A wonderfully produced and sounding live concert from Gary Numan. A great mixture of tunes from his latest album Splinter (which is outstanding) and some classic tunes. Highly suggested for fans of Gary.

Gary Numan is known for robotic, stylized singing. His primitive electronics and pre-"new romantic" sound did nothing for me. A myriad, zealous voices will tell you that Numan was sings "good songs." Now, in this 2-CD collection of Numan interpretations you can hear those good songs without Numan's idiosyncratic delivery. The known and the unknown join to make proto-dance music out of mechanical master's material. Matt Sharp (Weezer) and Damon Albarn (Blur) cover "We Have a Technical." Also on the compilation are Gravity Kills, EMF, The Magnetic Fields, Jesus Jones, the out-of-place hip hop group Underdog (but, there's only one of them), Sukia, The Orb, Pop Will Eat Itself. One of my favorite cuts is "Metal" by Towering Inferno. Brian Eno described their Kaddish album as "frightening" and they are here joined by Eddie Reader. I also am very fond of the two versions of "Are 'Friends' Electric?" Techno rockers Republicaare joined by Numan himself for one version and Belgian discovery An Pierle offers another.

For the first time in nearly half a decade, Numan, to a large if not total extent, recaptured the sense of compelling darkness at the heart of his music on Strange Charm. Though Numan himself had a difficult time with the recording of the album, speaking in later years about his struggles with then-new technology and how best to make it work for his music, the end results often justify the expense of effort. For the first time in a long while, Numan actively uses silence and less-crowded arrangements to create a more dramatic impact - it lets the songs breathe a bit more, while further foregrounding his vocals. Flat-out successes such as "The Sleeproom," with its haunting, quite beautiful chorus, and the concluding ballad "This Is Love," with heavily echoed piano and singing leading the way, show how his decision worked wonders…

By the time Numan had founded his Numa label, his music had already taken a decidedly more corporate rock turn; in comparison to albums like Telekon, Warriors often sounded like it was out to soundtrack any number of post-apocalyptic low-budget movies from 1983. Berserker, promising title and striking new personal image (combining white skin covering and blue highlights) aside, continued this curious trend, very much a dog's breakfast of sudden, striking ability and a surprising embrace of already shopworn clichés. If there's a specific contrast to be made, it's the difference between Numan's one-of-a-kind voice - often capturing a sense of melancholic passion better than ever - and all-too-obvious arrangements from the mid-'80s…

In the U.S., Gary Numan is remembered as a one-hit-wonder, while back home in his native England, he continued to crank out hit after hit and became a superstar in the process. His icy space-age persona and sound may be forever associated with early-80's British new wave (Flock of Seagulls, early Duran Duran, etc.), but he was the originator, and today seems pretty darned original. Numan was a scholar of the David Bowie Ziggy Stardust-era, and used Bowie's space alien approach as a starting point. While retaining his futuristic lyrics, Gary stripped Ziggy's sound free of the distorted guitar riffing and posturing, and replaced it with clinical synthesizers and a standoffish stage persona. His music also gives off a paranoid vibe at times, as evidenced on the hits "I Die: You Die" and "Are 'Friends' Electric?" But Numan's songs can also sedate you ("Down in the Park"), while other times sneak up on you (the unexpected punk rocker "Bombers"). And of course there's his sole U.S. hit, "Cars," which sounds like a not so distant ancestor to fellow futuristic weirdos Devo.

Upgrading an earlier two-fer CD that curiously omitted great swathes of both albums, the coupling of 1979's breakthrough Replicas and the 1978 demos that comprised The Plan is both chronologically and musically askance – one entire LP, Tubeway Army's eponymous debut, divided these two projects in time, and while it, too, barely hinted at the utter re-evaluation that Gary Numan would soon be making, the jolt would have been a lot less pronounced had some kind of internal logic been adhered to. No complaints, of course, about the bang for your buck. No less than 38 tracks are spread across the two discs, as the original 12-track The Plan and ten-song Replicas are joined by a wealth of bonus tracks, each offering up a full snapshot of Numan's activities at those particular points in time. The Plan adds three more of the demos that were recorded with the original LP's worth, then adds on the six songs recorded during sessions for the band's first two singles, on either side of the main attraction; Replicas is appended by half a dozen session outtakes, two of which were period B-sides.

The Radio One Recordings is a compilation album of British musician Gary Numan tracks played live and recorded live for BBC Radio 1. The album brings together the tracks from the July 1989 EP of Tubeway Army's 10 January 1979 and Numan's 29 May 1979 sessions for disc jockey John Peel's show and three tracks broadcast by BBC Radio 1 from the Year of the Child concert held at Wembley Arena on 30 November 1979.

Gary Numan experienced renewed interest during the late '90s due to a popular remake of "Cars" by electro metallists Fear Factory. As a result, Numan reappeared back from the dead - releasing new albums, launching tours, and winning over new fans. The time was right to issue a brand new Numan compilation (despite the fact that countless career overviews had surfaced throughout the years), as the 29-track double disc Exposure: The Best of Gary Numan 1977-2002 appeared in shops in 2002. Despite what its title would like you to believe, there are quite a few holes here - the majority of the tracks come from Numan's early work. Most Numan fans would agree that his finest work came from this era (circa the late '70s/early '80s)…

The classic self-titled debut by Gary Numan's Tubeway Army was finally reissued by Beggars Banquet, who have done a masterful job remastering the tracks and adding a live set from 1978 as a bonus. In the past, many have felt that Numan's debut disc didn't measure up to his later triumphs (1979's Replicas, 1980's Telekon, etc.), but listening to it today, you discover that it's the most underrated of all his early albums. Numan & the Tubeway Army were one of the first new wave/punk bands (along with Kraftwerk and Devo) to successfully fuse robotic synthesizers with rock & roll. Gary Numan's guitar riffing is more prominent here than on any other of his albums, which gives the tunes a splendid Ziggy Stardust feel at times. Kicking things off with several strong compositions – "Listen to the Sirens," "The Life Machine," and "Friends" – the album sags momentarily in the middle ("My Love Is Liquid"), but soon returns to its high standards with "Are You Real?" and "Jo the Waiter." The reissue of Tubeway Army wraps up with the 13-track Living Ornaments '78: Live at the Roxy set, which was previously released only as a bootleg.