On 21st and 22nd April, 1983, Brian May was joined at Record Plant Recording Studios, Los Angeles, California, U.S.A. by his friends Eddie Van Halen (guitar), Alan Gratzer (drums), Phil Chen (bass), and Fred Mandel (keyboards). The output of the two days’ sessions was captured on a 3-track mini album and released on October 31st, 1983, titled Brian May + Friends: Star Fleet Project. Now celebrating its 40th anniversary, Star Fleet Project will be given the full reissue treatment as part of Brian’s ongoing Gold Series. Brian and his studio team, Justin Shirley-Smith and Kris Fredriksson, have created a completely new 2023 mix of the sessions from the original multi-track master tapes, and the artwork has been completely digitally recreated from the original 1983 source material, to give fans the very best experience at the highest possible quality.

Dragon’s Domain Records presents the soundtrack release of The Quest + The True Story Of Eskimo Nell, a collection featuring music composed by Brian May (MAD MAX, THE ROAD WARRIOR, CLOAK & DAGGER) for a select group of Australian films produced by Antony I. Ginnane during the boom of the Australian New Wave of cinema in the late 1970s and early 1980s. Dragon’s Domain Records is excited to bring the THE QUEST and THE TRUE STORY OF ESKIMO NELL together, newly remastered by Digital Outland. The booklet includes liner notes written by author Randall Larson. The Quest + The True Story Of Eskimo Nell is a limited edition release of 1000 units.

Spanning Queen's triumphant first act, from 1974 to 1980, 'Greatest Hits' includes some of the world's most beloved rock standards, including the stadium-sized symphonic chart-topper 'Bohemian Rhapsody' and the roof-raising 'We Are the Champions', which was named the most catchy song of all time by a team of scientists in 2011. The album also dazzles with its stylistically diverse range, from the crowd-rousing 'We Will Rock You', the tongue-in-cheek 'Fat Bottomed Girls', the stomp-stomp-stomp late '70s disco inspired 'Another One Bites the Dust', to the finger-snapping jukebox retro-rock homage 'Crazy Little Thing Called Love' and gospel-fired Aretha-isms of 'Somebody to Love'.

“Anybody fancy a season of BM re-releases with lots of juicy extras?” asked Brian May through his Instagram feed in 2020. “We’re working on a plan!!!” The first stage of that plan comes to fruition now, with the long-awaited reissue of the legendary Queen guitarist’s superlative debut solo album. Almost 30 years on from its initial release, Back To the Light stands as an intimate and expansive testament to the talent and tenacity of one of the foremost guitarists and songwriters of his generation.

Queen guitarist Brian May's first complete attempt at a solo album, Back to the Light, focuses on the hard rock sound that Queen often abandoned in the 1980s. While obviously sounding similar to some of the work by his former band, May's path is far more hard-edged and emotionally punched than the majority of Queen's work. His vocals are sometimes weak for a singer, but they also add a certain tenderness that most hard rock frontmen seem to lack. The album succeeds best on its heaviest tracks such as the cover of "Rollin' Over" or "Resurrection," which features pounding drums courtesy of Cozy Powell and thundering guitar riffs with Queen-like multi-tracked vocals.