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Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra - Butterfly Lovers (2023)

Posted By: ArlegZ
Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra - Butterfly Lovers (2023)

Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra - Butterfly Lovers (2023)
EAC | FLAC | Image (Cue & Log) ~ 248 Mb | Total time: 51:19 | Scans included
Classical | Label: Sony Classical | # 19658810972 | Recorded: 2018

It is not clear what took Sony Classical five years to issue these performances, recorded by violinist Joshua Bell and the Singapore Chinese Orchestra in 2018. Having had it in the can, it would have made ideal pandemic-era listening. However, better is certainly late than never, and the recording is a real find. It made classical best-seller lists in the summer of 2023. Most musical fusions have one tradition or the other at the core, but in this one, the trips between Western and Chinese are so numerous that one loses track.

Claude Delangle, Taipei Chinese Orchestra, En Shao - Harmonious Breath (2011)

Posted By: Designol
Claude Delangle, Taipei Chinese Orchestra, En Shao - Harmonious Breath (2011)

Claude Delangle, Taipei Chinese Orchestra, En Shao - Harmonious Breath (2011)
EAC | FLAC | Image (Cue&Log) ~ 298 Mb | Artwork included
Classical, Chinese | Label: BIS | # BIS-CD-1790 | Time: 01:14:33

On his several discs for BIS, the French saxophonist Claude Delangle has shown himself to be a hugely diverse musician: along with his recordings of core repertoire, he has recorded some of the earliest saxophone works, composed for the instrument’s inventor Adolphe Sax, as well as uncompromisingly contemporary music by composers such as Scelsi, Berio and Hosokawa. Here, Delangle visits Taiwan, and with the Taipei Chinese Orchestra playing traditional Chinese instruments, performs works including two saxophone concertos by the prominent Taiwanese composer Yiu-Kwong Chung (b.1956), as well as Open Secret, a work composed for Claude Delangle and the orchestra by the young composer Leilei Tian (b. 1971). This disc also includes arrangements of two traditional Chinese pieces, which in Claude Delangle’s own words formed a musical entryway for him ‘into the great tradition of Chinese music’.