Folk vocal trio with a smooth, wholesome delivery, who helped popularize the work of Bob Dylan and proved crucial in bridging two music generations. The most popular folk group of the 1960s, Peter, Paul and Mary in later decades have also proved themselves to be among the most durable music acts in history. Their longevity dwarfs that of the Weavers, while the fact that the trio continues to be associated with a major record label (Warner Bros.) after decades in the business sets them apart from rivals like the Kingston Trio and the Brothers Four. Then again, perhaps it isn't so surprising – Peter, Paul and Mary's roots run deeper than almost any other folk act one might care to name, while their appeal crosses audience lines that other acts couldn't (and can't) even approach.

Released in 1993, The Security of Illusion signaled a rebirth of sorts for Canadian prog rock popsters Saga, as earlier members Jim Gilmour (keyboards) and Steve Negus (drums) were welcomed back into the fold – for the first time since 1985's Behaviour. And as evidenced by the music, the result of the reunion returned the group straight back to their heady early-'80s period, especially on the downright vicious rockers "Mind Over Matter" and "Stand Up," as well as the percussive-heavy album closer, "Without You." Instead of being influenced by what was going on in the rock world circa this time period (here's a hint…well, whatever, nevermind), Saga stick to their guns on The Security of Illusion, and come up with a release that nearly managed to out-rock their Canadian competitor at the time, Rush.

Taxi shows a mature Bryan Ferry, suave and controlled, very much in line with his general career from 1979 on. The choice of songs to cover doesn't make for any surprises – the same selections of classic rock, pop, and soul numbers dominate, with an interesting ringer here and there like "Amazing Grace." As with his other recent solo records, a cast of thousands supports him, ranging from the Grid's Richard Norris on synth programming to Brit guitar legends Robin Trower and Michael Brook, plus vocalist Carleen Anderson. All four feature on the opening "I Put a Spell on You," which manages the neat trick of sounding almost exactly like a Ferry original – what Screamin' Jay Hawkins would have made of it is anyone's guess.

In 1991, Klaus Schulze performed three concerts to celebrate his 20 years as a solo recording artist. The Dome Event: Cologne Cathedral is the third concert and the third CD. Like the other two CDs, this disc has an extra track, composed to match the live material and recorded in the studio. Schulze is a prolific live performer, and his music loses nothing in the translation to the concert stage. This disc features his signature heavy sequences, some very gentle acoustics, and deep atmospheres. Strange vocal samples take the set over the top.

Face the Heat is the twelfth studio album released by the German hard rock band Scorpions in 1993. This album marked their status as a sort of political band with the song "Alien Nation", which was about the re-unification of Germany.[citation needed] This album had a contemporary touch to it, as the band were then going with the current trends, before later returning to their original style in Unbreakable in 2004. This is last album to feature drummer Herman Rarebell, and the first with Ralph Rieckermann on bass guitar.

After losing founding vocalist David Byron in 1976, many hard rock fans thought Uriah Heep had reached the end of the line. However, the group bounced back in 1977 with Firefly, an album that pursued a stripped-down sound harking back to the group's early-'70s successes. They also boasted a new singer in John Lawton, a vocalist who had made his fame working with artsy German hard rockers Lucifer's Friend. Although he lacked the multi-octave range of David Byron, Lawton boasted an impressive and emotionally rich hard rock voice that instantly jelled with the Uriah Heep sound. An ideal example of this new synergy was provided by the opening track, "The Hanging Tree," which featured Lawton dramatically delivering a narrative about an outlaw on the run over a spooky musical track that blended echo-drenched synthesizers with some typically gutsy guitar riffs from Mick Box.

Once you enter the surreal, shaman-spirit filled world of Jorge Reyes, there's no return to the mundane and ordinary so called "new age music". Of course, Jorge would be deeply insulted if you called his creations new age. It's ethnic ambiance with a mixture of ponderous and sometimes sinister sounding electronic manipulations. This album is a fine gem that introduces those spiritually inquisitive to his music…in a sense, it is more or less a complilation of his other numerous works.

1993's blistering return to form finds IQ rediscovering the mojo they displaced after 1985's dark, stark, startlingly brilliant `The Wake', a fact not entirely unconnected to vocalist Peter Nicholls' return to the band. But there is more to it than this. It sounds like the whole band has taken stock after a couple of below-par albums, stopped trying to be something they are not, and asserted the collective personality, sound and approach that has served them well right up to this day.

Band on the Run is the third studio album by Paul McCartney and Wings, released in December 1973. It marked the fifth album by Paul McCartney since his departure from the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles - "Jet" and "Band on the Run" - such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works. In 2000, Q magazine placed it at number 75 in its list of the "100 Greatest British Albums Ever". In 2012, Band on the Run was voted 418th on Rolling Stone's revised list of "The 500 Greatest Albums of All Time".

The French equivalent of prog-rock bands Yes and Genesis, Atoll recorded four albums in the mid- to late '70s with a lineup that stabilized by the time of the group's second album. L'Araignee Mal (1975) included vocalist/percussionist André Balzer, guitarist Christian Beya, bassist Jean-Luc Thillot, keyboard player Michel Taillet, and drummer Alain Gozzo. Gradually commercializing its sound beginning with third album Tertio, Atoll released only one more studio album Rock Puzzle before breaking up. In the late '80s, however, a new, pop-oriented version appeared. Including only Beya from the previous lineup, the band released L'Ocean and the live album Tokyo C'est Fini (both 1989).