The Doors Live at Konserthuset, Stockholm features a live radio broadcast from September 20, 1968 which has never before received an official release. The comprehensive set includes rare live performances of "Mack The Knife, " "Money (That's What I Want)" and "The Hill Dwellers." It's a great sounding recording of a great performance of The Doors during their infamous 1968 European Tour with Jefferson Airplane. Recorded for an FM broadcast, The Doors' two sets of music that night are considered among the tour's best. The band is tight, and Jim Morrison's vocals are smooth as silk.

The original riders on the psychedelic storm get their own minds blown by the leaders of the new psych rock movement on this stellar tribute to The Doors! Features performances by The Black Angels, The Raveonettes, Clinic, Psychic Ills, Sons Of Hippies, Elephant Stone, Dead Skeletons and more! Incredibly innovative and unique versions of The Doors’ classic tracks including “L.A. Woman,” “Riders On The Storm,” “Light My Fire,” “Love Me Two Times” and others – all packaged in a gorgeous digipak!

The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that, despite yielding no major hit singles, returned them to critical favor with hip listeners. An increasingly bluesy flavor began to color the songwriting and arrangements, especially on the party'n'booze anthem "Roadhouse Blues." Airy mysticism was still present on "Waiting for the Sun," "Queen of the Highway," and "Indian Summer"; "Ship of Fools" and "Land Ho!" struck effective balances between the hard rock arrangements and the narrative reach of the lyrics. "Peace Frog" was the most political and controversial track, documenting the domestic unrest of late-'60s America before unexpectedly segueing into the restful ballad "Blue Sunday." "The Spy," by contrast, was a slow blues that pointed to the direction that would fully blossom on L.A. Woman.

The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that, despite yielding no major hit singles, returned them to critical favor with hip listeners. An increasingly bluesy flavor began to color the songwriting and arrangements, especially on the party'n'booze anthem "Roadhouse Blues." Airy mysticism was still present on "Waiting for the Sun," "Queen of the Highway," and "Indian Summer"; "Ship of Fools" and "Land Ho!" struck effective balances between the hard rock arrangements and the narrative reach of the lyrics. "Peace Frog" was the most political and controversial track, documenting the domestic unrest of late-'60s America before unexpectedly segueing into the restful ballad "Blue Sunday." "The Spy," by contrast, was a slow blues that pointed to the direction that would fully blossom on L.A. Woman.

CD1: 1-2 Avalon Ballroom, San Francisco, 15th march 1967; 3 CBC TV Studio, Toronto, 14th September 1967; 4-5 CBS TV Studios, LA (Ed Sullivan Show) 17th September 1967; 6-7 CBS TV Studio (Jonathan Winters Show) 27th December 1967; 8-9 Smothers Brothers Comedy Hour, 4th December 1968; 10-15 Critique TV Show, recorded 28th April 1968; CD2: Konserthuset, Stockholm, Sweden 20th September 1968; CD3: Cobo Arena, ~Detroit, 8th May 1970, FM Radio Broadcast; CD4: Center Coliseum, Seattle, 5th June 1970, FM Radio Broadcast; CD5: PNE Coliseum Vancouver, 6th June 1970, FM Radio Broadcast 4th July 1992; CD6: Aragon Ballroom, Chicago, 21th July 1972, FM Radio Broadcast.

The Doors were an American rock band formed in 1965 in Los Angeles, with vocalist Jim Morrison, keyboardist Ray Manzarek, drummer John Densmore and guitarist Robby Krieger. They were among the most controversial, influential and unique rock acts of the 1960s and beyond, mostly because of Morrison's wild, poetic lyrics and charismatic but unpredictable stage persona. The Doors has been listed as one of the greatest artists of all time by many magazines, including Rolling Stone, which ranked them 41st on its list of The 100 Greatest Artists of All Time. The Doors were the first American band to accumulate eight consecutive gold and platinum LPs. The Doors were inducted into the Rock and Roll Hall of Fame in 1993.

The Doors Live in Bakersfield is one of the more unique shows from The Doors during a tumultuous 1970 when Jim Morrison was on trial on trumped-up charges in Miami. The band had been playing together live for five years, and were tight enough to be able to veer into the unknown. That’s what they opted for in this California agriculture town on a hot summer night. Featuring improvisations and medleys of The Doors many beloved hits from across their albums, Live in Bakersfield is a shamanic adventure for all who listen.

The Doors had one of the most extraordinary debut years in music history in 1967, releasing a string of hit singles and two platinum albums, beginning in January with the band’s self-titled debut, followed by Strange Days in September. The latter peaked at #3 on the Billboard album chart and featured classics like “Love Me Two Times,” “When The Music’s Over,” and the title track “Strange Days.”

The Doors fifth studio album, Morrison Hotel, will be reissued in October for its 50th anniversary. The album was recorded in late 1969/early 1970 and released in February 1970. It’s newly remastered for this release by Bruce Botnick. The goodies are all on the bonus CD with more than an hour of unreleased recordings taken from the sessions for Morrison Hotel. Botnick says: “There are many takes, different arrangements, false starts, and insightful studio conversations between the band – who were in the studio – and producer Paul Rothchild – who was in the control room. It’s like being a fly on the wall.” The outtakes include rough versions of Morrison Hotel tracks ‘Peace Frog’ and ‘Blue Sunday’ as well as The Doors rarity ‘I Will Never Be Untrue.’ The bonus CD also features the band jamming on cover versions of the Motown classic ‘Money (That’s What I Want)’ and B.B. King’s’ ‘Rock Me’.

The Doors were a few months away from stardom in March 1967 when they played five sparsely attended shows at a small club in San Francisco called The Matrix. These uninhibited performances would have been fleeting if not for Peter Abram, who co-owned the pizza parlor-turned-nightclub with Jefferson Airplane founder Marty Balin. An avid recordist, Abram taped concerts at The Matrix regularly and his recordings of The Doors, made between March 7-11, 1967, spawned one of the band’s most storied bootlegs. At long last, all known Matrix recordings, sourced entirely from Abram’s original master recordings, will be released on September 8.

Originally released in 1972, Weird Scenes Inside the Gold Mine was one of the earliest "best-of" Doors collections, compiling 22 tracks from the band not just limited to their many ubiquitous hits but including some more experimental tunes and a few obscure B-sides. This strange and sprawling playlist is heavy on material from L.A. Woman, and seems particularly invested in the darker, more sinister side of the band. Lesser-known songs here include "Who Scared You" and the goofy, awkward blues run "(You Need Meat) Don't Go No Further" sung by keyboardist Ray Manzarek. With the exception of a few pop moments, this lengthy collection sets a heavy and sometimes menacing mood, highlighting the Doors' most depraved, shamanistic moments in tracks like the brooding "The End," "Maggie McGill," and the absolutely evil groove of "When the Music's Over."