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Laurent Campellone, Orchestre symphonique Saint-Étienne Loire - Jules Massenet: Le Mage (2013)

Posted By: ArlegZ
Laurent Campellone, Orchestre symphonique Saint-Étienne Loire - Jules Massenet: Le Mage (2013)

Laurent Campellone, Orchestre symphonique Saint-Étienne Loire - Jules Massenet: Le Mage (2013)
XLD | FLAC | Image (Cue & Log) ~ 660 Mb | Total time: 60:10+78:44 | Scans included
Classical | Label: Ediciones Singulares | ES 1013 | Recorded: 2012

Just at the zenith of the French “Wagnerisme” Jules Massenet surprised the French opera audience in 1891 with a genuine French Grand Opéra, which apparently did not seem to care about current musical events. With its exotic setting (Persia), supernatural elements of action and a religiously veiled love story, it ties in with works such as "Hérodiade" and "Le Roi de Lahore". Production at Ediciones Singulares makes it clear that a revival was long overdue.

Laurent Campellone, Orchestre Symphonique Saint-Étienne Loire - Saint-Saëns: Les Barbares (2014)

Posted By: ArlegZ
Laurent Campellone, Orchestre Symphonique Saint-Étienne Loire - Saint-Saëns: Les Barbares (2014)

Laurent Campellone, Orchestre Symphonique Saint-Étienne Loire - Saint-Saëns: Les Barbares (2014)
XLD | FLAC | Track (Cue & Log) ~ 1.84 Gb | Total time: 75:07+45:15 | Scans included
Classical | Label: Ediciones Singulares | ES1017RSK | Recorded: 2014

Les Barbares was premièred at the Paris Opéra (Palais Garnier) in October 1901, having originally been intended for the Roman theatre of Orange, in Provence. Rather than concentrating on bloodshed and slaughter, the plot focuses on the evolution of the relationship between Floria, the chief vestal, and Marcomir, the leader of the Barbarians, with the musical interest of the opera culminating furthermore in their splendid duet at the end of Act II. Saint-Saëns, like Massenet too at that time, shows here his ability to adapt his style to suit his literary inspiration. Les Barbares is in the same vein as Berliozs Les Troyens and contemporary with Faurés Pénélope.