things on various labels, same song by a different name … We would be on the road, we did a lot of recording down in New Orleans, Cosimo’s studio … Whatever city we’d be in, we was always touring, we’d do some recording usually. Lay down some tracks. Odd places, population twenty and stuff like that. If there was a studio there and we was in town, Ike got some ideas, even if they ain’t new ideas, just re-record what we did last year, you know, whatever …”