Dr Feelgood offer a slice of punchy blues rock which confirms their place as one of the top live acts in the country. The release was recorded at a show in Caen France at Le BBC in October 2022 on the first night of a European tour.

Original Hits: 70s is a decent six-disc set, highlighting 111 pop singles released in that decade. Along with the original versions of radio classics by Al Stewart, Blondie, the Knack, KC & the Sunshine Band, and Dr. Hook, are less-than-obvious inclusions by Peter Tosh, XTC, the Move, and Benny Hill!

The brilliance of this collection is that it combines the standard Brit-punk anthems by the Sex Pistols, the Damned, the Buzzcocks, and Stiff Little Fingers with other great songs that typify the variety and range of punk-era independent music from both sides of the Atlantic. The songs are so well chosen that the punk aesthetic is further revealed by the inclusion of songs that characterize pub rock, new wave, and other related genres. The usual punk suspects ("New Rose," "Anarchy in the UK") are all here, along with many other treasures: Dr. Feelgood's "Milk and Alcohol", Devo's "Mongoloid," Jonathan Richman's "Roadrunner," Talking Heads' "Psycho Killer," and Television's "Marquee Moon." The less commonly anthologized punk selections are inspired, too: the Ruts' "Babylon Is Burning," Generation X's "Ready Steady Go," and X-Ray Spex's "Identity," along with the seminal "Sheena is a Punk Rocker." The conception of the genre is expanded further to include Elvis Costello, Iggy Pop, XTC, Joe Jackson, the Pretenders, the Tubes, and Blondie, and their presence overcomes the tendency for boring repetition on a very long collection.

Singles – The UA Years is a terrific double-album set that chronicles all of Dr. Feelgood's major singles, from 1976's "Roxette" to 1986's "See You Later Alligator." Although the hits-only approach leaves out some major Feelgood songs, Singles remains a first-rate retrospective, and for many years, it was the best Dr. Feelgood collection available. The 1997 double-disc Twenty Five Years of Dr. Feelgood later replaced Singles as the definitive retrospective, yet there are enough songs on this collection to make it worthwhile for serious fans who don't want to spring for either the box set Lookin' Back or the entire catalog.

Comprised of recordings taken from 1975 tours, the live Stupidity finally captures the relentless, hard-driving energy of Dr. Feelgood at their peak. All the music on Stupidity is presented raw and without overdubs, making it clear that the dynamic friction between guitarist Wilko Johnson and vocalist Lee Brilleaux could propel the band toward greatness. While many of the versions here don't differ in form from the original studio versions, these unvarnished performances are considerably more exciting, revealing the Johnson originals "She Does It Right" and "All Through the City" as minor rock & roll classics.

The legendary British rhythm'n'blues band Dr Feelgood return with 'Damn Right!', their first album of all original material. Up until now, the group have nearly always mixed covers with self-penned songs but for their latest release guitarist Gordon Russell and singer Robert Kane have come up with eleven new tracks meaning there's not a cover version in sight. Damn Right! was recorded in Southend and reunited the group with world renowned bassist Dave Bronze in his other role as producer.

Parlophone harnesses the power and excitement of the group’s early years with a new 16-track collection that mixes remastered versions of studio and live recordings including hits such as Roxette, Cheque Book, and Sneakin Suspicion. Three years after the definitive four-disc box set All Through the City comes the single-disc consolidation I'm a Man: The Best of the Wilko Johnson Years. The delay springs from two intertwined events: Wilko's successful (and public) battle with cancer and the 2014 hit album he recorded with Roger Daltrey during the fight. This opened up a market for a new Wilko-specific comp in the Feelgoods' catalog and, at 16 tracks nearly evenly balanced between studio and live, I'm a Man is pretty good. Presumably because the focus is on Johnson and his slashing Telecaster, there are some odd omissions – no "She Does It Right" or "I Can Tell," no "Stupidity" – but that hardly diminishes from what is here, because every cut is high-octane rock, proof that for a brief period of time Dr. Feelgood were serious contenders for the title of best rock & roll band on the planet. It's so good, in fact, that you'll wind up wanting more, so it's a good thing there's a box out there that has it all.

Dr. Feelgood was the ultimate working band. From their formation in 1971 to lead vocalist Lee Brilleaux's untimely death in 1994, the band never left the road, playing hundreds of gigs every year. Throughout their entire career, Dr. Feelgood never left simple, hard-driving rock & roll behind, and their devotion to the blues and R&B earned them a devoted fan base. That following first emerged in the mid-'70s, when Dr. Feelgood became the leader of the second wave of pub rockers. Unlike Brinsley Schwarz, the laid-back leaders of the pub rock scene, Dr. Feelgood was devoted to edgy, Stonesy rock & roll, and their sweaty live shows - powered by Brilleaux's intense singing and guitarist Wilko Johnson's muscular leads - became legendary…