The recordings released in this series are devoted to the music of Bach, never a specialty among Russians, and they have the feeling of something extreme, developed in isolation. Feinberg plays Bach, perhaps, as Liszt might have heard Bach and played him – with maximum use of the pedals, a full range of dynamics, and an approach that in every way transforms Bach into an arch-Romantic. This disc, in the label's Feinberg series, is perhaps the most extreme of all, for here the artist tackles not only piano works but those for organ – the listener is treated not only to Feinberg's interpretations but also to his transcriptions. Sample the booming bass lines of the group of chorale preludes in the middle of the program. Of course, the line between transcription and interpretation in this case is not terribly clear. Taken as a whole, the Chromatic fantasia and fugue, BWV 903, leaves the impression that the music has been pushed nearly as far as in Busoni's Bach transcriptions; it's not Bach, really, but it's quite a thrill.

This album's program represents one phenomenal composer-pianist's homage to another. Marc-André Hamelin has long been a champion of the music of Samuil Feinberg. Hamelin's performances are sensitive to all it's shadows and anxieties while being fully equal to the prodigious technical demands.