![Yuja Wang - Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (2025) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/66/6697/66979ab8a8394503a16fc5812d5313e1-12612711064544167841_medium.webp)
Yuja Wang - Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (2025) [Official Digital Download 24/96]
![Yuja Wang - Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (2025) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/66/6697/66979ab8a8394503a16fc5812d5313e1-12612711064544167841.webp)
Yuja Wang - Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (2025) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 19:26:50 minutes | 19,33 GB
Classical | Studio Master, Official Digital Download
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 19:26:50 minutes | 19,33 GB
Classical | Studio Master, Official Digital Download
The Boston Symphony Orchestra and their music director Andris Nelsons announce their upcoming album, on which they present their acclaimed Shostakovich symphony cycle to mark the 50th anniversary of the composer’s death in 1975.
Since his death, Shostakovich’s stature has only continued to grow and he is now recognized as one of the greatest composers of the twentieth century. Moreover, his relationship to the Soviet regime continues to fascinate. Was he a loyal servant or an embittered closet-dissident? For Nelsons, who experienced the Soviet system firsthand growing up in Latvia and who has spent much of his career studying and conducting Shostakovich’s music, these questions are irrelevant: “The greatness of his music lies beyond politics. It speaks to people whether they know the times he lived in or not,” says Nelsons.
This Grammy-winning exceptional anthology contains brand-new recordings by pianist Yuja Wang, violinist Baiba Skride and cellist Yo-Yo Ma in the concertos, while the Lady Macbeth cast is headed by Kristine Opolais, Brenden Gunnell, Peter Hoare and Günther Groissböck.
Listen to a first pre-release track, the energetic and fierce Interlude taken from Act III, Scene 7 of Lady Macbeth of Mtsensk District. The full album is released digitally, on CD as well as on vinyl on 28 March and is now available for pre-order.
TRACKLIST
1. Boston Symphony Orchestra - I. Allegretto - Allegro non troppo
2. Boston Symphony Orchestra - II. Allegro
3. Boston Symphony Orchestra - III. Lento
4. Boston Symphony Orchestra - IV. Lento - Allegro molto
5. Boston Symphony Orchestra - Ia. Largo
6. Tanglewood Festival Chorus - Ib. Chorus: "My schli, my prossili raboty i chleba”
7. Boston Symphony Orchestra - Ia. Allegretto - Allegro
8. Boston Symphony Orchestra - Ib. Andante
9. Boston Symphony Orchestra - Ic. Allegro – Largo
10. Tanglewood Festival Chorus - Id. Moderato "The First of May"
11. Boston Symphony Orchestra - I. Allegretto poco moderato (Live)
12. Boston Symphony Orchestra - II. Presto (Live)
13. Boston Symphony Orchestra - III. Moderato con moto (Live)
14. Boston Symphony Orchestra - IV. Largo (Live)
15. Boston Symphony Orchestra - V. Allegro (Live)
16. Boston Symphony Orchestra - I. Moderato (Live)
17. Boston Symphony Orchestra - II. Allegretto (Live)
18. Boston Symphony Orchestra - III. Largo (Live)
19. Boston Symphony Orchestra - IV. Allegro non troppo
20. Boston Symphony Orchestra - I. Largo (Live)
21. Boston Symphony Orchestra - II. Allegro (Live)
22. Boston Symphony Orchestra - III. Presto (Live)
23. Boston Symphony Orchestra - I. Allegretto (Live)
24. Boston Symphony Orchestra - II. Moderato. Poco allegretto (Live)
25. Boston Symphony Orchestra - III. Adagio (Live)
26. Boston Symphony Orchestra - IV. Allegro non troppo (Live)
27. Boston Symphony Orchestra - I. Adagio (Live)
28. Boston Symphony Orchestra - II. Allegretto (Live)
29. Boston Symphony Orchestra - III. Allegro non troppo (Live)
30. Boston Symphony Orchestra - IV. Largo (Live)
31. Boston Symphony Orchestra - V. Allegretto (Live)
32. Boston Symphony Orchestra - I. Allegro (Live)
33. Boston Symphony Orchestra - II. Moderato (Live)
34. Boston Symphony Orchestra - III. Presto - (Live)
35. Boston Symphony Orchestra - IV. Largo - (Live)
36. Boston Symphony Orchestra - V. Allegretto (Live)
37. Boston Symphony Orchestra - I. Moderato (Live)
38. Boston Symphony Orchestra - II. Allegro (Live)
39. Boston Symphony Orchestra - III. Allegretto (Live)
40. Boston Symphony Orchestra - IV. Andante - Allegro
41. Boston Symphony Orchestra - I. The Palace Square (Adagio) (Live)
42. Boston Symphony Orchestra - II. The Ninth of January (Allegro - Adagio - Allegro - Adagio) (Live)
43. Boston Symphony Orchestra - III. Eternal Memory (Adagio) (Live)
44. Boston Symphony Orchestra - IV. The Tocsin (Allegro non troppo) (Live)
45. Boston Symphony Orchestra - I. Revolutionary Petrograd (Moderato – Allegro)
46. Boston Symphony Orchestra - II. Razliv (Allegro – Adagio)
47. Boston Symphony Orchestra - III. Aurora (Allegro)
48. Boston Symphony Orchestra - IV. The Dawn of Humanity (L'istesso tempo)
49. Matthias Goerne - I. Babi Yar. Adagio
50. Matthias Goerne - II. Humour. Allegretto
51. Matthias Goerne - III. In the Store. Adagio
52. Matthias Goerne - IV. Fears. Largo
53. Matthias Goerne - V. A Career. Allegretto
54. Alexander Tsymbalyuk - I. De Profundis
55. Kristīne Opolais - II. Malagueña
56. Kristīne Opolais - III. Loreley
57. Kristīne Opolais - IV. Le suicidé
58. Kristīne Opolais - V. Les attentives I
59. Kristīne Opolais - VI. Les attentives II
60. Alexander Tsymbalyuk - VII. A la santé
61. Alexander Tsymbalyuk - VIII. Réponse des Cosaques Zaporogues au Sultan de Constantinople
62. Alexander Tsymbalyuk - IX. O, Delvig, Delvig!
63. Kristīne Opolais - X. Der Tod des Dichters
64. Kristīne Opolais - XI. Schlussstück
65. Boston Symphony Orchestra - I. Allegretto
66. Boston Symphony Orchestra - II. Adagio - Largo - Adagio - Largo
67. Boston Symphony Orchestra - III. Allegretto
68. Boston Symphony Orchestra - IV. Adagio - Allegretto - Adagio - Allegretto
69. Andris Nelsons - Passacaglia (Live)
70. Boston Symphony Orchestra - I. Introduction and Night Patrol (Live)
71. Boston Symphony Orchestra - II. Funeral March (Live)
72. Boston Symphony Orchestra - III. Flourish and Dance Music (Live)
73. Boston Symphony Orchestra - IV. The Hunt (Live)
74. Boston Symphony Orchestra - IX. Ophelia's Song (Live)
75. Boston Symphony Orchestra - X. Cradle Song (Live)
76. Boston Symphony Orchestra - XI. Requiem (Live)
77. William R. Hudgins - Introduction and Ballad of Cordelia (Live)
78. Boston Symphony Orchestra - Fanfare No. 1 (Live)
79. Boston Symphony Orchestra - Return from the Hunt (Live)
80. Boston Symphony Orchestra - Fanfare No. 4 (Live)
81. Boston Symphony Orchestra - Approach of the Storm (Live)
82. Boston Symphony Orchestra - Scene on the Steppe (Live)
83. Boston Symphony Orchestra - Fanfare No. 2 (Live)
84. Boston Symphony Orchestra - The Blinding of Gloucester (Live)
85. Boston Symphony Orchestra - The Military Camp (Live)
86. Boston Symphony Orchestra - Fanfare No. 5 (Live)
87. Boston Symphony Orchestra - March (Live)
88. Boston Symphony Orchestra - Festive Overture, Op. 96 (Live)
89. Boston Symphony Orchestra - I. Largo - attacca
90. Boston Symphony Orchestra - II. Allegro molto - attacca
91. Boston Symphony Orchestra - III. Allegretto - attacca
92. Boston Symphony Orchestra - IV. Largo - attacca
93. Boston Symphony Orchestra - V. Largo (Orch. Barshai)
94. Yuja Wang - I. Allegro moderato
95. Yuja Wang - II. Lento
96. Yuja Wang - III. Moderato
97. Yuja Wang - IV. Allegro con brio
98. Yuja Wang - I. Allegro
99. Yuja Wang - II. Andante
100. Yuja Wang - III. Allegro
101. Baiba Skride - I. Nocturne. Moderato
102. Baiba Skride - II. Scherzo. Allegro
103. Baiba Skride - III. Passacaglia. Andante
104. Baiba Skride - IV. Burlesque. Allegro con brio – Presto
105. Baiba Skride - I. Moderato
106. Baiba Skride - II. Adagio
107. Baiba Skride - III. Adagio – Allegro
108. Yo-Yo Ma - I. Allegretto
109. Yo-Yo Ma - II. Moderato
110. Yo-Yo Ma - III. Cadenza –
111. Yo-Yo Ma - IV. Finale. Allegro con moto
112. Yo-Yo Ma - I. Largo
113. Yo-Yo Ma - II. Scherzo. Allegretto –
114. Yo-Yo Ma - III. Finale. Allegretto
115. Kristīne Opolais - Akh, ne spítsya ból’še, popróbuyu
116. Gunther Groissbock - Gribkí segódnya búdut?
117. Peter Hoare - Govorí! … Začém že tï uyezžáyes’, khozyáin … Vot, pápa, posmotrí … Proščáy, Katerína … Katerína, poklyanís’ na svyatóy ikóne … Čegó vstal?
118. Boston Symphony Orchestra - Interlude
119. Michelle Trainor - Ay! Ay! Ay! Ay, besstïžiy, oy, ne ščípli … Otpustíte, bábu
120. Kristīne Opolais - Mnógo vï, mužikí, o sebé vozmečtáli … Čto ėto?
121. Boston Symphony Orchestra - Interlude
122. Kristīne Opolais - Spat’ porá. Den’ prošól
123. Kristīne Opolais - Žerebyónok k kobïlke torópitsya
124. Kristīne Opolais - Kto ėto, kto, kto stučít? … Proščáy … Uydí tï, rádi bóga, ya múžnyaya žená
125. Gunther Groissbock - Čto znáčit stárost’: Ne spítsya
126. Brenden Gunnell - Proščáy, Kátya, proščáy! … Stoy! Gde bïl? … Smotrí, Katerína, zanyátnoye zrélišče
127. Gunther Groissbock - Ustál – Prikážete mne postegát’? … Progolodálsya ya
128. Gunther Groissbock - Vídno, skóro už zaryá. Ėkh! … Gde tut umiráyut? … Bátya, ispovédat’sya … Akh, Borís Timoféyevič, začém tï ot nas ušól?
129. Boston Symphony Orchestra - Interlude
130. Kristīne Opolais - Sergéy, Seryóža! Vsyo spit
131. Kristīne Opolais - Opyát’ usnúl … Katerína L’vóvna, ubíyca! … Nu? Čegó tebé?
132. Kristīne Opolais - Slúšay, Sergéy, Sergéy! … Katerína! – Kto tam? … Tepér’ šabáš
133. Brenden Gunnell - Čto tï tut stoíš’? … U menyá bïlá kumá … Interlude
134. Anatoli Sivko - Sózdan policéyskiy bïl vo vrémya onó … U Izmáylovoy seyčás pir goróy … Váše blagoródiye! … Skóro, skóro, čtóbï ne bïlo ukóra
135. Boston Symphony Orchestra - Interlude
136. Juric Goran - Sláva suprúgam, Kateríne L’vóvne i Sergéyu Filíppïču, sláva! … Nikogó net kráše sólnca v nébe? … Čto takóye? Pózdno!
137. Dmitry Belosselskiy - Vyórstï odná za drugóy dlínnoy polzút verenícey
138. Kristīne Opolais - Stepánïč! Propustí menyá
139. Kristīne Opolais - Ne legkó pósle počóta da poklónov péred sudóm stoyát’!
140. Brenden Gunnell - Moyó počtén’ye! … Dostánu! Kátya! … Iš’, zver’!
141. Kristīne Opolais - V lesú, v sámoy čášče, yest’ ózero … Znáyeš’ li, Sonétka, na kogó s tobóy mï pokhóži?
142. Patrick Guetti - Vstaváy! Po mestám! Žívo!
foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
log date: 2025-03-27 13:03:07
––––––––––––––––––––––––––––––––––––––––
Analyzed: Alexander Tsymbalyuk / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (1-4)
Anatoli Sivko / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (5)
Andris Nelsons / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (6)
Baiba Skride / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (7-13)
Boston Symphony Orchestra / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (14-90)
Brenden Gunnell / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (91-93)
Dmitry Belosselskiy / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (94)
Gunther Groissbock / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (95-98)
Juric Goran / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (99)
Kristīne Opolais / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (100-117)
Matthias Goerne / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (118-122)
Michelle Trainor / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (123)
Patrick Guetti / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (124)
Peter Hoare / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (125)
Tanglewood Festival Chorus / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (126-127)
William R. Hudgins / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (128)
Yo-Yo Ma / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (129-135)
Yuja Wang / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (136-142)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -16.27 dB -34.62 dB 4:52 54-I. De Profundis
DR14 -7.42 dB -28.10 dB 9:15 60-VII. A la santé
DR13 -4.51 dB -20.84 dB 1:48 61-VIII. Réponse des Cosaques Zaporogues au Sultan de Constantinople
DR13 -8.04 dB -27.65 dB 4:06 62-IX. O, Delvig, Delvig!
DR16 -1.44 dB -22.42 dB 7:38 134-Sózdan policéyskiy bïl vo vrémya onó … U Izmáylovoy seyčás pir goróy … Váše blagoródiye! … Skóro, skóro, čtóbï ne bïlo ukóra
DR12 -1.38 dB -19.55 dB 8:11 69-Passacaglia (Live)
DR13 -7.42 dB -26.39 dB 14:46 101-I. Nocturne. Moderato
DR15 -1.44 dB -21.16 dB 6:59 102-II. Scherzo. Allegro
DR15 -3.86 dB -23.66 dB 16:04 103-III. Passacaglia. Andante
DR15 -1.44 dB -21.08 dB 5:19 104-IV. Burlesque. Allegro con brio – Presto
DR16 -4.21 dB -25.71 dB 15:54 105-I. Moderato
DR14 -7.04 dB -26.80 dB 12:16 106-II. Adagio
DR15 -1.44 dB -21.82 dB 9:35 107-III. Adagio – Allegro
DR16 -1.40 dB -24.36 dB 9:28 01-I. Allegretto - Allegro non troppo
DR15 -1.38 dB -23.05 dB 4:51 02-II. Allegro
DR14 -6.47 dB -27.41 dB 9:46 03-III. Lento
DR15 -1.37 dB -22.67 dB 11:07 04-IV. Lento - Allegro molto
DR18 -1.40 dB -25.18 dB 12:07 05-Ia. Largo
DR17 -1.40 dB -24.29 dB 10:49 07-Ia. Allegretto - Allegro
DR19 -1.40 dB -31.20 dB 6:07 08-Ib. Andante
DR14 -1.40 dB -20.13 dB 12:24 09-Ic. Allegro – Largo
DR15 -1.40 dB -22.68 dB 14:56 11-I. Allegretto poco moderato (Live)
DR16 -1.40 dB -23.67 dB 11:47 12-II. Presto (Live)
DR15 -3.61 dB -27.35 dB 8:24 13-III. Moderato con moto (Live)
DR17 -1.40 dB -25.16 dB 6:52 14-IV. Largo (Live)
DR14 -1.39 dB -22.38 dB 22:29 15-V. Allegro (Live)
DR16 -2.48 dB -24.60 dB 16:35 16-I. Moderato (Live)
DR16 -2.69 dB -24.91 dB 5:36 17-II. Allegretto (Live)
DR15 -9.27 dB -31.68 dB 15:25 18-III. Largo (Live)
DR14 -1.42 dB -20.94 dB 12:13 19-IV. Allegro non troppo
DR15 -6.35 dB -28.08 dB 19:39 20-I. Largo (Live)
DR14 -1.40 dB -21.73 dB 6:24 21-II. Allegro (Live)
DR14 -1.39 dB -21.19 dB 7:11 22-III. Presto (Live)
DR14 -2.15 dB -22.86 dB 27:21 23-I. Allegretto (Live)
DR17 -2.54 dB -27.35 dB 11:39 24-II. Moderato. Poco allegretto (Live)
DR15 -1.92 dB -27.34 dB 20:33 25-III. Adagio (Live)
DR14 -1.39 dB -21.45 dB 18:54 26-IV. Allegro non troppo (Live)
DR16 -1.40 dB -23.63 dB 26:44 27-I. Adagio (Live)
DR13 -1.40 dB -21.63 dB 6:32 28-II. Allegretto (Live)
DR15 -2.58 dB -23.43 dB 6:38 29-III. Allegro non troppo (Live)
DR20 -1.40 dB -28.42 dB 10:34 30-IV. Largo (Live)
DR16 -1.40 dB -23.82 dB 16:12 31-V. Allegretto (Live)
DR17 -1.57 dB -24.59 dB 5:23 32-I. Allegro (Live)
DR13 -11.63 dB -30.82 dB 8:08 33-II. Moderato (Live)
DR15 -4.15 dB -24.75 dB 2:53 34-III. Presto - (Live)
DR12 -7.62 dB -28.22 dB 3:34 35-IV. Largo - (Live)
DR15 -1.67 dB -24.56 dB 6:40 36-V. Allegretto (Live)
DR16 -1.39 dB -23.69 dB 25:39 37-I. Moderato (Live)
DR12 -1.38 dB -18.03 dB 4:22 38-II. Allegro (Live)
DR17 -2.14 dB -25.83 dB 12:44 39-III. Allegretto (Live)
DR15 -1.41 dB -23.08 dB 13:41 40-IV. Andante - Allegro
DR16 -9.47 dB -32.71 dB 17:15 41-I. The Palace Square (Adagio) (Live)
DR12 -1.39 dB -20.01 dB 18:46 42-II. The Ninth of January (Allegro - Adagio - Allegro - Adagio) (Live)
DR14 -1.40 dB -22.27 dB 12:28 43-III. Eternal Memory (Adagio) (Live)
DR14 -1.40 dB -20.15 dB 14:10 44-IV. The Tocsin (Allegro non troppo) (Live)
DR14 -1.40 dB -21.17 dB 15:07 45-I. Revolutionary Petrograd (Moderato – Allegro)
DR16 -11.72 dB -34.00 dB 14:02 46-II. Razliv (Allegro – Adagio)
DR12 -1.40 dB -19.15 dB 4:44 47-III. Aurora (Allegro)
DR12 -1.40 dB -18.67 dB 11:11 48-IV. The Dawn of Humanity (L'istesso tempo)
DR17 -1.40 dB -24.28 dB 8:18 65-I. Allegretto
DR17 -1.40 dB -26.28 dB 17:27 66-II. Adagio - Largo - Adagio - Largo
DR16 -3.00 dB -29.41 dB 4:12 67-III. Allegretto
DR18 -1.39 dB -25.82 dB 18:07 68-IV. Adagio - Allegretto - Adagio - Allegretto
DR13 -1.40 dB -25.22 dB 2:45 70-I. Introduction and Night Patrol (Live)
DR12 -3.65 dB -19.45 dB 1:32 71-II. Funeral March (Live)
DR10 -1.44 dB -28.38 dB 2:22 72-III. Flourish and Dance Music (Live)
DR14 -1.68 dB -19.08 dB 1:58 73-IV. The Hunt (Live)
DR14 -7.25 dB -28.38 dB 1:31 74-IX. Ophelia's Song (Live)
DR11 -21.22 dB -38.63 dB 1:24 75-X. Cradle Song (Live)
DR11 -7.50 dB -25.31 dB 2:40 76-XI. Requiem (Live)
DR11 -8.61 dB -24.92 dB 0:21 78-Fanfare No. 1 (Live)
DR12 -5.53 dB -23.21 dB 0:54 79-Return from the Hunt (Live)
DR9 -11.13 dB -25.78 dB 0:13 80-Fanfare No. 4 (Live)
DR11 -3.07 dB -20.89 dB 1:27 81-Approach of the Storm (Live)
DR13 -22.56 dB -38.63 dB 2:01 82-Scene on the Steppe (Live)
DR10 -11.01 dB -25.59 dB 0:15 83-Fanfare No. 2 (Live)
DR11 -2.33 dB -16.67 dB 1:00 84-The Blinding of Gloucester (Live)
DR10 -20.93 dB -36.68 dB 1:38 85-The Military Camp (Live)
DR10 -10.77 dB -24.03 dB 0:17 86-Fanfare No. 5 (Live)
DR12 -4.45 dB -20.95 dB 1:32 87-March (Live)
DR14 -1.42 dB -20.13 dB 6:17 88-Festive Overture, Op. 96 (Live)
DR13 -13.88 dB -33.21 dB 5:37 89-I. Largo - attacca
DR12 -6.62 dB -22.66 dB 2:58 90-II. Allegro molto - attacca
DR14 -11.31 dB -31.02 dB 4:34 91-III. Allegretto - attacca
DR15 -5.93 dB -28.20 dB 6:41 92-IV. Largo - attacca
DR12 -9.97 dB -29.63 dB 5:05 93-V. Largo (Orch. Barshai)
DR14 -9.40 dB -31.74 dB 3:14 118-Interlude
DR12 -1.43 dB -17.50 dB 1:59 121-Interlude
DR10 -1.44 dB -17.90 dB 8:06 129-Interlude
DR15 -1.44 dB -23.52 dB 2:47 135-Interlude
DR14 -1.43 dB -18.75 dB 4:44 126-Proščáy, Kátya, proščáy! … Stoy! Gde bïl? … Smotrí, Katerína, zanyátnoye zrélišče
DR12 -1.42 dB -18.65 dB 7:22 133-Čto tï tut stoíš’? … U menyá bïlá kumá … Interlude
DR12 -1.43 dB -18.99 dB 8:03 140-Moyó počtén’ye! … Dostánu! Kátya! … Iš’, zver’!
DR13 -1.44 dB -21.37 dB 6:50 137-Vyórstï odná za drugóy dlínnoy polzút verenícey
DR16 -1.44 dB -23.63 dB 5:54 116-Gribkí segódnya búdut?
DR17 -1.44 dB -24.07 dB 5:37 125-Čto znáčit stárost’: Ne spítsya
DR16 -1.62 dB -27.01 dB 6:33 127-Ustál – Prikážete mne postegát’? … Progolodálsya ya
DR20 -1.44 dB -26.80 dB 7:06 128-Vídno, skóro už zaryá. Ėkh! … Gde tut umiráyut? … Bátya, ispovédat’sya … Akh, Borís Timoféyevič, začém tï ot nas ušól?
DR13 -1.43 dB -19.71 dB 10:31 136-Sláva suprúgam, Kateríne L’vóvne i Sergéyu Filíppïču, sláva! … Nikogó net kráše sólnca v nébe? … Čto takóye? Pózdno!
DR14 -2.32 dB -21.85 dB 3:03 55-II. Malagueña
DR15 -3.08 dB -24.87 dB 8:43 56-III. Loreley
DR14 -4.47 dB -26.98 dB 6:26 57-IV. Le suicidé
DR14 -1.40 dB -22.13 dB 3:08 58-V. Les attentives I
DR14 -4.71 dB -25.95 dB 1:44 59-VI. Les attentives II
DR16 -4.85 dB -30.53 dB 4:49 63-X. Der Tod des Dichters
DR13 -1.40 dB -19.76 dB 1:18 64-XI. Schlussstück
DR14 -7.40 dB -27.95 dB 5:52 115-Akh, ne spítsya ból’še, popróbuyu
DR16 -1.43 dB -23.07 dB 6:33 120-Mnógo vï, mužikí, o sebé vozmečtáli … Čto ėto?
DR12 -9.23 dB -28.83 dB 5:05 122-Spat’ porá. Den’ prošól
DR14 -3.89 dB -26.52 dB 6:26 123-Žerebyónok k kobïlke torópitsya
DR13 -1.43 dB -20.95 dB 9:39 124-Kto ėto, kto, kto stučít? … Proščáy … Uydí tï, rádi bóga, ya múžnyaya žená
DR16 -1.79 dB -23.93 dB 7:11 130-Sergéy, Seryóža! Vsyo spit
DR14 -1.44 dB -21.79 dB 6:17 131-Opyát’ usnúl … Katerína L’vóvna, ubíyca! … Nu? Čegó tebé?
DR15 -1.44 dB -23.04 dB 9:49 132-Slúšay, Sergéy, Sergéy! … Katerína! – Kto tam? … Tepér’ šabáš
DR15 -1.44 dB -27.81 dB 3:38 138-Stepánïč! Propustí menyá
DR14 -8.52 dB -30.02 dB 3:42 139-Ne legkó pósle počóta da poklónov péred sudóm stoyát’!
DR14 -1.44 dB -26.40 dB 6:30 141-V lesú, v sámoy čášče, yest’ ózero … Znáyeš’ li, Sonétka, na kogó s tobóy mï pokhóži?
DR15 -1.40 dB -21.98 dB 16:28 49-I. Babi Yar. Adagio
DR13 -1.40 dB -19.33 dB 8:48 50-II. Humour. Allegretto
DR15 -1.40 dB -23.12 dB 14:02 51-III. In the Store. Adagio
DR17 -1.40 dB -24.50 dB 14:21 52-IV. Fears. Largo
DR19 -1.94 dB -28.80 dB 14:09 53-V. A Career. Allegretto
DR12 -1.43 dB -16.39 dB 3:04 119-Ay! Ay! Ay! Ay, besstïžiy, oy, ne ščípli … Otpustíte, bábu
DR11 -1.43 dB -19.35 dB 8:02 142-Vstaváy! Po mestám! Žívo!
DR13 -1.43 dB -20.11 dB 7:28 117-Govorí! … Začém že tï uyezžáyes’, khozyáin … Vot, pápa, posmotrí … Proščáy, Katerína … Katerína, poklyanís’ na svyatóy ikóne … Čegó vstal?
DR13 -1.40 dB -19.23 dB 7:18 06-Ib. Chorus: "My schli, my prossili raboty i chleba”
DR12 -1.40 dB -16.95 dB 5:46 10-Id. Moderato "The First of May"
DR13 -3.93 dB -24.52 dB 4:34 77-Introduction and Ballad of Cordelia (Live)
DR17 -1.44 dB -23.03 dB 6:36 108-I. Allegretto
DR15 -1.44 dB -25.54 dB 12:14 109-II. Moderato
DR13 -8.04 dB -26.55 dB 5:36 110-III. Cadenza –
DR14 -1.44 dB -19.62 dB 4:48 111-IV. Finale. Allegro con moto
DR16 -1.44 dB -23.13 dB 13:21 112-I. Largo
DR17 -1.44 dB -22.62 dB 4:44 113-II. Scherzo. Allegretto –
DR17 -1.44 dB -23.63 dB 16:15 114-III. Finale. Allegretto
DR13 -4.27 dB -23.82 dB 6:04 94-I. Allegro moderato
DR15 -4.55 dB -26.76 dB 8:33 95-II. Lento
DR11 -7.47 dB -24.48 dB 1:53 96-III. Moderato
DR14 -2.22 dB -22.04 dB 6:53 97-IV. Allegro con brio
DR14 -1.44 dB -19.98 dB 7:03 98-I. Allegro
DR14 -11.24 dB -31.99 dB 6:07 99-II. Andante
DR14 -1.44 dB -21.24 dB 5:21 100-III. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 142
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2326 kbps
Codec: FLAC
================================================================================
log date: 2025-03-27 13:03:07
––––––––––––––––––––––––––––––––––––––––
Analyzed: Alexander Tsymbalyuk / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (1-4)
Anatoli Sivko / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (5)
Andris Nelsons / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (6)
Baiba Skride / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (7-13)
Boston Symphony Orchestra / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (14-90)
Brenden Gunnell / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (91-93)
Dmitry Belosselskiy / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (94)
Gunther Groissbock / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (95-98)
Juric Goran / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (99)
Kristīne Opolais / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (100-117)
Matthias Goerne / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (118-122)
Michelle Trainor / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (123)
Patrick Guetti / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (124)
Peter Hoare / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (125)
Tanglewood Festival Chorus / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (126-127)
William R. Hudgins / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (128)
Yo-Yo Ma / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (129-135)
Yuja Wang / Shostakovich: Symphonies; Concertos; Lady Macbeth of Mtsensk District (136-142)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -16.27 dB -34.62 dB 4:52 54-I. De Profundis
DR14 -7.42 dB -28.10 dB 9:15 60-VII. A la santé
DR13 -4.51 dB -20.84 dB 1:48 61-VIII. Réponse des Cosaques Zaporogues au Sultan de Constantinople
DR13 -8.04 dB -27.65 dB 4:06 62-IX. O, Delvig, Delvig!
DR16 -1.44 dB -22.42 dB 7:38 134-Sózdan policéyskiy bïl vo vrémya onó … U Izmáylovoy seyčás pir goróy … Váše blagoródiye! … Skóro, skóro, čtóbï ne bïlo ukóra
DR12 -1.38 dB -19.55 dB 8:11 69-Passacaglia (Live)
DR13 -7.42 dB -26.39 dB 14:46 101-I. Nocturne. Moderato
DR15 -1.44 dB -21.16 dB 6:59 102-II. Scherzo. Allegro
DR15 -3.86 dB -23.66 dB 16:04 103-III. Passacaglia. Andante
DR15 -1.44 dB -21.08 dB 5:19 104-IV. Burlesque. Allegro con brio – Presto
DR16 -4.21 dB -25.71 dB 15:54 105-I. Moderato
DR14 -7.04 dB -26.80 dB 12:16 106-II. Adagio
DR15 -1.44 dB -21.82 dB 9:35 107-III. Adagio – Allegro
DR16 -1.40 dB -24.36 dB 9:28 01-I. Allegretto - Allegro non troppo
DR15 -1.38 dB -23.05 dB 4:51 02-II. Allegro
DR14 -6.47 dB -27.41 dB 9:46 03-III. Lento
DR15 -1.37 dB -22.67 dB 11:07 04-IV. Lento - Allegro molto
DR18 -1.40 dB -25.18 dB 12:07 05-Ia. Largo
DR17 -1.40 dB -24.29 dB 10:49 07-Ia. Allegretto - Allegro
DR19 -1.40 dB -31.20 dB 6:07 08-Ib. Andante
DR14 -1.40 dB -20.13 dB 12:24 09-Ic. Allegro – Largo
DR15 -1.40 dB -22.68 dB 14:56 11-I. Allegretto poco moderato (Live)
DR16 -1.40 dB -23.67 dB 11:47 12-II. Presto (Live)
DR15 -3.61 dB -27.35 dB 8:24 13-III. Moderato con moto (Live)
DR17 -1.40 dB -25.16 dB 6:52 14-IV. Largo (Live)
DR14 -1.39 dB -22.38 dB 22:29 15-V. Allegro (Live)
DR16 -2.48 dB -24.60 dB 16:35 16-I. Moderato (Live)
DR16 -2.69 dB -24.91 dB 5:36 17-II. Allegretto (Live)
DR15 -9.27 dB -31.68 dB 15:25 18-III. Largo (Live)
DR14 -1.42 dB -20.94 dB 12:13 19-IV. Allegro non troppo
DR15 -6.35 dB -28.08 dB 19:39 20-I. Largo (Live)
DR14 -1.40 dB -21.73 dB 6:24 21-II. Allegro (Live)
DR14 -1.39 dB -21.19 dB 7:11 22-III. Presto (Live)
DR14 -2.15 dB -22.86 dB 27:21 23-I. Allegretto (Live)
DR17 -2.54 dB -27.35 dB 11:39 24-II. Moderato. Poco allegretto (Live)
DR15 -1.92 dB -27.34 dB 20:33 25-III. Adagio (Live)
DR14 -1.39 dB -21.45 dB 18:54 26-IV. Allegro non troppo (Live)
DR16 -1.40 dB -23.63 dB 26:44 27-I. Adagio (Live)
DR13 -1.40 dB -21.63 dB 6:32 28-II. Allegretto (Live)
DR15 -2.58 dB -23.43 dB 6:38 29-III. Allegro non troppo (Live)
DR20 -1.40 dB -28.42 dB 10:34 30-IV. Largo (Live)
DR16 -1.40 dB -23.82 dB 16:12 31-V. Allegretto (Live)
DR17 -1.57 dB -24.59 dB 5:23 32-I. Allegro (Live)
DR13 -11.63 dB -30.82 dB 8:08 33-II. Moderato (Live)
DR15 -4.15 dB -24.75 dB 2:53 34-III. Presto - (Live)
DR12 -7.62 dB -28.22 dB 3:34 35-IV. Largo - (Live)
DR15 -1.67 dB -24.56 dB 6:40 36-V. Allegretto (Live)
DR16 -1.39 dB -23.69 dB 25:39 37-I. Moderato (Live)
DR12 -1.38 dB -18.03 dB 4:22 38-II. Allegro (Live)
DR17 -2.14 dB -25.83 dB 12:44 39-III. Allegretto (Live)
DR15 -1.41 dB -23.08 dB 13:41 40-IV. Andante - Allegro
DR16 -9.47 dB -32.71 dB 17:15 41-I. The Palace Square (Adagio) (Live)
DR12 -1.39 dB -20.01 dB 18:46 42-II. The Ninth of January (Allegro - Adagio - Allegro - Adagio) (Live)
DR14 -1.40 dB -22.27 dB 12:28 43-III. Eternal Memory (Adagio) (Live)
DR14 -1.40 dB -20.15 dB 14:10 44-IV. The Tocsin (Allegro non troppo) (Live)
DR14 -1.40 dB -21.17 dB 15:07 45-I. Revolutionary Petrograd (Moderato – Allegro)
DR16 -11.72 dB -34.00 dB 14:02 46-II. Razliv (Allegro – Adagio)
DR12 -1.40 dB -19.15 dB 4:44 47-III. Aurora (Allegro)
DR12 -1.40 dB -18.67 dB 11:11 48-IV. The Dawn of Humanity (L'istesso tempo)
DR17 -1.40 dB -24.28 dB 8:18 65-I. Allegretto
DR17 -1.40 dB -26.28 dB 17:27 66-II. Adagio - Largo - Adagio - Largo
DR16 -3.00 dB -29.41 dB 4:12 67-III. Allegretto
DR18 -1.39 dB -25.82 dB 18:07 68-IV. Adagio - Allegretto - Adagio - Allegretto
DR13 -1.40 dB -25.22 dB 2:45 70-I. Introduction and Night Patrol (Live)
DR12 -3.65 dB -19.45 dB 1:32 71-II. Funeral March (Live)
DR10 -1.44 dB -28.38 dB 2:22 72-III. Flourish and Dance Music (Live)
DR14 -1.68 dB -19.08 dB 1:58 73-IV. The Hunt (Live)
DR14 -7.25 dB -28.38 dB 1:31 74-IX. Ophelia's Song (Live)
DR11 -21.22 dB -38.63 dB 1:24 75-X. Cradle Song (Live)
DR11 -7.50 dB -25.31 dB 2:40 76-XI. Requiem (Live)
DR11 -8.61 dB -24.92 dB 0:21 78-Fanfare No. 1 (Live)
DR12 -5.53 dB -23.21 dB 0:54 79-Return from the Hunt (Live)
DR9 -11.13 dB -25.78 dB 0:13 80-Fanfare No. 4 (Live)
DR11 -3.07 dB -20.89 dB 1:27 81-Approach of the Storm (Live)
DR13 -22.56 dB -38.63 dB 2:01 82-Scene on the Steppe (Live)
DR10 -11.01 dB -25.59 dB 0:15 83-Fanfare No. 2 (Live)
DR11 -2.33 dB -16.67 dB 1:00 84-The Blinding of Gloucester (Live)
DR10 -20.93 dB -36.68 dB 1:38 85-The Military Camp (Live)
DR10 -10.77 dB -24.03 dB 0:17 86-Fanfare No. 5 (Live)
DR12 -4.45 dB -20.95 dB 1:32 87-March (Live)
DR14 -1.42 dB -20.13 dB 6:17 88-Festive Overture, Op. 96 (Live)
DR13 -13.88 dB -33.21 dB 5:37 89-I. Largo - attacca
DR12 -6.62 dB -22.66 dB 2:58 90-II. Allegro molto - attacca
DR14 -11.31 dB -31.02 dB 4:34 91-III. Allegretto - attacca
DR15 -5.93 dB -28.20 dB 6:41 92-IV. Largo - attacca
DR12 -9.97 dB -29.63 dB 5:05 93-V. Largo (Orch. Barshai)
DR14 -9.40 dB -31.74 dB 3:14 118-Interlude
DR12 -1.43 dB -17.50 dB 1:59 121-Interlude
DR10 -1.44 dB -17.90 dB 8:06 129-Interlude
DR15 -1.44 dB -23.52 dB 2:47 135-Interlude
DR14 -1.43 dB -18.75 dB 4:44 126-Proščáy, Kátya, proščáy! … Stoy! Gde bïl? … Smotrí, Katerína, zanyátnoye zrélišče
DR12 -1.42 dB -18.65 dB 7:22 133-Čto tï tut stoíš’? … U menyá bïlá kumá … Interlude
DR12 -1.43 dB -18.99 dB 8:03 140-Moyó počtén’ye! … Dostánu! Kátya! … Iš’, zver’!
DR13 -1.44 dB -21.37 dB 6:50 137-Vyórstï odná za drugóy dlínnoy polzút verenícey
DR16 -1.44 dB -23.63 dB 5:54 116-Gribkí segódnya búdut?
DR17 -1.44 dB -24.07 dB 5:37 125-Čto znáčit stárost’: Ne spítsya
DR16 -1.62 dB -27.01 dB 6:33 127-Ustál – Prikážete mne postegát’? … Progolodálsya ya
DR20 -1.44 dB -26.80 dB 7:06 128-Vídno, skóro už zaryá. Ėkh! … Gde tut umiráyut? … Bátya, ispovédat’sya … Akh, Borís Timoféyevič, začém tï ot nas ušól?
DR13 -1.43 dB -19.71 dB 10:31 136-Sláva suprúgam, Kateríne L’vóvne i Sergéyu Filíppïču, sláva! … Nikogó net kráše sólnca v nébe? … Čto takóye? Pózdno!
DR14 -2.32 dB -21.85 dB 3:03 55-II. Malagueña
DR15 -3.08 dB -24.87 dB 8:43 56-III. Loreley
DR14 -4.47 dB -26.98 dB 6:26 57-IV. Le suicidé
DR14 -1.40 dB -22.13 dB 3:08 58-V. Les attentives I
DR14 -4.71 dB -25.95 dB 1:44 59-VI. Les attentives II
DR16 -4.85 dB -30.53 dB 4:49 63-X. Der Tod des Dichters
DR13 -1.40 dB -19.76 dB 1:18 64-XI. Schlussstück
DR14 -7.40 dB -27.95 dB 5:52 115-Akh, ne spítsya ból’še, popróbuyu
DR16 -1.43 dB -23.07 dB 6:33 120-Mnógo vï, mužikí, o sebé vozmečtáli … Čto ėto?
DR12 -9.23 dB -28.83 dB 5:05 122-Spat’ porá. Den’ prošól
DR14 -3.89 dB -26.52 dB 6:26 123-Žerebyónok k kobïlke torópitsya
DR13 -1.43 dB -20.95 dB 9:39 124-Kto ėto, kto, kto stučít? … Proščáy … Uydí tï, rádi bóga, ya múžnyaya žená
DR16 -1.79 dB -23.93 dB 7:11 130-Sergéy, Seryóža! Vsyo spit
DR14 -1.44 dB -21.79 dB 6:17 131-Opyát’ usnúl … Katerína L’vóvna, ubíyca! … Nu? Čegó tebé?
DR15 -1.44 dB -23.04 dB 9:49 132-Slúšay, Sergéy, Sergéy! … Katerína! – Kto tam? … Tepér’ šabáš
DR15 -1.44 dB -27.81 dB 3:38 138-Stepánïč! Propustí menyá
DR14 -8.52 dB -30.02 dB 3:42 139-Ne legkó pósle počóta da poklónov péred sudóm stoyát’!
DR14 -1.44 dB -26.40 dB 6:30 141-V lesú, v sámoy čášče, yest’ ózero … Znáyeš’ li, Sonétka, na kogó s tobóy mï pokhóži?
DR15 -1.40 dB -21.98 dB 16:28 49-I. Babi Yar. Adagio
DR13 -1.40 dB -19.33 dB 8:48 50-II. Humour. Allegretto
DR15 -1.40 dB -23.12 dB 14:02 51-III. In the Store. Adagio
DR17 -1.40 dB -24.50 dB 14:21 52-IV. Fears. Largo
DR19 -1.94 dB -28.80 dB 14:09 53-V. A Career. Allegretto
DR12 -1.43 dB -16.39 dB 3:04 119-Ay! Ay! Ay! Ay, besstïžiy, oy, ne ščípli … Otpustíte, bábu
DR11 -1.43 dB -19.35 dB 8:02 142-Vstaváy! Po mestám! Žívo!
DR13 -1.43 dB -20.11 dB 7:28 117-Govorí! … Začém že tï uyezžáyes’, khozyáin … Vot, pápa, posmotrí … Proščáy, Katerína … Katerína, poklyanís’ na svyatóy ikóne … Čegó vstal?
DR13 -1.40 dB -19.23 dB 7:18 06-Ib. Chorus: "My schli, my prossili raboty i chleba”
DR12 -1.40 dB -16.95 dB 5:46 10-Id. Moderato "The First of May"
DR13 -3.93 dB -24.52 dB 4:34 77-Introduction and Ballad of Cordelia (Live)
DR17 -1.44 dB -23.03 dB 6:36 108-I. Allegretto
DR15 -1.44 dB -25.54 dB 12:14 109-II. Moderato
DR13 -8.04 dB -26.55 dB 5:36 110-III. Cadenza –
DR14 -1.44 dB -19.62 dB 4:48 111-IV. Finale. Allegro con moto
DR16 -1.44 dB -23.13 dB 13:21 112-I. Largo
DR17 -1.44 dB -22.62 dB 4:44 113-II. Scherzo. Allegretto –
DR17 -1.44 dB -23.63 dB 16:15 114-III. Finale. Allegretto
DR13 -4.27 dB -23.82 dB 6:04 94-I. Allegro moderato
DR15 -4.55 dB -26.76 dB 8:33 95-II. Lento
DR11 -7.47 dB -24.48 dB 1:53 96-III. Moderato
DR14 -2.22 dB -22.04 dB 6:53 97-IV. Allegro con brio
DR14 -1.44 dB -19.98 dB 7:03 98-I. Allegro
DR14 -11.24 dB -31.99 dB 6:07 99-II. Andante
DR14 -1.44 dB -21.24 dB 5:21 100-III. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 142
Official DR value: DR14
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2326 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer.