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Christian Tetzlaff, Tanja Tetzlaff, Paavo Järvi - Brahms: Double Concerto; Viotti: Violin Concerto; Dvorak: Silent Woods (2023)

Posted By: ArlegZ
Christian Tetzlaff, Tanja Tetzlaff, Paavo Järvi - Brahms: Double Concerto; Viotti: Violin Concerto; Dvorak: Silent Woods (2023)

Christian Tetzlaff, Tanja Tetzlaff, Paavo Järvi, Deutsches Symphonie-Orchester Berlin - Brahms: Double Concerto; Viotti: Violin Concerto; Dvorak: Silent Woods (2023)
EAC | FLAC | Image (Cue & Log) ~ 290 Mb | Total time: 60:43 | Scans included
Classical | Label: Ondine | # ODE 1423-2 | Recorded: 2022

This album by violinist Christian Tetzlaff and cellist Tanja Tetzlaff together with the Deutsches Symphonie-Orchester Berlin conducted by Paavo Järvi, is dedicated in the memory of their longtime artistic partner, pianist Lars Vogt (1970–2022). At the heart of this album is Brahms, one of Lars Vogt’s favourite composers, and his late orchestral masterpiece, the Double Concerto. Brahms himself had admired one of Viotti’s violin concertos so much that he included material from the Violin Concerto no.22 into his work. With Christian Tetzlaff’s recording of the Violin Concerto, this album finally brings these two works together. Also included is Dvořák’s beautiful Silent Woods for cello and orchestra, a work by another composer that was very close to Lars Vogt’s heart.

Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt - Franz Schubert: Piano Trios; Notturno; Rondo; Arpeggione Sonata (2023)

Posted By: ArlegZ
Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt - Franz Schubert: Piano Trios; Notturno; Rondo; Arpeggione Sonata (2023)

Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt - Franz Schubert: Piano Trios; Notturno; Rondo; Arpeggione Sonata (2023)
EAC | FLAC | Image (Cue & Log) ~ 576 Mb | Total time: 02:16:45 | Scans included
Classical | Label: Ondine | # ODE 1394-2D | Recorded: 2021

This new double-album by pianist Lars Vogt, violinist Christian Tetzlaff and cellist Tanja Tetzlaff includes some of Franz Schubert’s (1797–1828) greatest works of chamber music, including his Piano Trios and the Arpeggione Sonata, in breath-taking interpretations. Franz Schubert wrote his two numbered Piano Trios, as well as the Notturno for piano trio, during the very last months in his life, in 1827 and 1828. Like Beethoven, Schubert’s final works in chamber music are masterpieces of great emotional depth. The famous Arpeggione Sonata (1824) and Rondo for violin and piano (1826) were written slightly earlier, but can also be counted among Schubert’s late works.

Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt - Johannes Brahms: The Piano Trios (2015) 2CDs

Posted By: Designol
Christian Tetzlaff, Tanja Tetzlaff, Lars Vogt - Johannes Brahms: The Piano Trios (2015) 2CDs

Johannes Brahms: The Piano Trios (2015)
Christian Tetzlaff, violin; Tanja Tetzlaff, cello; Lars Vogt, piano

EAC | FLAC | Image (Cue&Log) ~ 323 Mb | Mp3 (CBR320) ~ 192 Mb | Artwork included
Genre: Classical | Label: Ondine | # ODE 1271-2D | Time: 01:23:19

Brahms (1833-97) devoted much of the 1880s to his three Piano Trios, having decided, as he told a friend, that there was “no further point in attempting an opera or a marriage”. They are among his less familiar chamber works. He originally wrote No 1 as a young man, overhauling it more than three decades later in 1889. All three works – the B major Op 8, C major Op 87 and C minor Op 101 – have a tender, shadowy intensity, without quite the same heart-on-sleeve fervour of the bigger chamber works. The string players here – brother and sister Christian and Tanja Tetzlaff – are regular quartet partners. Together with sensitive pianism from Lars Vogt, ensemble is alert, accurate, never forced: already a favourite CD.

VA - Schubert: Schwanengesang & String Quintet (2021)

Posted By: delpotro
VA - Schubert: Schwanengesang & String Quintet (2021)

Julian Pregardien, Tanja Tetzlaff, Rachel Roberts, Florian Donderer, Martin Helmchen, Christian Tetzlaff, Marie-Elisabeth Hecker - Schubert: Schwanengesang & String Quintet (2021)
WEB FLAC (tracks) - 416 Mb | MP3 CBR 320 kbps - 259 Mb | 01:53:09
Classical, Vocal | Label: Alpha Classics, Outhere Music

Here are two works composed by Schubert at the very end of his short life. Schwanengesang (Swansong) was written in Vienna in the autumn of 1828. He died on 19 November at the age of thirty-one, and Die Taubenpost (Pigeon post), which closes the collection, is said to be his very last composition. The fourteen songs, by turns light-hearted, sombre and melancholy, are settings of poems by Ludwig Rellstab, Heinrich Heine and Johann Gabriel Seidl. In the summer of the same year he composed his String Quintet in C major, scored for two cellos, which was not premiered until 1850, at the Vienna Musikverein.

Harry Traksmann - Erkki-Sven Tüür: Lost Prayers (2020)

Posted By: delpotro
Harry Traksmann - Erkki-Sven Tüür: Lost Prayers (2020)

Harry Traksmann, Leho Karin, Marrit Gerretz-Traksmann, Florian Donderer, Tanja Tetzlaff & Signum Quartett - Erkki-Sven Tüür: Lost Prayers (2020)
WEB FLAC (tracks) - 226 Mb | MP3 CBR 320 kbps - 126 Mb | 00:54:41
Classical | Label: ECM Records

Lost Prayers is the first of Estonian composer Erkki-Sven Tüür’s New Series recordings to be devoted entirely to his chamber music. Scaled-back instrumental forces, however, are no indicator of reduced expressive power, and the volatility of Tüür’s “vectorial” concept emerges forcefully from the first seconds of Fata Morgana which is, with Lichttürme, one of two pieces for violin, violoncello and piano. These pieces are performed by the Estonian trio of Harry Traksmann, Leho Karin and Marrit Gerretz-Traksmann, all of whom have played Tüür’s music extensively and appeared on earlier ECM discs, including Crystallisatio and Oxymoron. The German-based Signum Quartett plays Tüür’s Second String Quartet, Lost Prayers, and Signum violinist Florian Donderer also performs Synergie together with cellist Tanya Tetzlaff. Collectively the musicians underline Erkki-Sven Tüür’s view that “one can build up a really rich and wide palette of sounds with only three or four instruments. You don’t necessarily need a full orchestra to operate with a powerful soundscape.”