MantaRay is an album by Siouxsie Sioux. It is her first full-length solo studio album after a 30-year music career as the frontwoman for Siouxsie and the Banshees and The Creatures. Limited-edition version, encased in a tri-fold Digipak which included three exclusive postcards and a fold-out poster.

Siouxsie Sioux has always maintained that it was not her intention to create the goth rock movement. While that lofty statement may be a little self-serving, it's partly right. The Banshees' post-1982 singles (documented in entirety on Twice Upon a Time) have a lush and expansive sound that directly influenced the goth sound. From the opening of "Fireworks" it is immediately apparent that Siouxsie and the Banshees were growing up. By the time of "Peek-a-Boo," the band had learned how to incorporate its early dissonance with its majestic, late-'80s sound. The Twice Upon a Time collection is one great step after another, with the only drawback being a poor remix of 1991's "Fear of the Unknown." A solid introduction for the unknowing.

Tinderbox is the most musically up-tempo of all Siouxsie and the Banshees' albums and the most stylistically consistent one since The Scream and Join Hands. Most of the selections here feature urgently rocking drumming, drivingly aggressive yet fully textured guitar playing, and masterful, gutsy singing. The songs here are intense and unfold slowly, some starting off less vigorously but becoming hard rockers further along. There is of course a fine line between consistency and lack of contrast, but this album stays firmly on the side of the former; in fact, there's a certain satisfying feel to the musically uniform wall of sound here. The arrangements are less complex than in immediately preceding albums, but there are still plenty of subtle, effective production touches to be found throughout, most notably in the song "Cannons." "Cities in the Dust," a dance-pop number with a bell-like synthesizer opening section, stretches the above-mentioned boundaries the most, though typically bleak lyrics keep this selection from any sense of vacuity. This excellent release is well worth purchasing.

UK two CD collection from the original Goth/Punk rockers fronted by one of the UK's most unique vocalists, Siouxsie Sioux. From their Punk beginnings to their chart success and ultimate dissolution, this double disc set is the perfect introduction to their rich, challenging musical legacy. Includes the hits 'Dear Prudence', 'Peek a Boo', 'Hong Kong Garden', 'Israel', 'Christine', 'Spellbound' and 'Arabian Knights'. Also features rare remixes of 'Cities in Dust', 'The Killing Jar' and 'Song from the Edge of the World'. NOTE: The track listing on this disc is identical to the deleted (and highly sought-after) limited edition two-CD Best Of!

Years after the breakup of Siouxsie and the Banshees, the three core members (Siouxsie Sioux, Steven Severin and Budgie) plus final Banshees guitarist Knox Chandler reunited for an abbreviated tour of the US and the UK in 2002. The Seven Year Itch is a live album composed of performances recorded at London's Shepherd's Bush Empire on July 9 and 10, 2002. Released by Sanctuary Records in 2003 (in CD and DVD formats), both critics and fans praised the tour and album as the Banshees concentrated not on radio hits, but both popular and obscure B-sides and album tracks, many pulled from their early albums.

The undisputed queen of post-punk and goth rock, Siouxsie Sioux, is celebrated by her many accolytes on this superb album of covers! Features contributions from amazing new talents such as Kap Bambino, The KVB, Night Beats and R. Missing along with music veterans including a former Banshee Jon Klein who teams with PiL bassist Jah Wobble plus Xiu Xiu, Skold and lots more! This year, Sioux launched her first tour in 15 years, a comeback that has been incredibly well received all over the world and shows that her fanbase is still as active as ever!

Siouxsie and the Banshees at the BBC is a stunning 84-track, all digitally-remastered, 4 disc hard-back book set of exclusive BBC sessions, live concert tracks and TV performances recorded between 1977-2001 split across 3CDs and a DVD. All tracks hand picked by the band and featuring Siouxsie s introduction to the liner notes. Includes alternative versions of 18 classic hit singles. Discs 1 and 2 feature key session tracks from 1977 1987 and a concert recording from the Apollo Theatre in Oxford in 1985. Includes the complete John Peel sessions alongside sessions recorded for Kid Jensen, Richard Skinner and Janice Long. Features 21 unreleased versions. Disc 3 contains highlights from their BBC concert recordings at the Apollo Theatre in Oxford and the Royal Albert Hall in London in 1988, where the band performed a storming set 3 nights in a row to a sold out crowd. Disc 4 is the real gem; a 29 track DVD of the band s BBC TV performances. Features the complete Old Grey Whistle Test broadcasts from 1978, 1982 and 1985, the Something Else performances from 1979 and 1980, the Rock Goes to College broadcast from 1981 and the band s complete Top of the Pops performances, complete, in places, with cheesy intros.

55 tracks on 4 CDs, all digitally remastered, featuring 34 tracks on CD for the first time, including The Thorn EP. 76-page booklet with an introduction by Siouxsie and full track annotation by all 3 band members plus full lyrics for all B-sides, printed for the first time. Sleevenotes by Mark Paytress. Packaged in a three panel fold-out digi-sleeve housed in carboard slipcase.

Once Upon a Time: The Singles collects all ten of Siouxsie and the Banshees' A-sides spanning the years 1978-1981, with four songs otherwise unavailable on LP. It's a neat and accessible encapsulation of the group's early guitar-driven sound – a frosty, dissonant art punk that had a tremendous impact on the emerging goth rock scene. Unlike similarly forbidding work by such proto-goth contemporaries as Joy Division or the Cure, the early Banshees were tense and visceral; the darkness of the Once Upon a Time singles doesn't come from a sense of downcast gloom so much as it does from a jittery angst. Yet as challenging as the music is, it's also accessible enough for eight of these singles to have charted in the British Top 50. The melodies are angular and almost alien, yes, but oddly memorable once the listener has assimilated them. Starting shortly after the period covered by this collection, Siouxsie Sioux's icy detachment would be fused with an elegant romanticism and lusher, smoother arrangements. Which means that Once Upon a Time isn't the one, definitive Banshees compilation, but it is a cohesive and essential overview of the band's edgy, influential peak.

A Kiss in the Dreamhouse is the fifth studio album by British rock band Siouxsie and the Banshees. It was released on 5 November 1982 by Polydor Records. The record marked a change of musical direction, as the group used strings for the first time and experimented in the studio. Guitarist John McGeoch played more instruments, including recorder and piano. For Julian Marszalek of The Quietus, the release proved the Banshees to be "one of the great British psychedelic bands" of the post-punk era. In August 2007, it was ranked No. 1 on Mojo magazine's list of the best albums of 1982.

Through the Looking Glass is the eighth studio album by English alternative rock band Siouxsie and the Banshees. The album is a collection of cover versions. It was co-produced with Mike Hedges and released in March 1987 on Polydor. Through the Looking Glass was preceded by the single "This Wheel's on Fire". It was the second and final album recorded with guitarist John Valentine Carruthers. Most of the songs were from artists who had influenced them: Roxy Music, John Cale, Iggy Pop, the Doors and Kraftwerk.

One of the band's masterworks, Juju sees Siouxsie and the Banshees operating in a squalid wall of sound dominated by tribal drums, swirling and piercing guitars, and Siouxsie Sioux's fractured art-attack vocals. If not for John McGeoch's marvelous high-pitched guitars, here as reminiscent of Joy Division as his own work in Magazine, the album would rank as the band's most gothic release. Siouxsie and company took things to an entirely new level of darkness on Juju, with the singer taking delight in sinister wordplay on the disturbing "Head Cut," creeping out listeners in the somewhat tongue-in-cheek "Halloween," and inspiring her bandmates to push their rhythmic witches brew to poisonous levels of toxicity.

Peepshow is the ninth studio album by English alternative rock band Siouxsie and the Banshees, released in September 1988 on Polydor. It was their first record as a quintet. With the arrival of multi-instrumentalist Martin McCarrick, the group recorded a multifaceted album with a variety of influences. Including the singles "Peek-a-Boo" and "The Last Beat of My Heart", the record was a commercial success, peaking at No. 68 on the Billboard 200 chart in the week of 3 December 1988. It spent a total of 20 weeks on that chart. Peepshow was widely acclaimed by critics. Praise centred around the unpredictability of the orchestrations and new nuances in Siouxsie's voice.

Superstition is a similar album to that of Peepshow, this time with more precise production and a lighter feeling to many of the songs. While Siouxsie and the Banshees albums like Tinderbox and Juju were dark affairs, Superstition's sound is representative of the pink of the album cover. A softer pop sound, mixed with the Banshees' penchant for minor keys and strange imagery. They manage to pull it off quite well on most tracks. "Fear (Of the Unknown)" and "Drifter" are classic Siouxsie stuff, and "Kiss Them for Me" gave them their first significant entry into the U.S. singles charts. But it's tracks like "Silly Thing" that hold this album back. This track manages to do what the Banshees had avoided all their career – sounding like someone else. One of their most accessible albums, Superstition has appeal without losing its edge.

The Banshees debut album has now been Digitally Remastered from the original master tapes and has been expanded with a second disc of early demos, singles and two seminal John Peel Sessions from 1978 and 1979. Contains 1 previously unreleased song , 'Make Up To Break Up', and Previously Unreleased early demos of 'Metal Postcard', 'Suburban Relapse', 'Staircase Mystery', 'Mirage' and 'Nicotine Stain'. As well as featuring the two seminal John Peel Sessions from '78 and '79, Disc 2 also features early demo versions fo songs recorded at The Riverside and Pathway Studios prior to the band signing to Polydor. Also contains the hit singles 'Hong Kong Garden' ( #7 in August 1978 ) and 'Staircase Mystery' ( #24 in March 1979 ).