When a cop who is just out of rehab takes the graveyard shift in a city hospital morgue, she faces a series of bizarre, violent events caused by an evil entity in one of the corpses.

Igor Pro 9 is an interactive software environment for experimentation with scientific and engineering data and for the production of publication-quality graphs and page layouts. Igor has been used by tens of thousands of technical professionals since its introduction in 1989.

West Coast vocalist, guitarist, and songwriter Robert Lucas forged a path for himself in the blues world after the release of his much-hailed 1990 self-produced debut cassette, Across the River. Based in Long Beach, CA, as a solo artist Lucas recorded for the Audioquest label out of San Clemente. He was also a member of the legendary boogie blues band Canned Heat, singing and playing bottleneck guitar and harmonica with the group off and on starting in 1994. Lucas paid homage to traditional blues but also carefully crafted his own singing and slide guitar style. These talents are on ample display on his Audioquest albums, including Luke and the Locomotives, Usin' Man Blues, Built for Comfort, Layaway, and Completely Blue, all released during the '90s, as well as latter-day Canned Heat albums on the Ruf and Fuel 2000 labels.

Two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry Darling, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend El Wray lead a team of accidental warriors into the night.

Blondie is an American rock band founded by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the early American new wave and punk scenes of the mid-late 1970s. Its first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles including "Heart of Glass", "Call Me", "Rapture" and "The Tide Is High" and became noted for its eclectic mix of musical styles incorporating elements of disco, pop, reggae, and early rap music.

Eddi Reader has proven her worth as a sublime singer of pop and folk material (and beyond), but this returns her full-bore to her Scottish roots. Born from the concerts she did at the 2002 Celtic Connections festival, it's a decidedly lush performance that hauls in several well-known Celtic names like Phil Cunningham, John McCusker, and Ian Carr to help her along. But it's Reader's rendition of Robert Burns' classics that's the key here. She picked familiar material, songs that have become part of the folk continuum that can be both a blessing and a curse. But she reinvents something like "My Love Is Like a Red Red Rose," investing it with rich emotion. She positively flies on the more romantic songs, such as "Ae Fond Kiss," but she brings a surprising depth to "Charlie Is My Darling" and the chestnut "Auld Lang Syne," and "Ye Jacobites" sizzles with tension. The arrangements go for the cinematic rather than the intimate, putting them on the dangerous edge of new age. But such is the quality of everyone involved that there's no danger of teetering over and it becomes a tour de force. It is one of the highlights of Reader's splendid career, and even "Wild Mountainside," decidedly not a Burns song, fits in perfectly.

In Stereo is the first studio album by breakbeat/hip hop duo Bomfunk MC's. It reached #1 on that year's Finnish albums chart and remained charted for 69 weeks. The album's second single "Freestyler" became a chart-topping hit worldwide during the first half of 2000, reaching number one in eleven countries.

Carroll was a New York poet living in California when punk exploded in the late 1970s. He rightly sensed that punk was as much a lyrical stance as a musical one. Inspired by contemporaries like Patti Smith and Richard Hell, Carroll found himself a band and started spewing his literate and often fatalistic verse over a solid 4/4 beat. His surprise 1980 hit "People Who Died" sounded both shocking and exciting as it roared out of bored radios all across America. The rest of this guitar-heavy set–including the classic "Wicked Gravity" and the previously unreleased "Differing Touch"–paints similarly edgy portraits of lurkers and fringe dwellers. The rote rock backing occasionally gets a little tepid, but Carroll's bitter-junkie tongue burns throughout. –Michael Ruby