Filles de Kilimanjaro (French for "Girls of Kilimanjaro") is a studio album by American jazz trumpeter Miles Davis. It was recorded in June and September 1968. The album is a transitional work for Davis, who was shifting stylistically from acoustic recordings with his second "great" quintet to his "electric" period. Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz.

Massimo Farao' is a wonderful Italian pianist who has played and recorded with Red Holloway, Albert "Tootie" Heath, Tony Scott, Franco Ambrosetti, Nat Adderley, Jeff Tain Watts, Jack DeJohnette and Chris Potter, among others. Farao's passionate style and stoic romanticism are very attractive along with the rich harmonies he creates. For this release he is adapts and interprets Ennio Morricone's famous songs such as "Nuovo Cinema Paradiso", "Once Upon A Time In America", "Mission", "Playing Love", and more. Piano, guitars, trumpets blend the moving feelings of jazz and films. Venus's Hyper Magnum Sound is transparent and beautiful.

When Wes Montgomery made his first amazing impact on the New York jazz scene at the end of the 1950s, a great many established stars actively sought to record with him. Milt Jackson was one of the few for whom the guitarist felt an equal affinity. For one thing, they shared a strong love for the blues; and Wes had learned, through years of playing with his brother Buddy, to value the vibes/guitar sound. To support this memorable meeting of thoroughly compatible jazz masters, Riverside assembled one of the most cohesive recording rhythm sections of its day: Wynton Kelly, Sam Jones, and Philly Joe Jones.

This is the latest version of Windows OS releases, with new interface and other new features like new Microsoft Store, a new personalized feed powered by AI and best-in-class browser performance from Microsoft Edge, Chat from Microsoft Teams integrated in the taskbar and many more.

Promoción editorial: Osayo era una mujer que lo perdió todo a manos de cuatro indeseables, que asesinaron a sus seres queridos y la violaron. Años más tarde, encerrada de por vida en una prisión, la mujer decide quedarse embarazada para que su hijo lleve a cabo la venganza. Osayo muere en el parto, pero su hija Yuki se convierte en la mejor asesina de Japón, Lady Snowblood; en su corazón anida el deseo de vengarse de su madre, Yuki hará lo que sea para que el alma de Osayo descanse en paz. . .

Earlier this year, St. Vincent’s Annie Clark released All Born Screaming, an album which managed to capture the absolute clusterfuck of emotions that make up being alive in the year 2024 in a compact 10 songs and 42 minutes. The self-produced record is raw and gritty and sensual and experimental and fun. It also showcases Clark as an artist in her peak, in absolute control.