Not the walls that should collapse is that passive place and "of craftsmanship" that the market has given to the Latin American. Today, for a Latin American artist to be recognized in the global art markets, he must be able to say "from here I speak". Recovering myths, traditions, ancestral cultures and popular are some of the twists that artists seek to be legitimized. "And I wonder: why? Already when you start working with record labels, you realize that it is the same market that imposes these criteria of legitimacy. It's interesting. Why do not other people need it to create their own language? We need instrumentalists able to think and live up to their time. They will be accused of heretics, yes, but I invite you to heresy.

In ancient Greece, music played a central role in all areas of life, both public and private. We can only imagine how this music sounded. But there are many visual sources that can tell us who was playing which instruments and in which settings, as well as showing us that there were often people dancing together. Listening to "The M. band" by Pina Bounce, one seems to perceive a sonic glimpse into those ancient times, reverberating through the long notes of the trumpet and filtered by the distortions of the electrical equipment.

This anthology of experimental music from Japan showcases the young generation of musicians alongside established names and provides an insight into the current experimental scene, confirming the adventurous character of the Japanese music research.

A truly mind-blowing deep dive into one of the most important works within the canon of 20th Century experimental music, stretching across 3 LPs and 2 CDs, as well as containing a 124-page book, Alvin Lucier's "I Am Sitting in a Room. Archival Recordings 1969–2019" on Sound On Paper Editions gathers 10 previously unavailable renderings of this astounding composition, created by the composer between 1969 and 2019. Illumining an unprecedented level of depth, nuance, and insight from a work that can never be the same thing twice, this stunning box set is issued in a limited edition of 500 hand-numbered copies and won't sit around for long. As highly recommended as they come!

First release of the conceptual and performative pieces by Christina Kubisch, composed and realized between 1974 and 1984 during Christina Kubisch's years in Italy. Edition of 300.