This LNCS workshop proceedings, ACCV 2018, contains carefully reviewed and selected papers from 11 workshops, each having different types or programs: Scene Understanding and Modelling (SUMO) Challenge, Learning and Inference Methods for High Performance Imaging (LIMHPI), Attention/Intention Understanding (AIU), Museum Exhibit Identification Challenge (Open MIC) for Domain Adaptation and Few-Shot Learning, RGB-D - Sensing and Understanding via Combined Colour and Depth, Dense 3D Reconstruction for Dynamic Scenes, AI Aesthetics in Art and Media (AIAM), Robust Reading (IWRR), Artificial Intelligence for Retinal Image Analysis (AIRIA), Combining Vision and Language, Advanced Machine Vision for Real-life and Industrially Relevant Applications (AMV).

This book presents the proceedings of the 1st International Conference on Water Energy Food and Sustainability – ICoWEFS 2021, a major forum to foster innovation and exchange knowledge in the water-energy-food nexus, embracing the Sustainable Development Goals (SDGs) of the United Nations, bringing together leading academics, researchers and industrial experts. It contains the work of authors from 33 countries.

I've always loved doing fan art, it's been a passion of mine for over 10 years now and I've had a blast filling up my gallery with it. Being a huge gamer and having big interest in the entertainment world, I can never run out of things to draw. Be it to gain hype over an upcoming game that I'm bursting to play, or to let out excitement for that blockbuster movie that seems so far off. I'm always inspired to create more fan art using the dynamics and energy of my style.

Historic pre-Gong performance. This is a recording of Daevid and Gilli's performance upon their return to the U.K., four years after Daevid was refused entry in 1967, which led him to leaving Soft Machine. The recording is a reasonable audience recording, regardless, this is an intriguing and historic performance and highly recommended to all Gong heads and Daevid Allen fans alike. The material was the recent spoken word/soundscape material at the time, but also brings forward new material which was to see new life in the Gong era. The band for this show is as follows: Daevid Allen (guitar,spoken word, tape loops), Gilli Smyth (spoken word and vocal improv - space whisper), Robert Wyatt (drums), Hugh Hopper (bass), and Elton Dean (sax).

An eccentric private investigator with a criminal past recruits a disgraced ex-cop to help solve the disappearance of a Korean tech pioneer in the wilds of Far North Queensland.

I've always loved doing fan art, it's been a passion of mine for over 10 years now and I've had a blast filling up my gallery with it. Being a huge gamer and having big interest in the entertainment world, I can never run out of things to draw. Be it to gain hype over an upcoming game that I'm bursting to play, or to let out excitement for that blockbuster movie that seems so far off. I'm always inspired to create more fan art using the dynamics and energy of my style.

Although the Greatest Show on Earth (GSOE) were not the first bunch of rockers to incorporate a powerful brass and woodwind section, they are among the best and heaviest-sounding British bands to have emerged from the post-psychedelia of the late '60s and early '70s. GSOE were, in essence, the invention of EMI Records subsidiary Harvest, who were focusing in on new and progressive artists such as Pink Floyd and Deep Purple. When the group was initially signed in 1968, they were an R&B/soul revue whose forte was more along the lines of Stax or Motown, instead of trippy acid rock. After ditching their original vocalist, Ozzie Lane, they eventually settled on Colin Horton Jennings, a multi-faceted performer who would begin to compose originals that would allow the octet to incrementally abandon their Yankee soul leanings.