Denovali is delighted to present the new album of the prestigious Swedish pianist and composer Matti Bye. Matti is well-known for his regular performances at various silent film festivals and screenings worldwide, where you can see him perform solo and with artists such as Lau Nau. Bye has been involved in several collaborations, including Hydras Dream, where he recorded and released an album with Anna von Hausswolff. Additionally, Matti is recognized for his scores in projects like ”Young Royals," ”Tove," „The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared,“ and "A Traves de tu Mirada” among many others.

A founder member of Uganda's rebellious ANTI-MASS collective (alongside Authentically Plastic and Turkana), Nsasi has built up a reputation with subversive DJ sets, smashing together slowed-down dance anthems and glossy R&B with propulsive fringe club experiments. His debut album is a dynamic, industrial rasp that draws on his expertise behind the decks, expertly meshing rhythms from across the musical spectrum into a coarse, dancefloor-ready frame. With the safety of queer people in Uganda compromised by a conservative, intolerant administration, 'Coinage' acts as a rallying cry for like-minded outsiders that mischievously perverts East African traditional sounds, considering their revolutionary potential within a new context.

Edition of 900 copies issued with a printed inner sleeve for Record Store Day. The runouts are laser-etched.All tracks previously unreleased.

Pull the Rope, the new record by Ibibio Sound Machine, casts the Eno Williams and Max Grunhard–led outfit in a new light. The hope, joy, and sexiness of their music remain, but, further honing the edge of their acclaimed 2022 album Electricity, the connection they aim to foster has shifted venues from the sunny buoyancy of a sunlit festival to a sweat-soaked, all-night dance club. Williams and Grunhard attribute this shift to a matter of collaborators, recording Pull the Rope with Sheffield-based producer Ross Orton (Arctic Monkeys, M.I.A.) over the course of two weeks. The way the pair wrote songs changed significantly rather than Eno penning lyrics to music generated by Max and company’s jamming, Orton started with Eno and Max writing together before adding the band.

His Majesty’s Pop Life (subtitled "The Purple Mix Club") is a compilation album of Prince’s studio work, initially released in 1985 as a promotional record in Japan only, following the commercial release of Around The World In A Day and its associated singles. At that time, it was Prince’s third promotional compilation album (after a 1984 sampler and Strange Tales From the Rain). His Majesty’s Pop Life was re-released worldwide in a limited quantity (14 000 copies) for the Record Store Day on 13 April 2019, becoming Prince’s eight compilation album and the fifth posthumous release. In 2020, the album received a wider retail release in Japan only, including its first release on CD.

An anthology of the intensely arresting work of Robert Fesler (1936-2023), revealing many of his compositions (1975 -1987) created with his self-built synthesizers, with as pinnacle the μP RPF78. Except one, all tracks are previously unreleased.

PLAYING WITH FIRE itself moves into unexplored territory with what could be described as a Western Swing Electro-Country outing, that would suit a Tarrantino movie while recent single 100% was a full-on Funk nugget complete with Vocoder vocals and blistering sax and trumpet solos.

Dawn choruses of waning whimpering solos were once gigantic ensembles bellowing for each other to be reproduced.

Years in the making, naemi’s ambitious, sprawling debut album for 3XL features contributions from Erika de Casier, Ulla, Huerco S, Ben Bondy, NAP and label boss Shy, plus many others, on a gorgeously brooding double album braiding heart-liquifying dreampop guitars with weightless clouds of sublime ambience. A pensive and poetic celebration of love and friendship, it’s the most beautiful, vital music released by 3XL to date.

Masters of glacial escalation Irisarri & Mogard documented in a reverberating live encore at Madrid’s Condeduque cultural centre, and Irisarri’s NYC studio Black Knoll.

Capturing all the intimacy and the amp-hum in its unfussy, impromptu recording sessions, Lemon Law is dripping with atmosphere. The buzzing of that cable, that weird phase-y sound from the un-gated mic. It's all here. The lack of overdubs might even make Neil Young jealous. The complexities and the intricate arrangements feel easy and natural, and naturally nostalgic. It's all vaguely familiar and new at the same time.

Ambarchi, Berthling and Werliin share a fascination with rhythm and the myriad of ways it can subdivide within the beat. Using aspects of jazz, world and experimental musics, each tune settles into a deep groove, digging itself via continuous minimal adjustments into an ever-deeper, eternal groove.

Rodion-Ladislau Rosca spent his lifetime creating music that was ambitious, groundbreaking and innovative. He was a pioneering composer, a talented multi-instrumentalist and producer. He pushed musical boundaries to their limits. This he did as a solo artist and with his group Rodion G.A.

Ambarchi, Berthling and Werliin make for an utterly unique guitar/bass/drums triad: the guitar sounds like anything but a guitar; bass and drums simultaneously insistent and relaxed. On this much-desired sequel to their acclaimed 2022 debut, their unique telepathic group-think (re)opens the window to fresh acres of fusion, where funk-jazz heads, polyrhythmic skeletons, ambient pastorals, post-kraut drones and shimmering soundtrack reveries dance immortal. A music of sustained tension and deep atmosphere, marked by subtle, shifting dynamics playing out in an open sound field.

Maria Chiara Argiro's album Closer departs from her prior work, fuelled by an indescribable, dreamlike feeling - the album's core duality of blurred lines and clarity reflects Argiro's philosophy - A philosophy encapsulated in the urgency of her production process and the unique lucidity with which she weaves ambient, dance, jazz, and experimental pop seamlessly together The album defies easy definition, emphasising an inner self-discovery process, detached from external influences, not only breaking sonic ground but signifying a deeply personal journey, anchoring Argiro to her creation.