El Regreso is a live album by Andrés Calamaro. The album title means "the return" and marks the comeback of Andres Calamaro onto the musical scene following a personal crisis that was the result of breaking up with his longtime girlfriend.
The album was recorded during shows at Estadio Luna Park in Buenos Aires.

James Galway is universally regarded as the supreme interpreter of the classical flute repertoire as well as a consummate entertainer whose appeal crosses all musical boundaries. Now for the first time ever, all of Sir James's recordings for RCA Red Seal are being issued together in a single box set.
With The Man with the Golden Flute performing the whole spectrum of classics from Baroque to modern, including virtually every important concerto and other solo music composed for his instrument, plus flute transcriptions from every corner of the repertoire and the globe the range and comprehensiveness of this set is staggering. Sir James s list of collaborators is a musical Who's Who in its own right: names like Martha Argerich, Cleo Laine, Andr Previn, Neville Marriner, Lorin Maazel and Michael Tilson Thomas as well as Galway s wife and fellow flautist Jeanne Galway, the Canadian Brass, Tokyo String Quartet and, needless to say, The Chieftains.

Félix Francisco Nebbia Corbacho, better known as Litto Nebbia[1] (born 21 July 1948) is an Argentine singer-songwriter, musician and producer, prominent in the development of the early Argentine rock scene.

Serú '92 is the fifth and last studio album by the Argentine musical group Serú Girán released in 1992. It was a commercial success, with sales that exceeded 200,000 copies and massive concerts in Córdoba and Rosario, and two in Buenos Aires. (it was decided to add a second concert at the end of the first concert), the latter before more than 160 thousand people, which were released on two new LPs. The second concert was also televised live on Channel 13.

The former Michael Bolotin changed his name but not his style on his initial effort for Columbia Records. Bolton had essayed hard-edged arena rock with his band Blackjack, and here he did much the same thing, shout-singing in his emotive whiskey bellow over slashing guitar power chords (frequently courtesy of Blackjack's Bruce Kulick and his brother Bob), icy keyboard fills, angelic backup choirs, and thundering rhythm sections, all intended to fill the hockey auditoriums of America alongside Journey and Foreigner. For all the clichés, Bolton was an undeniably involving singer, and songs like "Fools Game," the lead-off track and chart single, were satisfying pop efforts that suggested he might offer some competition to emerging mainstream rockers like Bryan Adams. As things would turn out, of course, the true key track was the cover of the Supremes' "Back in My Arms Again."