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Academy of St. Martin in the Fields & Sir Neville Marriner - Handel: Jephtha (1979/2024) [Official Digital Download 24/48]

Posted By: delpotro
Academy of St. Martin in the Fields & Sir Neville Marriner - Handel: Jephtha (1979/2024) [Official Digital Download 24/48]

Academy of St. Martin in the Fields & Sir Neville Marriner - Handel: Jephtha (1979/2024)
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 171:53 minutes | 1,74 GB
Classical, Sacred, Oratorio | Label: Decca Records, Official Digital Download

Jephtha (HWV 70) is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges (Chapter 11) and Jephthes, sive Votum (Jeptha, or the Vow) (1554) by George Buchanan. Whilst writing Jephtha, Handel was increasingly troubled by his gradual loss of sight, and this proved to be his last oratorio. In the autograph score, at the end of the chorus "How dark, O Lord, are thy decrees" he wrote "Reached here on 13 February 1751, unable to go on owing to weakening of the sight of my left eye."

The story revolves around Jephtha's rash promise to the Almighty that if he is victorious, he will sacrifice the first creature he meets on his return. He is met by his beloved daughter Iphis. However, an angel intervenes to stop the sacrifice, and Iphis only needs to dedicate her life to the Lord. This is an unusual interpretation of the Bible story, although one which has been current since the Middle Ages. The more common interpretation is that Jephthah chooses to sacrifice his daughter, but a short reprieve is arranged, after which Iphis dutifully returns and is killed.

Staged performance of material based on biblical subjects was forbidden in Great Britain at the time the work was premiered. Handel's final masterpiece was presented at Covent Garden Theatre on 26 February 1752, with the composer conducting, and with a cast that included John Beard as Jephtha and two divas of the opera stage, Giulia Frasi, Handel's prima donna since 1749, and Caterina Galli. It was presented without scenery or costumes and divided into three acts.

Tracklist:
1. Academy of St Martin in the Fields & Sir Neville Marriner – Jephtha, HWV 70: Overture (03:48)
2. Academy of St Martin in the Fields & Sir Neville Marriner – Jephtha, HWV 70: Menuet (01:43)
3. Christopher Keyte – Jephtha, HWV 70, Act I: It Must Be So (01:26)
4. Christopher Keyte – Jephtha, HWV 70, Act I: Pour Forth No. More Unheeded Pray'rs (03:15)
5. Southend Boys Choir & Academy of St Martin in the Fields Chorus – Jephtha, HWV 70, Act I: No. More to Ammon's God and King (02:57)
6. Christopher Keyte – Jephtha, HWV 70, Act I: But Jephta Comes (01:00)
7. Anthony Rolfe Johnson – Jephtha, HWV 70, Act I: Virtue My Soul Shall Still Embrace (04:04)
8. Alfreda Hodgson – Jephtha, HWV 70, Act I: 'Twill Be a Painful Separation, Jephta - in Gentle Murmurs Will I Mourn (05:17)
9. Paul Esswood – Jephtha, HWV 70, Act I: Happy This Embassy, My Charming Iphis - Dull Delay, in Piercing Anguish (04:47)
10. Margaret Marshall – Jephtha, HWV 70, Act I: Ill Suits the Voice of Love When Glory Calls - Take the Heart You Fondly Gave (05:00)
11. Margaret Marshall & Paul Esswood – Jephtha, HWV 70, Act I: I Go, My soul, Inspir'd - These Labours Past, How Happy We! (06:40)
12. Anthony Rolfe Johnson – Jephtha, HWV 70, Act I: What Mean These Doubtful Fancies (01:29)
13. Southend Boys Choir & Academy of St Martin in the Fields Chorus – Jephtha, HWV 70, Act I: O God, Behold Our Sore Distress (04:42)
14. Alfreda Hodgson – Jephtha, HWV 70, Act I: Some Dire Event Hangs o'er Our Heads - Scenes of Horror, Scenes of Woe (05:13)
15. Margaret Marshall – Jephtha, HWV 70, Act I: Say, My Dear Mother (00:51)
16. Margaret Marshall – Jephtha, HWV 70, Act I: The Smiling Dawn of Happy Days (03:01)
17. Christopher Keyte, Southend Boys Choir & Academy of St Martin in the Fields Chorus – Jephtha, HWV 70, Act I: Such, Jephta - When His Loud Voice (05:06)
18. Paul Esswood – Jephtha, HWV 70, Act II: Glad Tidings of Great Joy to Thee, Dear Iphis (01:10)
19. Southend Boys Choir & Academy of St Martin in the Fields Chorus – Jephtha, HWV 70, Act II: Cherub and Seraphim, Unbodied Forms (03:12)
20. Paul Esswood – Jephtha, HWV 70, Act II: Up the DreadfulSteep Ascending (05:27)
21. Margaret Marshall – Jephtha, HWV 70, Act II: 'Tis Well - Tune the Soft Melodious Lute (05:06)
22. Christopher Keyte – Jephtha, HWV 70, Act II: Again Heav'n Smiles - Freedom Now Once More Possessing (04:05)
23. Anthony Rolfe Johnson – Jephtha, HWV 70, Act II: Zebul, Thy Deeds Were Valiant - His Mighty Arm (06:04)
24. Southend Boys Choir & Academy of St Martin in the Fields Chorus – Jephtha, HWV 70, Act II: in Glory High, in Might Serene (02:25)
25. Academy of St Martin in the Fields & Sir Neville Marriner – Jephtha, HWV 70, Act II: Symphony (01:18)
26. Margaret Marshall & Southend Boys Choir – Jephtha, HWV 70, Act II: Hail, Glorious Conqueror - Welcome as the Cheerful Ligh (04:02)
27. Anthony Rolfe Johnson – Jephtha, HWV 70, Act II: Horror! Confusion! - Open Thy Marble Jaws, O Tomb (04:50)
28. Christopher Keyte – Jephtha, HWV 70, Act II: Why Is My Brother Thus Afflicted (01:14)
29. Alfreda Hodgson – Jephtha, HWV 70, Act II: First Perish Thou, and Perish All the World (02:13)
30. Paul Esswood – Jephtha, HWV 70, Act II: If Such Thy Cruel Purpose - On Me Let Blind Mistaken Zeal (01:51)
31. Alfreda Hodgson, Paul Esswood, Anthony Rolfe Johnson & Christopher Keyte – Jephtha, HWV 70, Act II: O Spare Your Daughter (02:40)
32. Margaret Marshall – Jephtha, HWV 70, Act II: Such News Flies Swift - Happy They (04:12)
33. Anthony Rolfe Johnson – Jephtha, HWV 70, Act II: Deeper, and Deeper Still (03:23)
34. Southend Boys Choir & Academy of St Martin in the Fields Chorus – Jephtha, HWV 70, Act II: How Dark, O Lord, Are Thy Decrees! (08:44)
35. Anthony Rolfe Johnson – Jephtha, HWV 70, Act III: Hide Thou Thy Hated Beams, O Sun (02:55)
36. Anthony Rolfe Johnson – Jephtha, HWV 70, Act III: Waft Her, Angels, Through the Skies (04:48)
37. Margaret Marshall – Jephtha, HWV 70, Act III: Ye Sacred Priests - Farewell, Ye Limpid Springs and Floods (06:02)
38. Southend Boys Choir & Academy of St Martin in the Fields Chorus – Jephtha, HWV 70, Act III: Doubtful Fear and Rev'rent Awe (05:00)
39. Academy of St Martin in the Fields & Sir Neville Marriner – Jephtha, HWV 70, Act III: Symphony (01:28)
40. Dame Emma Kirkby – Jephtha, HWV 70, Act III: Rise, Jephta, and Ye Rev'rend Priests (01:11)
41. Dame Emma Kirkby – Jephtha, HWV 70, Act III: Happy, Iphis Shalt Thou Live (04:43)
42. Anthony Rolfe Johnson – Jephtha, HWV 70, Act III: For Ever Blessed Be Thy Holy Name (01:50)
43. Southend Boys Choir & Academy of St Martin in the Fields Chorus – Jephtha, HWV 70, Act III: Theme Sublime of Endless Praise (03:10)
44. Christopher Keyte – Jephtha, HWV 70, Act III: Let Me Congratulate This Happy Turn - Laud Her, All Ye Virgin Train (01:44)
45. Alfreda Hodgson – Jephtha, HWV 70, Act III: O Let Me Fold Thee in a Mother's Arms - Sweet as Sight (02:32)
46. Paul Esswood – Jephtha, HWV 70, Act III: With Transport, Iphis - 'Tis Heaven's All-ruling Power (05:41)
47. Margaret Marshall – Jephtha, HWV 70, Act III: My Faithful Hamor, May That Providence - All That Is in Hamor Mine (04:21)
48. Southend Boys Choir & Academy of St Martin in the Fields Chorus – Jephtha, HWV 70, Act III: Ye House of Gilead, With One Voice (03:47)

foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2024-03-22 11:57:37

––––––––––––––––––––––––––––––––––––––––
Analyzed: Academy of St. Martin in the Fields / Handel: Jephtha (1-4)
Alfreda Hodgson / Handel: Jephtha (5-9)
Anthony rolfe Johnson / Handel: Jephtha (10-17)
Christopher Keyte / Handel: Jephtha (18-24)
Emma Kirkby / Handel: Jephtha (25-26)
Margaret Marshall / Handel: Jephtha (27-35)
Paul Esswood / Handel: Jephtha (36-40)
Southend Boys Choir / Handel: Jephtha (41-48)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -6.49 dB -21.72 dB 3:49 01-Overture
DR12 -13.35 dB -28.45 dB 1:43 02-Menuet
DR11 -11.38 dB -26.55 dB 1:19 25-Symphony
DR14 -7.25 dB -25.09 dB 1:28 39-Symphony
DR16 -6.01 dB -28.94 dB 5:17 08-'Twill Be a Painful Separation, Jephta - In Gentle Murmurs Will I Mourn
DR15 -6.61 dB -26.42 dB 5:13 14-Some Dire Event Hangs o'er Our Heads - Scenes of Horror, Scenes of Woe
DR14 -5.48 dB -25.47 dB 2:14 29-First Perish Thou, and Perish All the World
DR14 -3.25 dB -21.33 dB 2:40 31-O Spare Your Daughter
DR14 -7.98 dB -27.90 dB 2:32 45-O Let Me Fold Thee in a Mother's Arms - Sweet as Sight
DR14 -7.41 dB -26.05 dB 4:04 07-Virtue My Soul Shall Still Embrace
DR14 -6.78 dB -27.01 dB 1:30 12-What Mean These Doubtful Fancies
DR15 -3.85 dB -23.17 dB 6:05 23-Zebul, Thy Deeds Were Valiant - His Mighty Arm
DR17 -3.22 dB -25.25 dB 4:51 27-Horror! Confusion! - Open Thy Marble Jaws, O Tomb
DR16 -1.35 dB -25.05 dB 3:23 33-Deeper, and Deeper Still
DR13 -5.93 dB -28.18 dB 2:55 35-Hide Thou Thy Hated Beams, O Sun
DR18 -4.15 dB -28.84 dB 4:49 36-Waft Her, Angels, Through the Skies
DR12 -8.39 dB -25.24 dB 1:51 42-For Ever Blessed Be Thy Holy Name
DR13 -8.76 dB -27.31 dB 1:27 03-It Must Be So
DR12 -5.41 dB -23.47 dB 3:16 04-Pour Forth No More Unheeded Pray'rs
DR15 -5.26 dB -26.88 dB 1:01 06-But Jephta Comes
DR12 -1.02 dB -18.42 dB 5:07 17-Such, Jephta - When His Loud Voice
DR13 -6.05 dB -24.08 dB 4:05 22-Again Heav'n Smiles - Freedom Now Once More Possessing
DR17 -6.77 dB -29.65 dB 1:15 28-Why Is My Brother Thus Afflicted
DR14 -5.32 dB -24.48 dB 1:45 44-Let Me Congratulate This Happy Turn - Laud Her, All Ye Virgin Train
DR12 -9.58 dB -27.52 dB 1:12 40-Rise, Jephta, and Ye Rev'rend Priests
DR14 -6.57 dB -25.68 dB 4:44 41-Happy, Iphis Shalt Thou Live
DR15 -5.14 dB -25.27 dB 5:00 10-Ill Suits the Voice of Love When Glory Calls - Take the Heart You Fondly Gave
DR15 -1.99 dB -22.82 dB 6:41 11-I Go, My soul, Inspir'd - These Labours Past, How Happy We!
DR13 -4.71 dB -27.25 dB 0:52 15-Say, My Dear Mother
DR14 -4.89 dB -25.57 dB 3:02 16-The Smiling Dawn of Happy Days
DR13 -4.71 dB -24.52 dB 5:07 21-'Tis Well - Tune the Soft Melodious Lute
DR15 -2.52 dB -21.97 dB 4:03 26-Hail, Glorious Conqueror - Welcome as the Cheerful Ligh
DR14 -5.87 dB -24.94 dB 4:13 32-Such News Flies Swift - Happy They
DR13 -4.13 dB -24.42 dB 6:03 37-Ye Sacred Priests - Farewell, Ye Limpid Springs and Floods
DR14 -0.20 dB -22.08 dB 4:21 47-My Faithful Hamor, May That Providence - All That Is in Hamor Mine
DR15 -7.50 dB -27.16 dB 4:48 09-Happy This Embassy, My Charming Iphis - Dull Delay, in Piercing Anguish
DR15 -7.03 dB -27.74 dB 1:10 18-Glad Tidings of Great Joy to Thee, Dear Iphis
DR15 -4.41 dB -24.10 dB 5:27 20-Up the DreadfulSteep Ascending
DR14 -3.60 dB -23.67 dB 1:51 30-If Such Thy Cruel Purpose - On Me Let Blind Mistaken Zeal
DR17 -5.33 dB -27.32 dB 5:41 46-With Transport, Iphis - 'Tis Heaven's All-ruling Power
DR12 -1.86 dB -17.98 dB 2:58 05-No More to Ammon's God and King
DR12 -1.91 dB -19.47 dB 4:42 13-O God, Behold Our Sore Distress
DR13 -0.60 dB -20.13 dB 3:13 19-Cherub and Seraphim, Unbodied Forms
DR13 -0.31 dB -17.79 dB 2:26 24-In Glory High, in Might Serene
DR14 -1.01 dB -21.88 dB 8:45 34-How Dark, O Lord, Are Thy Decrees!
DR13 -0.20 dB -19.40 dB 5:00 38-Doubtful Fear and Rev'rent Awe
DR12 -1.33 dB -18.19 dB 3:10 43-Theme Sublime of Endless Praise
DR12 -0.55 dB -16.99 dB 3:47 48-Ye House of Gilead, With One Voice
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 48
Official DR value: DR14

Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1542 kbps
Codec: FLAC
================================================================================


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