Their elusive 1998 release, restored and remastered, on LP for the first time and on CD with three bonus tracks. Featuring guest appearances from Vicki Peterson (The Bangles, Continental Drifters), Berton Averre (The Knack), Peter Holsapple (The dB’s, Continental Drifters), John Stamos, and more. Updated artwork features new liner notes from Brett Milano and Bob Cowsill.

Identical twins Leni and Gina have secretly switched places for years. But when one sister disappears, both of their lives start to fall apart.

Although generally classified as an atmospheric gothic metal band, On Thorns I Lay has become known for its change from early, brutal death-metal (under their previous names Paralysis and Phlebotomy) to softer, atmospheric rock. Crystal Tears is no exception to this evolution. However, this specific album can be regarded as an important turning point in their career as this is a drastic change in their aesthetic orientation. Despite previous stylistic changes, the band was accustomed to navigating the waters of extreme metal until this album. Crystal Tears radically turns toward a softer and more atmospheric direction.

An oft-naked male reporter decides to do an expose on "sexual widows", housewives who are neglected by their busy husbands. - This cheaper sex film is disguised as a report about green widows.

To celebrate the 30th anniversary of The Charlatans’ third album Up To Our Hips, we are excited to announce the release of an expanded edition of the album. The 2LP/2CD/DIGITAL set will feature the original album in addition to 10 bonus tracks comprised of live session recordings, rare mixes and more, all curated by Tim Burgess. The special package has brand new reimagined artwork by Nik Void and the LP is pressed on petrol blue bio vinyl. Released in 1994, Up To Our Hips was a new direction for the band. It leaned slightly away from the lighter pop songs of their previous two albums and is darker, heavier and organ led.

4400 overlooked, undervalued, or otherwise marginalized people who vanished without a trace over the last hundred years are all returned in an instant, having not aged a day and with no memory of what happened to them. As the government races to analyze the potential threat and contain the story, the 4400 themselves must grapple with the fact that they've been returned with a few "upgrades", and the increasing likelihood that they were all brought back now for a specific reason.

Many jazz fans don't realize how long ago Billy Taylor began his career; this French anthology assembles five separate sessions that he led as a young man between 1945 and 1949, as well as one date as a sideman. In 1945 he shows the influence of both Art Tatum and Teddy Wilson in the lightly swinging take of "Night and Day," while his campy approach to "Alexander's Ragtime Band" is rather refreshing. His lyrical solo interpretation of "The Very Thought of You" from 1946 demonstrates his considerable growth as a pianist. Taylor also wrote seven of the songs, which include two versions of his easygoing "Stridin' Down the Champs-Elysees," the flashy blues "Well Taylor-Ed," and two rare vocals by Taylor on the Nat King Cole-like "I Don't Ask Questions, I Just Have Fun" and "So You Think You're Cute"…

Repertoire records has sort of confused the issue of Herman's Hermits CDs by releasing this 25-song compilation in 1994 and then, in 2000, re-releasing the soundtrack Mrs. Brown You've Got a Lovely Daughter on CD. To clarify, this is not the soundtrack to the 1968 movie, but a collection of the group's 1964-1965 sides from various singles and EPs. Some of it will surprise listeners who think of Herman's Hermits as the poppiest component of the British Invasion and barely a rock & roll group at all - regardless of who is actually playing on "Walking With My Baby" or "Dream On," those are as solid as any early album track by the Hollies, and they don't do a bad version of "For Your Love" either; they even make an attempt at a slightly bluesier sound on "I Wonder," though this was clearly not Peter Noone's vocal forte…