Thomas Demenga, Hansheinz Schneeberger, Tabea Zimmermann - Johann Sebastian Bach / Sandor Veress (1993)
Johann Sebastian Bach: Suite No. 1 in G BWV 1007
Sándor Veress: Sonata for violin; Sonata for violoncello; Trio per Archi
Thomas Demenga, cello; Hansheinz Schneeberger, violin; Tabea Zimmermann, viola
EAC | FLAC | Tracks (Cue&Log) ~ 262 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
Genre: Classical | Label: ECM | # ECM New Series 1477, 437 440-2 | 01:04:14
Sándor Veress: Sonata for violin; Sonata for violoncello; Trio per Archi
Thomas Demenga, cello; Hansheinz Schneeberger, violin; Tabea Zimmermann, viola
EAC | FLAC | Tracks (Cue&Log) ~ 262 Mb | Mp3 (CBR320) ~ 156 Mb | Scans included
Genre: Classical | Label: ECM | # ECM New Series 1477, 437 440-2 | 01:04:14
This disc continues Thomas Demenga's project of juxtaposing Bach cello suites with contemporary compositions—by Elliott Carter (12/90), Heinz Holliger, and now Sandor Veress, whose music we can hear growing out of, and away from, its neo-classical roots in Bach's polyphony.
Veress (1907–92) was born in Hungary, but spent more than half his life in Switzerland. Celebrated as a teacher, he has been unduly neglected as a composer. The Solo Violin Sonata (1935) may be conservative, but its neo-classicism is strongly felt and freshly imagined: there is nothing desiccated or mechanical here. By comparison, the early stages of the Trio (1954) might suggest a composer who has lost his way as he tries to keep up with shifting twentieth-century fashions. The piece is not a total success—the proportions of the first movement don't quite work—yet it adds up to a persuasive synthesis, a 'post-Bartok' idiom borrowing something from the contemporary series style without abject surrender to fragmented expressionism. In this respect, it is fascinating to compare Veress's works of this period with the early efforts of his pupils Kurtag and Ligeti.
The Solo Cello Sonata (1967) shows that Veress retained and refined his special feeling for a musical line which balances fantasy and logic. The spontaneity of his invention is well conveyed by all three performances, and Demenga offers polished, characterful Bach playing in the First Suite. The sound is forward and clear, the extra resonance evident in the Violin Sonata beefing-up an excellent performance quite unnecessarily.'Review by Arnold Whittall, Gramophone
Although this album is the second of five on which cellist Thomas Demenga boldly pairs the cello suites of J. S. Bach with chamber works from modern composers, it was the last to reach my ears. As a longtime admirer of Sándor Veress—whose music I discovered, no less, on Heinz Holliger’s champion recording for ECM—I was excited to sit down and mull over this disc at long last.
Under Demenga’s bow, Bach’s Suite No. 1 for Solo Cello in G Major flickers with candlelit intimacy, honed like the wood from the instrument through which it emotes in that distinct and mineral tone. One imagines the room where it was first practiced, walls dancing in a quiet play of light and shadow: the player’s arched head, swinging hands, lithe fingers curling about the neck of the one who sings. As to the later suites, Demenga brings a unique mix of fluidity and rusticity to his sound, but above all pays attention to negative spaces in a way that any accomplished Bach interpreter must. We hear this in the pauses of the Courante and in the substantial attentions of the Sarabande, which he suffuses with a downright soulful air. And through the subtle dramatic shape he imparts to the Menuets he dances his way to a reflective brilliance in the Gigue.
With this perfect tetrahedron so thoughtfully folded before us, Veress’s 1935 Sonata for Violin may seem to break the symmetry. Yet the sonata, among Veress’s first published works, more importantly reveals an economy of notecraft on par with the Baroque master. Its slow-fast-slow structure betrays a more complex and organic geometry that begins with a jig of Bartókian proportions and seeps through the Adagio’s quicksand, only to rise again, grabbing the tail of gorgeous gypsy air into the fresh air of the final leap. Violinist Hansheinz Schneeberger, who made his ECM debut with Demenga on the latter’s first Bach pairing, plays this jewel with an intensity and focus familiar to anyone who enjoys Kim Kashkashian’s take on solo Hindemith. Despite the meager comparisons I’ve attempted to draw to other such composers, this music thrives with a forward-looking robustness all its own.
The light at the end of this tunnel comes in the form of Veress’s Sonata for Cello. Composed in Baltimore, the 1967 piece also takes a three-movement structure, this time marked “Dialogue,” “Monologue,” and “Epilogue,” which, as Holliger notes in an accompanying essay, takes us through an inner turmoil on the path toward self-liberation. For me, the most solitary movement is the Dialogue. Its dirge-like density betrays an ecstatic turmoil while keeping a hand cupped to the ear of some cherished and unrecoverable stillness. By contrast, the Monologue seems almost resolute as it traces fingers blindly through the ashes, from which the final movement rises in its own agitated way with assertion on the tongue. As a student of Veress, Holliger no doubt took on some of his mentor’s quirks, and the influence of said Epilogue rings clearly in Trema.
Violist Tabea Zimmermann joins the roster for the Trio for Violin, Viola and Cello, backing us into 1954. The 20-minute piece takes two movements, the first of which moves like molasses into a dulcet and spectral territory ahead of its time, while the second brings the patter of urgency to a journey of immense detail and brilliance.
Of this journey the lowly reviewer can make no definitive claims. Naysayers of the modern may make a delightful discovery or two along the way, even as they cling to Bach, while defenders of the twentieth century will immediately recognize that its music would be nowhere without him. Either way, I can only commend Demenga and ECM for an ongoing commitment to bring their programming alive with the benefits of (im)possibility.Review by Tyran Grillo, ECMreviews.com
Thomas Demenga, Hansheinz Schneeberger, Tabea Zimmermann - Johann Sebastian Bach / Sandor Veress (1993)
Hansheinz Schneeberger, violin
Tabea Zimmermann, viola
Thomas Demenga, cello
Recorded December 1991 at Kirche Seon, Switzerland
Tracklist:
Johann Sebastian Bach (1685-1750)
Suite Nr. 1 In G-Dur Für Violoncello Solo
01. - Prelude (2:09)
02. - Allemande (3:49)
03. - Courante (2:27)
04. - Sarabanse (2:31)
05. - Menuet 1 & 2 (3:23)
06. - Gigue (1:56)
Sándor Veress (1907-1992)
Sonata per violino solo
07. - Allegro (3:13)
08. - Adagio (4:59)
09. - Allegro Molto (3:39)
Sonata per violoncello solo
10. - Dialogo (7:01)
11. - Monologo (5:03)
12. - Epilogo (2:45)
Trio per archi
13. - Andante (11:35)
14. - Allegro Molto (9:44)
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 3. February 2013, 15:12
Thomas Demenga / J.S. Bach / Sandor Veress
Used drive : TSSTcorpCDDVDW TS-L633A Adapter: 3 ID: 0
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Utilize accurate stream : Yes
Defeat audio cache : Yes
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Overread into Lead-In and Lead-Out : No
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
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Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:09.37 | 0 | 9711
2 | 2:09.37 | 3:49.35 | 9712 | 26921
3 | 5:58.72 | 2:26.65 | 26922 | 37936
4 | 8:25.62 | 2:30.48 | 37937 | 49234
5 | 10:56.35 | 3:23.02 | 49235 | 64461
6 | 14:19.37 | 1:55.63 | 64462 | 73149
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8 | 19:28.32 | 4:59.03 | 87632 | 110059
9 | 24:27.35 | 3:38.65 | 110060 | 126474
10 | 28:06.25 | 7:01.05 | 126475 | 158054
11 | 35:07.30 | 5:03.05 | 158055 | 180784
12 | 40:10.35 | 2:44.65 | 180785 | 193149
13 | 42:55.25 | 11:34.62 | 193150 | 245261
14 | 54:30.12 | 9:43.45 | 245262 | 289031
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Accurately ripped (confidence 2) [D037CB4B]
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Track 2
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Copy CRC 569BFF07
Accurately ripped (confidence 2) [8772FDFF]
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Track 3
Filename C:\MY RIPS\03 - J.S. Bach- Suite Nr. 1 in G-Dur fur Violoncello solo - Courante.wav
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Test CRC A923EFB6
Copy CRC A923EFB6
Accurately ripped (confidence 2) [597527F2]
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Track 4
Filename C:\MY RIPS\04 - J.S. Bach- Suite Nr. 1 in G-Dur fur Violoncello solo - Sarabanse.wav
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Accurately ripped (confidence 2) [71FF35B3]
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Track 5
Filename C:\MY RIPS\05 - J.S. Bach- Suite Nr. 1 in G-Dur fur Violoncello solo - Menuet 1 & 2.wav
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Test CRC B6688357
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Accurately ripped (confidence 2) [C224F524]
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Track 6
Filename C:\MY RIPS\06 - J.S. Bach- Suite Nr. 1 in G-Dur fur Violoncello solo - Gigue.wav
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Copy CRC D66D14F6
Accurately ripped (confidence 2) [601628A9]
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Track 7
Filename C:\MY RIPS\07 - Sandor Veress- Sonata per violino solo - Allegro.wav
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Accurately ripped (confidence 2) [F0D04B18]
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Track 8
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Accurately ripped (confidence 2) [8A482327]
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Track 9
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Copy CRC C40FFEC9
Accurately ripped (confidence 2) [8498DA2F]
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Track 10
Filename C:\MY RIPS\10 - Sandor Veress- Sonata per violoncello solo - Dialogo.wav
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Accurately ripped (confidence 2) [E7F830FC]
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Track 11
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Accurately ripped (confidence 2) [13A986DE]
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Accurately ripped (confidence 2) [6E0C77BC]
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Filename C:\MY RIPS\14 - Sandor Veress- Trio per archi - Allegro Molto.wav
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Accurately ripped (confidence 2) [210A3F88]
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All tracks accurately ripped
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End of status report
==== Log checksum C9676D919E8BD81E9304E813108CDEB873EB2E2C54FD0DC76C863138270F0117 ====
EAC extraction logfile from 3. February 2013, 15:12
Thomas Demenga / J.S. Bach / Sandor Veress
Used drive : TSSTcorpCDDVDW TS-L633A Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:09.37 | 0 | 9711
2 | 2:09.37 | 3:49.35 | 9712 | 26921
3 | 5:58.72 | 2:26.65 | 26922 | 37936
4 | 8:25.62 | 2:30.48 | 37937 | 49234
5 | 10:56.35 | 3:23.02 | 49235 | 64461
6 | 14:19.37 | 1:55.63 | 64462 | 73149
7 | 16:15.25 | 3:13.07 | 73150 | 87631
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9 | 24:27.35 | 3:38.65 | 110060 | 126474
10 | 28:06.25 | 7:01.05 | 126475 | 158054
11 | 35:07.30 | 5:03.05 | 158055 | 180784
12 | 40:10.35 | 2:44.65 | 180785 | 193149
13 | 42:55.25 | 11:34.62 | 193150 | 245261
14 | 54:30.12 | 9:43.45 | 245262 | 289031
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Copy CRC 508F3058
Accurately ripped (confidence 2) [D037CB4B]
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Track 2
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Copy CRC 569BFF07
Accurately ripped (confidence 2) [8772FDFF]
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Track 3
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Copy CRC A923EFB6
Accurately ripped (confidence 2) [597527F2]
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Track 4
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Copy CRC CDCD4D8D
Accurately ripped (confidence 2) [71FF35B3]
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Track 5
Filename C:\MY RIPS\05 - J.S. Bach- Suite Nr. 1 in G-Dur fur Violoncello solo - Menuet 1 & 2.wav
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Accurately ripped (confidence 2) [C224F524]
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Track 6
Filename C:\MY RIPS\06 - J.S. Bach- Suite Nr. 1 in G-Dur fur Violoncello solo - Gigue.wav
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Accurately ripped (confidence 2) [601628A9]
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Track 7
Filename C:\MY RIPS\07 - Sandor Veress- Sonata per violino solo - Allegro.wav
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Track quality 99.9 %
Test CRC 31DCA3BC
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Accurately ripped (confidence 2) [F0D04B18]
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Track 8
Filename C:\MY RIPS\08 - Sandor Veress- Sonata per violino solo - Adagio.wav
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Accurately ripped (confidence 2) [8A482327]
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Track 9
Filename C:\MY RIPS\09 - Sandor Veress- Sonata per violino solo - Allegro Molto.wav
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Accurately ripped (confidence 2) [8498DA2F]
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Track 10
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Accurately ripped (confidence 2) [E7F830FC]
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Track 11
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Accurately ripped (confidence 2) [13A986DE]
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Accurately ripped (confidence 2) [6E0C77BC]
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Accurately ripped (confidence 2) [210A3F88]
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End of status report
==== Log checksum C9676D919E8BD81E9304E813108CDEB873EB2E2C54FD0DC76C863138270F0117 ====
[CUETools log; Date: 18.10.2017 21:24:43; Version: 2.1.4]
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Track | CTDB Status
1 | (4/5) Accurately ripped
2 | (4/5) Accurately ripped
3 | (4/5) Accurately ripped
4 | (4/5) Accurately ripped
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6 | (4/5) Accurately ripped
7 | (4/5) Accurately ripped
8 | (4/5) Accurately ripped
9 | (5/5) Accurately ripped
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13 | (5/5) Accurately ripped
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[AccurateRip ID: 0019349d-011aeb5d-c10f0d0e] found.
Track [ CRC | V2 ] Status
01 [d037cb4b|465fcfc0] (2+5/7) Accurately ripped
02 [8772fdff|76c5af8d] (2+5/7) Accurately ripped
03 [597527f2|43a68929] (2+5/7) Accurately ripped
04 [71ff35b3|6869627b] (2+5/7) Accurately ripped
05 [c224f524|514fb55d] (2+5/7) Accurately ripped
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10 [e7f830fc|0da05e57] (2+5/7) Accurately ripped
11 [13a986de|346aaa1c] (2+5/7) Accurately ripped
12 [94c9843d|13e86a79] (2+5/7) Accurately ripped
13 [6e0c77bc|4eb1c601] (2+5/7) Accurately ripped
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Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,1 [EE68CCF3] [0A6F4244]
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03 61,4 [A923EFB6] [D25C7E21] CRC32
04 66,4 [CDCD4D8D] [5F6B3D5A] CRC32
05 67,7 [B6688357] [89FE4EDC] CRC32
06 69,1 [D66D14F6] [689B5E1B] CRC32
07 89,6 [31DCA3BC] [DA575327] CRC32
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13 90,5 [4F662065] [B80541D0] CRC32
14 96,9 [7DD561A7] [3BCE4A0A] CRC32
[CTDB TOCID: YlwTrdXNhpO_hjb8tvhpBgHTA2w-] found.
Track | CTDB Status
1 | (4/5) Accurately ripped
2 | (4/5) Accurately ripped
3 | (4/5) Accurately ripped
4 | (4/5) Accurately ripped
5 | (4/5) Accurately ripped
6 | (4/5) Accurately ripped
7 | (4/5) Accurately ripped
8 | (4/5) Accurately ripped
9 | (5/5) Accurately ripped
10 | (5/5) Accurately ripped
11 | (5/5) Accurately ripped
12 | (5/5) Accurately ripped
13 | (5/5) Accurately ripped
14 | (5/5) Accurately ripped
[AccurateRip ID: 0019349d-011aeb5d-c10f0d0e] found.
Track [ CRC | V2 ] Status
01 [d037cb4b|465fcfc0] (2+5/7) Accurately ripped
02 [8772fdff|76c5af8d] (2+5/7) Accurately ripped
03 [597527f2|43a68929] (2+5/7) Accurately ripped
04 [71ff35b3|6869627b] (2+5/7) Accurately ripped
05 [c224f524|514fb55d] (2+5/7) Accurately ripped
06 [601628a9|bd9b0e1b] (2+5/7) Accurately ripped
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08 [8a482327|7a402f09] (2+5/7) Accurately ripped
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10 [e7f830fc|0da05e57] (2+5/7) Accurately ripped
11 [13a986de|346aaa1c] (2+5/7) Accurately ripped
12 [94c9843d|13e86a79] (2+5/7) Accurately ripped
13 [6e0c77bc|4eb1c601] (2+5/7) Accurately ripped
14 [210a3f88|97e576b8] (2+4/6) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,1 [EE68CCF3] [0A6F4244]
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03 61,4 [A923EFB6] [D25C7E21] CRC32
04 66,4 [CDCD4D8D] [5F6B3D5A] CRC32
05 67,7 [B6688357] [89FE4EDC] CRC32
06 69,1 [D66D14F6] [689B5E1B] CRC32
07 89,6 [31DCA3BC] [DA575327] CRC32
08 70,7 [80A5BED8] [A419BA4F] CRC32
09 90,4 [C40FFEC9] [234D159E] CRC32
10 99,1 [4C70DBE6] [79EAAB40] CRC32
11 57,9 [7629898E] [773B4A2F] CRC32
12 97,7 [926A6408] [E73D43A8] CRC32
13 90,5 [4F662065] [B80541D0] CRC32
14 96,9 [7DD561A7] [3BCE4A0A] CRC32
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-10-18 23:06:55
––––––––––––––––––––––––––––––––––––––––
Analyzed: Thomas Demenga / J.S. Bach / Sandor Veress
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.26 dB -20.20 dB 2:09 01-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Prelude
DR14 -2.75 dB -20.09 dB 3:49 02-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Allemande
DR13 -4.23 dB -21.19 dB 2:27 03-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Courante
DR14 -3.55 dB -22.06 dB 2:31 04-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Sarabanse
DR14 -3.39 dB -21.53 dB 3:23 05-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Menuet 1 & 2
DR13 -3.20 dB -19.65 dB 1:56 06-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Gigue
DR15 -0.95 dB -19.22 dB 3:13 07-Sandor Veress: Sonata per violino solo - Allegro
DR14 -3.01 dB -23.57 dB 4:59 08-Sandor Veress: Sonata per violino solo - Adagio
DR14 -0.88 dB -19.58 dB 3:39 09-Sandor Veress: Sonata per violino solo - Allegro Molto
DR13 -0.07 dB -19.37 dB 7:01 10-Sandor Veress: Sonata per violoncello solo - Dialogo
DR13 -4.74 dB -28.67 dB 5:03 11-Sandor Veress: Sonata per violoncello solo - Monologo
DR15 -0.20 dB -21.04 dB 2:45 12-Sandor Veress: Sonata per violoncello solo - Epilogo
DR16 -0.87 dB -23.88 dB 11:35 13-Sandor Veress: Trio per archi - Andante
DR16 -0.27 dB -22.43 dB 9:44 14-Sandor Veress: Trio per archi - Allegro Molto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 552 kbps
Codec: FLAC
================================================================================
log date: 2017-10-18 23:06:55
––––––––––––––––––––––––––––––––––––––––
Analyzed: Thomas Demenga / J.S. Bach / Sandor Veress
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.26 dB -20.20 dB 2:09 01-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Prelude
DR14 -2.75 dB -20.09 dB 3:49 02-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Allemande
DR13 -4.23 dB -21.19 dB 2:27 03-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Courante
DR14 -3.55 dB -22.06 dB 2:31 04-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Sarabanse
DR14 -3.39 dB -21.53 dB 3:23 05-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Menuet 1 & 2
DR13 -3.20 dB -19.65 dB 1:56 06-J.S. Bach: Suite Nr. 1 in G-Dur fur Violoncello solo - Gigue
DR15 -0.95 dB -19.22 dB 3:13 07-Sandor Veress: Sonata per violino solo - Allegro
DR14 -3.01 dB -23.57 dB 4:59 08-Sandor Veress: Sonata per violino solo - Adagio
DR14 -0.88 dB -19.58 dB 3:39 09-Sandor Veress: Sonata per violino solo - Allegro Molto
DR13 -0.07 dB -19.37 dB 7:01 10-Sandor Veress: Sonata per violoncello solo - Dialogo
DR13 -4.74 dB -28.67 dB 5:03 11-Sandor Veress: Sonata per violoncello solo - Monologo
DR15 -0.20 dB -21.04 dB 2:45 12-Sandor Veress: Sonata per violoncello solo - Epilogo
DR16 -0.87 dB -23.88 dB 11:35 13-Sandor Veress: Trio per archi - Andante
DR16 -0.27 dB -22.43 dB 9:44 14-Sandor Veress: Trio per archi - Allegro Molto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 14
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 552 kbps
Codec: FLAC
================================================================================
Thomas Demenga, Hansheinz Schneeberger, Tabea Zimmermann - Johann Sebastian Bach / Sandor Veress (1993)
