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    Fleetwood Mac - Fleetwood Mac (Remastered Hybrid SACD) (1975/2026)

    Posted By: delpotro
    Fleetwood Mac - Fleetwood Mac (Remastered Hybrid SACD) (1975/2026)

    Fleetwood Mac - Fleetwood Mac (Remastered Hybrid SACD) (1975/2026)
    EAC Rip | FLAC (tracks+log+.cue) - 232 Mb | MP3 CBR 320 kbps - 99 Mb | 00:42:59
    Soft Rock | Label: Mobile Fidelity Sound Lab

    Fleetwood Mac Comes into Its Own with Lindsey Buckingham and Stevie Nicks: Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes “Landslide” and “Rhiannon”. Hear the 1975 Blockbuster without Compromise: Mobile Fidelity’s Numbered-Edition Hybrid SACD Plays with Arresting Presence and Extraordinary Clarity.

    A veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a fact-finding trip to Sound City Studios. The backstory behind Fleetwood Mac’s self-titled album is nearly as incredible as the music on the 1975 recording — a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.

    Sourced from the original analog master tapes and housed in mini-LP-style gatefold packaging, Mobile Fidelity's numbered-edition hybrid SACD of the nine-times-platinum effort plays with stunning transparency, dynamics, and detail. This reissue captures what went down in the California studio with arresting presence and sumptuous tonality.

    The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band’s bond as well as healthy tension that led to recordings that more than five decades later remain revered for their exceptional realism, openness, textures, imaging, and soundstaging. And that says nothing about the freshness of the songs themselves.

    Six of those tunes were written or co-written by Buckingham or Nicks, who lent the band — reeling from the departure of guitarist Bob Welch — a diversity, soulfulness, and breadth it lacked in the past. Then again, the romantically involved partners weren’t exactly burning up the charts on their own. Their Buckingham Nicks LP was largely ignored upon release and found the twosome questioning their futures. But fate has a weird way of operating, and rather than recruiting another six-string blues virtuoso into the mix, Fleetwood Mac called an audible.

    Prompted to visit Sound City Studios after telling someone in a grocery store he needed a place to record Fleetwood Mac’s tenth album, Fleetwood heard Buckingham Nicks played back by Olsen as a demonstration of the studio’s capabilities. Unable to forget what he heard, the drummer soon invited Buckingham to join his band. Displaying his now-famous reluctance to cede any creative control, Buckingham initially hedged before accepting on one condition: He and Nicks came as a package.

    That agreement stands as one of the most significant career-altering moves any band ever made. Suffice it to say Nicks’ Plan B — “we can always quit,” she reasoned to Buckingham — stayed on the backburner. After rehearsing together for just ten days and sussing out potential roles, the new iteration of Fleetwood Mac entered Sound City in January 1975 and laid down the tracks for the showstopper Rolling Stone ranks as the 182nd Greatest Album of All Time.

    In many ways, Fleetwood Mac got far more than they bargained for in taking on the American duo. Buckingham and Nicks arrived loaded for bear. “Monday Morning,” “Rhiannon,” and “I’m So Afraid” had already been workshopped and penciled in for a second Buckingham-Nicks record. “Crystal” was re-purposed and re-imagined after its original inclusion of Buckingham Nicks.

    Nicks also brought another recently penned song to the sessions, a beautiful gem none other than “Landslide.” McVie later admitted that the quality of material triggered a competitive spirit within her and inspired her to take her own songwriting to another level. “Warm Ways,” “Say You Love Me,” and “Over My Head” underscore that determination. Ditto her collaboration with Buckingham on “World Turning.”

    Constituting the old Fleetwood Mac in name only, Fleetwood Mac is the sound and style of an entirely new entity, a rebirth, and a reward for perseverance and a little bit of chance fortune. Above all, however, the album — which peaked at No. 1 on Billboard more than a year after its street date — towers as a testament to then-novel combinations of hook-laden power pop, mystical folk, cool R&B, melodic rock ‘n’ roll and a wondrous balance of perfection and pragmatism, delicate and deliberate, mellow and maverick.

    Indeed, from the ocean-swept breeziness of the opening “Monday Morning” through the optimistic vibes of the building “Over My Head” to the stacked structure of the closing “I’m So Afraid,” Fleetwood Mac contains not a single dull moment or wasted note. In short order, the band would attain even greater commercial success with the subsequent Rumours. Yet the restless energy, innovative spirit, breath-of-fresh-air newness, and across-the-board fantastic performances of Fleetwood Mac would never be surpassed.
    Tracklist:
    1. Monday Morning (2:49)
    2. Warm Ways (3:53)
    3. Blue Letter (2:41)
    4. Rhiannon (4:11)
    5. Over My Head (3:38)
    6. Crystal (5:15)
    7. Say You Love Me (4:10)
    8. Landslide (3:19)
    9. World Turning (4:25)
    10. Sugar Daddy (4:10)
    11. I’m So Afraid (4:29)

    Exact Audio Copy V1.8 from 15. July 2024

    EAC extraction logfile from 1. May 2026, 19:57

    Unknown Artist / Unknown Title

    Used drive : ASUS BW-16D1X-U Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 2:49.37 | 0 | 12711
    2 | 2:49.37 | 3:53.31 | 12712 | 30217
    3 | 6:42.68 | 2:40.41 | 30218 | 42258
    4 | 9:23.34 | 4:10.40 | 42259 | 61048
    5 | 13:33.74 | 3:38.10 | 61049 | 77408
    6 | 17:12.09 | 5:15.22 | 77409 | 101055
    7 | 22:27.31 | 4:10.10 | 101056 | 119815
    8 | 26:37.41 | 3:19.11 | 119816 | 134751
    9 | 29:56.52 | 4:24.53 | 134752 | 154604
    10 | 34:21.30 | 4:09.59 | 154605 | 173338
    11 | 38:31.14 | 4:28.44 | 173339 | 193482


    Track 1

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\01 Track01.wav

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    Peak level 74.9 %
    Extraction speed 4.7 X
    Track quality 100.0 %
    Test CRC 143663E4
    Copy CRC 143663E4
    Accurately ripped (confidence 8) [792FFABA] (AR v2)
    Copy OK

    Track 2

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    Peak level 71.8 %
    Extraction speed 5.4 X
    Track quality 100.0 %
    Test CRC 0604754D
    Copy CRC 0604754D
    Accurately ripped (confidence 8) [7C15087D] (AR v2)
    Copy OK

    Track 3

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\03 Track03.wav

    Peak level 77.7 %
    Extraction speed 5.4 X
    Track quality 100.0 %
    Test CRC 204095F7
    Copy CRC 204095F7
    Accurately ripped (confidence 8) [F1BA6A6F] (AR v2)
    Copy OK

    Track 4

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\04 Track04.wav

    Peak level 74.2 %
    Extraction speed 6.2 X
    Track quality 100.0 %
    Test CRC 1C8420DC
    Copy CRC 1C8420DC
    Accurately ripped (confidence 7) [6DAAB285] (AR v2)
    Copy OK

    Track 5

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\05 Track05.wav

    Peak level 75.9 %
    Extraction speed 5.6 X
    Track quality 99.9 %
    Test CRC A5509117
    Copy CRC A5509117
    Accurately ripped (confidence 8) [1FA95307] (AR v2)
    Copy OK

    Track 6

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\06 Track06.wav

    Peak level 80.8 %
    Extraction speed 7.1 X
    Track quality 100.0 %
    Test CRC 9F69C303
    Copy CRC 9F69C303
    Accurately ripped (confidence 8) [6B217D79] (AR v2)
    Copy OK

    Track 7

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\07 Track07.wav

    Pre-gap length 0:00:04.77

    Peak level 72.0 %
    Extraction speed 7.3 X
    Track quality 100.0 %
    Test CRC 65166B77
    Copy CRC 65166B77
    Accurately ripped (confidence 8) [11FFCDD0] (AR v2)
    Copy OK

    Track 8

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\08 Track08.wav

    Peak level 45.5 %
    Extraction speed 7.4 X
    Track quality 100.0 %
    Test CRC 89F7A07D
    Copy CRC 89F7A07D
    Accurately ripped (confidence 7) [A31C597E] (AR v2)
    Copy OK

    Track 9

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\09 Track09.wav

    Peak level 77.2 %
    Extraction speed 7.9 X
    Track quality 100.0 %
    Test CRC 6F355046
    Copy CRC 6F355046
    Accurately ripped (confidence 8) [48B911B8] (AR v2)
    Copy OK

    Track 10

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\10 Track10.wav

    Peak level 96.7 %
    Extraction speed 8.1 X
    Track quality 100.0 %
    Test CRC 3C219D34
    Copy CRC 3C219D34
    Accurately ripped (confidence 8) [90981ADE] (AR v2)
    Copy OK

    Track 11

    Filename C:\utilities\eac\Fleetwood Mac - Fleetwood Mac (1975) [SACD-CD Layer FLAC] {MoFi Remaster 2026}\11 Track11.wav

    Peak level 81.3 %
    Extraction speed 7.5 X
    Track quality 99.9 %
    Test CRC 28C9F7A2
    Copy CRC 28C9F7A2
    Accurately ripped (confidence 7) [0E1CF2F4] (AR v2)
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report

    –– AcoustID Plugin V1.2.0

    Submitting 11 results to AcoustID

    AcoustID successfully submitted


    –– CUETools DB Plugin V2.2.6

    [CTDB TOCID: tUtW8mqF4NVwzj7cFIVLGh_Exr0-] found
    Submit result: already submitted
    Track | CTDB Status
    1 | (36/36) Accurately ripped
    2 | (36/36) Accurately ripped
    3 | (36/36) Accurately ripped
    4 | (36/36) Accurately ripped
    5 | (36/36) Accurately ripped
    6 | (36/36) Accurately ripped
    7 | (36/36) Accurately ripped
    8 | (36/36) Accurately ripped
    9 | (36/36) Accurately ripped
    10 | (36/36) Accurately ripped
    11 | (36/36) Accurately ripped


    ==== Log checksum 40BC7346E958B4AB5CF51552B54004106FC72FC2D24A9BEEC3657CD4BB303BA0 ====

    Thanks to the Original ripper !

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