Released after the studied, meticulous Flowers in the Dirt, the live acoustic concert album Unplugged was a breath of fresh air, and it remains one of the most enjoyable records in McCartney's catalog. Running through a selection of oldies – not only his own, but Beatles and rock & roll chestnuts – McCartney is carefree and charming, making songs like "Be-Bop-a-Lula" and "Blue Moon of Kentucky" (which finds Paul melding Bill Monroe with Elvis) sound fresh. But the real revelations of the record are the songs McCartney hauls out from his debut – "That Would Be Something," "Every Night," and "Junk" – which sound lovely and timeless, restoring them to their proper place in his canon. They help make Unplugged into a thoroughly enjoyable minor gem.

George provided the song “Run So Far” for Eric Clapton’s album “JOURNEYMAN” and participated in the guitar and chorus. George’s own version was included in “BRAINWASHED” released after his death, but he planned an omnibus album containing his own unreleased songs that have been stocked so far, including self-covers of this song from his lifetime. said in an interview.

CD1: 1-2 Avalon Ballroom, San Francisco, 15th march 1967; 3 CBC TV Studio, Toronto, 14th September 1967; 4-5 CBS TV Studios, LA (Ed Sullivan Show) 17th September 1967; 6-7 CBS TV Studio (Jonathan Winters Show) 27th December 1967; 8-9 Smothers Brothers Comedy Hour, 4th December 1968; 10-15 Critique TV Show, recorded 28th April 1968; CD2: Konserthuset, Stockholm, Sweden 20th September 1968; CD3: Cobo Arena, ~Detroit, 8th May 1970, FM Radio Broadcast; CD4: Center Coliseum, Seattle, 5th June 1970, FM Radio Broadcast; CD5: PNE Coliseum Vancouver, 6th June 1970, FM Radio Broadcast 4th July 1992; CD6: Aragon Ballroom, Chicago, 21th July 1972, FM Radio Broadcast.

The first few months of 1970 were tumultuous for the Grateful Dead. They had been all over the country, from the Fillmore East to Hawaii and back, by way of New Orleans and St. Louis. They had fired their organ player, fired their manager, hired a new road manager and recorded an album. By 8th March, they had already played 34 shows. As near as anyone can tell, the sessions for Workingman's Dead were 16 - 19th February and then 9 - 16th March, when the basic tracks were completed. What has come to be known as the project tour - an east coast jaunt running 17th March through 29th March - was undertaken with the aim of composing a road song while on the aforementioned surface. Lyricist Robert Hunter had joined the tour for this express purpose and Truckin was written while the group allegedly hung around the pool in Dania, FL, just North of Miami, where they would also perform two gigs at the unlikely venue, Pirates World, an amusement park in the city which hosted rock gigs on weekends.

MQR is once again proud to present our newest title, Forever and Ever, a mashup of The Division Bell and The Endless River designed to make The Division Bell less radio-friendly and The Endless River less avant garde. It is intended as a true final Pink Floyd record, an alternate reality version of what should have been released in 1994.

The entire original KSAN, KMET, WBCN and KLLT FM Radio Broadcasts. Covering live performances from California & Tennessee (1974) and Missouri (1993).

Rare and collectable broadcast, demos & outtake recordings from 1965-1969 - digitally remastered. A Collection of Rare David Bowie Tracks From 1965 to 1969, Includes Silly Boy Blue, Karma Man, London Bye Ta-Ta, When I'm Five and The 1967 Demo, C'est La Vie, Plus A Second Disc Of 1960's Songs Performed Live In The 1970's, 80's & 90's.

On 13th October 1979, Leonard Cohen began his most extensive tour to date in support of his sixth studio album, 'Recent Songs', with a concert in Gothenburg, Sweden. Entitled 'The Smokey Life Tour', this 48-concert European leg of what would eventually become a world tour (ultimately encompassing too Australia, the USA, and in November 1980, Israel) progressed through Sweden, Norway, Denmark, France, Holland, Belgium, Germany, Switzerland, England and Ireland. This concert, from Bonn's prestigious 2,000 capacity Beethovenhalle, was recorded towards the end of the European extravaganza on 3rd December, and, as is evident, the cast were performing superbly by this juncture.

Great compilation. Featuring a wide variaty of Dire Straits tours and a very good recording of the last concert of The Notting Hillbillies tour from 1990. All songs are taken from soundboard recordings, good to very good sound quality.

Founded in 1979, MARILLION from England are among the most well-known artists in the world. With frontman Fish, the band was able to establish itself as one of the most influential bands of neo-prog, a form of progressive that flourished in the 1980s. This 2 disc set in a beautiful digisleeve contains concert recordings from 1994 (Mexico City) and 1997 (Pittsburgh, USA), broadcast by radio stations.

The Unauthorised Live Recordings … John Lennon - Live Vol. 2 - Live 1960's, 1970's, 1980's.

In 1997 Bob Dylan nearly died, and it seems like ever since, he's been out on the road trying to gather as many souls as possible, converting the world one by one with the fervor of a man who's been returned to his path by God himself. For the die-hard, the zealous, the purist, there are "field recordings" of virtually every show the man has done in the past several years … you could commit considerable time and energy sorting through them all, trying to find the best performances, the best setlists, the best sound. But for those of us who value time over money and trust the experts to handle the situation on behalf of everyone concerned, there is Rock of Ages, perhaps the most lovingly assembled and beautifully-packaged bootleg ever made…

The Unauthorised Live Recordings … The Beatles Live 1964 - 1965: Unknown concerts, at least 2 different concerts but probably more …

Live at Quebec, Canada, November 7, 1987. This concert has been given practically right after definitive disintegration Pink Floyd.

This has been around as a bootleg for some time, a great radio broadcast from February 1972 featuring mainly Bonnie with Freebo on bass but also T. J. Tindle on lead guitar and John Davis playing harp on a couple of tracks. The sound quality isn't perfect but it's pretty good and it captures Bonnie doing material from her first two albums as well as some songs that have never been officially released - Steve Winwood's 'Can't Find My Way Home', John Hurt's 'Richland Woman Blues' and her own song 'Blender Blues'. Although Bonnie sounds young (she was only 22) she also sounds very confident and relaxed, her voice is perfectly controlled and her guitar playing is particularly good on blues like Robert Johnson's 'Walking blues' and 'Richland Woman Blues'.