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Stephen Layton, Polyphony, Britten Sinfonia - James MacMillan: Seven Last Words from the Cross (2005)

Posted By: ArlegZ
Stephen Layton, Polyphony, Britten Sinfonia - James MacMillan: Seven Last Words from the Cross (2005)

Stephen Layton, Polyphony, Britten Sinfonia - James MacMillan: Seven Last Words from the Cross (2005)
EAC | FLAC | Image (Cue & Log) ~ 253 Mb | Total time: 68:35 | Scans included
Classical | Label: Hyperion | # CDA67460 | Recorded: 2003, 2004

Hyperion’s Record of the Month for August by Polyphony and the Britten Sinfonia conducted by Stephen Layton portrays the ultimate dramatic event in history—the Crucifixion of Jesus Christ, expressed through the raw emotional power of one of Scotland’s most distinguished and vital composers, James MacMillan.

Polyphony - Without Introduction (1971) [Reissue 2011]

Posted By: gribovar
Polyphony - Without Introduction (1971) [Reissue 2011]

Polyphony - Without Introduction (1971) [Reissue 2011]
EAC Rip | FLAC (tracks+.cue+log) - 265 MB | MP3 CBR 320 kbps (LAME 3.93) - 87 MB | Covers - 12 MB
Genre: Progressive/Psychedelic Rock | RAR 3% Rec. | Label: Gear Fab Records (GF-251)

Polyphony was a short-lived US outfit active in the early 70's. The band, consisting of Martin Ruddy (bass, vocals), Christopher Spong (drums), Craig Massey (vocals, organ, moog), Glenn Howard (vocals, guitars) and Chatty Cooper (percussion), recorded the album Without "Introduction" which was released in 1971. Polyphony comes close fusing Hendrix's psychedelic guitar style with ELP's take on Hammond-based symphonic progressive rock.

Polyphony, Stephen Layton - 'At Twilight': Choral music by Percy Grainger and Edvard Grieg (1995) Reissue 2006

Posted By: Designol
Polyphony, Stephen Layton - 'At Twilight': Choral music by Percy Grainger and Edvard Grieg (1995) Reissue 2006

'At Twilight': Choral music by Percy Grainger and Edvard Grieg (1995) Reissue 2006
Polyphony, conducted by Stephen Layton; David Wilson-Johnson, baritone; Paul Agnew, tenor

EAC | FLAC | Image (Cue&Log) ~ 243 Mb | Mp3 (CBR320) ~ 173 Mb | Scans included
Genre: Classical, Choral | Label: Hyperion/Helios | # CDH55236 | Time: 01:15:12

Grainger’s mastery of choral textures shines out of this wide-ranging collection of folk-song arrangements, each highly individual and memorable. Plus his friend Grieg’s finely scored religious settings. Superior performances by Stephen Layton and Polyphony.

Polyphony, Stephen Layton - American Polyphony: Barber, Bernstein, Copland, Thompson (2015)

Posted By: Designol
Polyphony, Stephen Layton - American Polyphony: Barber, Bernstein, Copland, Thompson (2015)

Polyphony, Stephen Layton - American Polyphony: Barber, Bernstein, Copland, Thompson (2015)
EAC | FLAC | Image (Cue&Log) ~ 337 Mb | Mp3 (CBR320) ~ 171 Mb | Scans included
Genre: Classical, Choral | Label: Hyperion | # CDA67929 | Time: 01:14:08

An all-too-rare new recording from Polyphony and Stephen Layton presents highlights from the choral repertoire by four twentieth-century American giants: Samuel Barber, Leonard Bernstein, Aaron Copland and Randall Thompson. Framed by Thompson’s understated favourites Alleluia and Fare Well, the programme includes Bernstein’s Missa brevis, Copland’s early set of four motets, and—of course—Barber’s inimitable Agnus Dei.

Stephen Layton, Britten Sinfonia, Polyphony - Karl Jenkins: Miserere - Songs of Mercy and Redemption (2019)

Posted By: ArlegZ
Stephen Layton, Britten Sinfonia, Polyphony - Karl Jenkins: Miserere - Songs of Mercy and Redemption (2019)

Stephen Layton, Britten Sinfonia, Polyphony - Karl Jenkins: Miserere - Songs of Mercy and Redemption (2019)
EAC | FLAC | Image (Cue & Log) ~ 243 Mb | Total time: 50:53 | Scans included
Classical | Label: DECCA | # 4818580 | Recorded: 2019

Sir Karl Jenkins continues his 75th birthday year celebrations with a brand-new album, Miserere: Songs of Mercy and Redemption, released on 11th October. The new work, released on Decca Records, is dedicated to all who have suffered or perished during the conflicts in the Middle East over the last 70 years. Jenkins was motivated by the desperate situation for the millions of people displaced and impacted by the cruel effects of war and hoped the healing and uniting powers of music could be used to bring together people from different religions.