Hard on the heels of his critically-lauded - and distortion-saturated - collaboration with rock players in Lumen Drones comes the next fine album from Norway’s Hardanger fiddle master. His new band makes a quieter but richly creative musical proposal. All the musicians are well-known in diverse contexts. Mats Eilertsen’s elegant bass has been heard on ECM recordings with Tord Gustavsen, Trygve Seim, Wolfert Brederode and Jacob Young. Håkon Stene is a Norwegian contemporary classical percussionist of distinction. Harmonium player Sigbjørn Apeland collaborated with Økland previously on Lysøen - Hommage à Ole Bul. And new music saxophonist Rolf-Erik Nylstrøm has played extensively with Frode Haltli in the trio Poing…

With ‘Lysning’ – in English a clearing or forest glade – the violin and Hardanger fiddle virtuoso and composer Nils Økland has created a landmark recording that counts as his masterpiece thus far. It is also the synthesis and culmination of a long career working between different forms – folk music, art music from the baroque to free improvisation, jazz, rock, whatever – where Økland, who is now 56, has continued to pursue the same questing approach irrespective of the restrictive rules and boundaries used to separate different historical or generic styles. Listening to ‘Lysning’, everything suddenly becomes clear: Nils Økland plays Nils Økland music. Like a very select few contemporary masters – one thinks perhaps of Jordi Savall, Bjørk, Jan Garbarek – he has become his own genre.