Though you will see Till We Have Faces often mentioned as the first rock album to draw from world music influences, that's not quite true. Santana, John McLaughlin, Os Mutantes, the Police, Jade Warrior, and others were doing it long before. That said, the album was done before Paul Simon ushered it in as a trend with Graceland. Recorded in Rio de Janeiro and mixed in London, it's a step away from the progressive rock he'd become recognized for and is a mostly successful venture. A couterie of Latin percussionists flesh out the almost all Brazilian band that graces the album, adding layers of complex rhythms. These rhythms are the core of the album and make such songs as "A Doll That's Made in Japan" and "What's My Name" more exotic and interesting; they creatively juxtapose Oriental and South American styles…

The Night Siren is the twenty-fifth studio album from English guitarist Steve Hackett, released on 24 March 2017 by Inside Out Music. The album was recorded within one year. Hackett explained that his writing comes from a three-person team of himself, his wife Jo, and his keyboardist and co-producer Roger King, with Hackett discussing and exchanging initial music and lyric ideas with the other two. When an idea is settled upon, music would be sent to the other performers or Hackett would travel to them and have their parts recorded on location. Hackett recorded the album by means of recording straight to a computer, rather than recording from an amplifier as he likes "to be able to have a conversation over the top of it and it can still sound very heavy". By connecting his amplifier and pedal board to the computer, Hackett experiments by "trying as many different setups and sounds as possible".

2012 debut album from the Progressive Rock duo consisting of Chris Squire (Yes) and Steve Hackett (Genesis). With Progressive Rock (in its many forms) now seemingly more popular than ever, this collaboration from members of two of the godfathers of the genre is hugely exciting. Chris Squire has appeared on every Yes album since 1969 and is widely regarded as one of the most influential bass guitarists of all time. Now an established solo artist, Steve Hackett first came to prominence as the guitarist with Genesis. He was with the band from 1970 to 1977 and played on six studio albums and featured on three live albums before leaving to concentrate on his solo career. The two met when Chris Squire was working on a solo album and needed some guitar parts. Chris was put in touch with Steve and through these sessions the idea for Squackett was born.

Steve Hackett's solo rock albums have grown few and far between from the '90s onward. So the release of To Watch the Storms was surrounded by a lot of expectations from fans and they shouldn't be disappointed. This is a wonderful record, full of touching, intelligent songs, stellar guitar playing, and great production. It continues in the same direction Hackett has been pursuing since Guitar Noir, a blend of mature songwriting, thoughtful arrangements, and odd rock numbers with progressive rock elements. Nothing needs to be taken out of this album. "Circus of Becoming" adds another example of Hackett's infatuation with quirky circus-sounding tunes, but this one is much better than "The Ballad of the Decomposing Man" (from Spectral Mornings)…

At 61, Steve Hackett continues to fly the flag of early Genesis-style British progressive rock on his ambitious 2011 studio album, Beyond the Shrouded Horizon. He reminds listeners of his majestic approach to electric guitar playing at the outset on "Loch Lomond," and then alternates the heavy rock playing with delicate acoustic work, starting with the brief "Wanderlust," actually an introduction to the longer "Til These Eyes." Some of the songs have vocals with ethereal lyrics, on which Hackett's modest singing voice is supported by several others, including that of his brother, co-songwriter, and flute player John Hackett. A Middle Eastern flavor is added on "Waking to Life" (with guitarist Amanda Lehmann on vocals), while "Looking for Fantasy" has a stately, classical feel, with Hackett contributing nylon-string guitar, leading into the Renaissance-styled "Summer's Breath"…

Prog rock pioneer Steve Hackett is releasing "Premonitions - The Charisma Recordings 1975-1983", a comprehensive reissue project that includes his first 6 albums, together with a wealth of previously unavailable recordings as well as remixes by Steven Wilson. ‘Premonitions’ comes in a super deluxe box set featuring a total of 135 songs on 10 CDs and 4 DVDs, plus an extensive booklet. Also included in this version are 67 previously unreleased recordings between old and new tracks, live and remixes.

In 2003, Steve Hackett met the Hungarian jazz fusion septet Djabe and contributed to their album Táncolnak A Kazlak. They got on so well that they played shows together whenever possible. In 2016, Djabe and Hackett got together for improvised recording sessions in the parsonage of a Sardinian cathedral. The flow of ideas and easy rapport netted the widely celebrated Life Is a Journey: The Sardinia Tapes. A year later, the guitarist and band took the material on tour, resulting in the document Life Is a Journey: The Budapest Live Tapes. Djabe returned to the same spot earlier in 2019, without Hackett; his touring schedule wouldn’t allow him to participate live.

‘Under A Mediterranean Sky’ is the first new acoustic solo album from legendary guitarist Steve Hackett, since 2008’s ‘Tribute’ – a record that saw him tackling some of the beautiful classical pieces that his guitar idols had also put their hand to. This new album however takes inspiration from Steve’s extensive travels around the Mediterranean. “A lot of acoustic ideas had been forming over the years, and it felt like the perfect time to create this album,” notes Hackett, “a time to contemplate the places we’ve visited around the Mediterranean with the kind of music which evolved from the world of imagination.” ‘Under The Mediterranean Sky’ lacks nothing of the grandiosity of Steve Hackett’s recent solo electric records, however it does give room to the stunning breadth of approach that he has to playing his acoustic guitar, reminding us once again why Steve is such a revered and respected musician.

‘Surrender of Silence’ is the brand-new studio album from legendary guitarist Steve Hackett. As with his acoustic album from earlier this year, this too was recorded during lockdown and involving several musicians and singers contributing from around the world. “Lockdown cobwebs are blown away in one fell-swoop here”, says Steve… “With the monster rhythm section of Jonas Reingold, Craig Blundell, Nick D’Virgilio and Phil Ehart along with Rob Townsend’s soaring sax and bass clarinet, Nad Sylvan, Amanda Lehmann and myself on vocals, Roger King’s darkly powerful organ and my guitar, we plunge full-pelt into that wild release of energy”…