The present recording reconstructs the sound of a Marian Mass in a Spanish convent towards the end of the 16th century: plainchant performed by women’s voices alternates with polyphonic works featuring a combination of women’s voices and instruments, together with a number of instrumental movements.

"New Eyes on Martin Luther" is an experiment based on Nils Landgren's relentless conviction that “music is music” and “nothing is impossible”. With those words serving as a motto, the three ensembles on this live album dive in without preconceptions. The traditional German folk song Die Gedanken sind frei is here performed with a percussive flute solo; Landgren’s smooth voice floating on top of a funky rhythm. Sometimes he joins Capella de la Torre with a trombone solo and when all play together it sounds as if the music was originally written with this in mind. It moves seamlessly between genres and conveys the sound of skilled musicians having fun.

A glance at the art of the courtly dance in bygone times reveals various trends, some of which overlap, while others compete with one another. And in a third group of cases there may also be an exchange of ideas.

Michael Praetorius in the Context of his Italian Contemporaries: Michael Praetorius was anything but a cosmopolitan, rather he lived and worked within a manageable radius of the German-speaking area.