Ceres & Calypso in the Deep Time is the third and final studio album by American dream pop band Candy Claws, with lyrics provided by poet Jenn Morea. It was released on June 25, 2013, through Two Syllable Records. It is a concept album with a narrative about a seal-like beast and her human partner questing through the Mesozoic Era, which was adapted from a document entitled "Blood Ark", supposedly written in 1980 by palentologist Hans-Dieter Sues. The album's title also alludes to Roman goddess Ceres and Greek goddess Calypso.

Australian singer-songwriter Grace Shaw floats between cloud rap and dream pop with the tossed-off affectations of a weary internet princess…

Lana Del Rey is a femme fatale with a smoky voice, a languorous image, and a modeling contract. Not coincidentally, she didn't lack for attention leading up to the release of her Interscope debut, Born to Die…

With the creation of her Lana Del Rey persona, singer/songwriter Lizzy Grant stitched together the iconography of a fading American dream with soaring but melancholic pop songwriting, becoming an icon unto herself in the process…

‘Picnic in the Dark’ is the enchanting new album from Renata Zeiguer, her second full length release for Northern Spy. The album follows Zeiguer through a dreamworld of magical realism as she navigates her memories and seeks to confront inherited dysfunctional patterns head-on…

In Greek mythology, the Elysian Fields is a destination only accessible after death, a place reserved to the heroic, righteous few who were granted admission to the paradisiacal dimension. In reality, Elysian Fields is a Brooklyn-based musical duo, whose sonic surrealism confirms the mythos of their name…

From the many musical lives of artist Glenn Donaldson emerges The Reds, Pinks and Purples, a project that sifts out the purest elements of pop music and in the process chronicles the point of view of an assiduous San Francisco-based songwriter. The Reds, Pinks and Purples’ third album, called Uncommon Weather, is both an elusive portrait of San Francisco during one of its fluctuations as an untenable place for musicians and artists and also a self-portrait, however inverted, of a songwriter who has dispatched another treasured collection of timeless sounding DIY-pop songs.