Notated on four staves, as though intended for some unspecified set of instruments (or even voices? or keyboard?), these thirteen erudite contrapuncti, four canons, and an unfinished triple fugue—incorporating the letters of Bach’s name—are often considered to be his musical testament. Shrouded in myths traceable to its very origins, The Art of Fugue is a puzzle for the performers and for the listeners alike, but when a brilliant string quartet takes up the challenge, a solution becomes obvious, and the music takes flight.

Haydn composed his orchestral version of the Seven Last Words for Good Friday devotions in Cádiz. The task of creating a purely instrumental 'oratorio' consisting of seven contemplative slow movements was by no means an easy one; but the outcome was a work of sublime nobility. In its day, it was quite popular and inspired several transcriptions, including the version for string quartet heard here in a performance by the Barcelona-based Cuarteto Casals that is both stylistically sensitive and emotionally compelling.

After the early quartets and the famous ‘Dissonance’ Quartet, the Cuarteto Casals continues its exploration of the set of works Mozart dedicated to Joseph Haydn. Here one composer took on the mantle of the other: the younger man, who had now settled in Vienna and had just started a family, was going through an exceptional period of creativity, transfiguring everything he touched with his genius. An exhilarating experience for our Catalan musicians, following hard on the heels of their acclaimed Beethoven cycle.