With Destroy Erase Improve, Meshuggah shattered any preconceived notions about what death, thrash, and prog metal could be with one astoundingly accurate, calculated blow. The Swedish outfit managed to surpass their startlingly original, if relatively immature debut, Contradictions Collapse, with a record so pure in concept and execution, it borders on genius. Lyrical themes visualize the integration of machines with organisms as humanity's next logical evolutionary step, while the music backing it up is mind-bogglingly technical, polyrhythmic math metal - the work of highly skilled men with powerful instruments. While the idea looks unwieldy on paper, Meshuggah handles it with a balance of raw guts and sheer brainpower, weaving hardcore-style shouts amongst deceptively (and deviously) simple staccato guitar riffs and insanely precise drumming - often with all three components acting in different time signatures…

On first listen, the sound on Obzen, Meshuggah's sixth full-length, is startling, not for its trademark rapid-fire key and tempo changes, or for the intricate, insanely knotty riffs that careened over 2002's Nothing or 2005's Catch Thirty-Three. Instead, it is the rampaging charge that leads off the set on "Combustion," a balls-out sprint that recalls the band's earlier catalog albums like Contradictions Collapse, Destroy Erase Improve, and even Chaosphere. Power, focus and attention to the bone-crushing power are at the center of Obzen. That said, it loses nothing in terms of the band's keen focus of musical or technical innovation or drummer Tomas Haake's songwriting. What it does leave behind is some of the mathy quick-change-for-the-sake-of-it annoyances that were more a show-off of athletic prowess than actual compositional tropes…

Imagine a metallic and mechanical journey through extremely complex and brutal metal stuffed with insane spacey guitar solos and neck breaking sharp riffs. Meshuggah's third studio release, "Chaosphere" from 1998, is just like that. An extremely technical prog-metal mayhem of an album, clocking in at 46-minutes; there are no silent parts here, only pure metal throughout, so If you are used to other prog metal bands like Dream Theater and Symphony X, well, then you'll be blowed away with this album's ability to nearly crack your brain. This is Meshuggah's most extreme release yet, guitars, bass, drums and vocals crashes into each other with amazing speed and NO emotion or melody, creating this extremely intense and brutal monster. The best thing is that the result is so original too! No bands before or after have ever created something like this before! That makes this album so interesting.

Meshuggah is a Swedish extreme metal band formed in Umeå in 1987. The band's current lineup consists of lead vocalist Jens Kidman, guitarists Fredrik Thordendal and Mårten Hagström, drummer Tomas Haake and bassist Dick Lövgren. Since its formation, the band has released nine studio albums, six EPs and eight music videos. Their latest studio album, Immutable, was released on 1 April 2022 via Atomic Fire Records.

Immutable once again showcases Meshuggah’s collective brilliance, including some of the most jaw-dropping ensemble performances they have ever executed. Since forming in 1987, the Swedish sound architects known as Meshuggah developed into one of the most technically complex and virtuosic group of players the metal realm has ever encountered, their distinctly unique brand of progressive groove-infused death metal inadvertently launching anentirely new subgenre. Recorded in Sweden’s Sweetspot Studios, their ninth full-length album Immutable is the follow-up to their highly acclaimed and Grammy nominated album, The Violent Sleep Of Reason.