Christmas Sing Along with Mitch is an album by Mitch Miller & The Gang. It was released in 1958 on the Columbia label (catalog nos. CL-1205 and CS-8027).

"Among the finest discographic achievements of the tragically short-lived Hungarian conductor István Kertész was his landmark stereo cycle of the Dvořák symphonies with the London Symphony. For anyone who loves this composer’s music, the Kertész compilation is self-recommending; it is still the best traversal of the symphonies, with not a single performance or recording that is less than outstanding."

"… a timeless recording that sounds as fresh today … his execution, articulation, rhythm, phrasing and ideas were all one and his tone was crystallizing … he was fusing together all of the elements of playing music and playing the saxophone."

"The Best Of Sam Cooke" album was the beacon that kept Cooke's most popular songs in the public eye. Between 1957 and his death seven years later, Cooke recorded an average of one Top Ten single every four months! For a couple of generations this was the first - and often only - Sam Cooke album they owned. Although there are more ambitious collections that show Cooke's remarkable range and diversity, this is still the best starting place. These are Sam Cooke's biggest commercial hits. This is the message in a bottle that brought his gifts to millions of people.

The Bang Years 1966-1968 is a compilation album by Neil Diamond of Diamond's 23 songs he recorded for Bang Records in mono. Originally issued in 2011 by Columbia Records, it was reissued in 2014 by Capitol Records after Diamond signed with Capitol taking his Bang catalog with him.

This recording was not only Louis Armstrong's finest record of the 1950s but one of the truly classic jazz sets. Armstrong and his All-Stars (trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, bassist Arvell Shaw, drummer Barrett Deems, and singer Velma Middleton) were clearly inspired by the fresh repertoire, 11 songs written by W.C. Handy.

Yussef Kamaal is the South London duo of drummer/percussionist Yussef Dayes and Kamaal Williams (Henry Wu) on Rhodes piano and synth. The former is best known for his work as kit man for cosmic Afrobeat ensemble United Vibrations. The latter is also a producer whose dubplates have garnered wide-ranging critical notice. Gilles Peterson signed them to Brownswood based on witnessing a 20-minute live set. The music on Black Focus is a seamless weave of spiritual jazz funk, broken beat, and global sounds, but it's also more and less. The duo enlisted a who's-who of South London all-stars to assist in various spots: Saxophonist Shabaka Hutchings, trumpeter Yelfris Valdes, bassists Tom Driessler and Kareem Dayes, and guitarist Mansur Brown.

I Paralyze is the seventeenth studio album by American singer-actress Cher, released on May 28, 1982 by Columbia Records, her only album for the label. The album was a commercial failure and failed to chart. Following the record's release, Cher took a five-year hiatus from music to focus on her film career until 1987, when she released the Platinum-certified album Cher.

One of the best recordings of the "Symphonie Fantastique". Cluytens's representative recording is even more attractive with new mastering!

This album was recorded in the late 1950s but not released until 1964 to capitalize on John Coltrane's ever-increasing fame and success. Essentially an improvised extended jam session with Donald Byrd on trumpet, Red Garland on piano and drummer Art Taylor, this epitomizes Coltrane's trademark "sheets of sound".

The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement.

This Finnish group was born form a jamming music project MYSTERY SPACE, founded at city of Turku in year 2005. In year 2010 this instrumental group has line-up of guitar (Tuomas), saxophone & perc (Sini), keyboards & voices (Teppo), bass (Ville) and drums (Marko). As a team they head towards the realms of heavy riffed space rock directions, catching along musical ideas from diverse array of psychedelic vintage influences to their unique and interesting personal sound. The melodic saxophone and rhythm sector counterbalance this cosmic sound with more classical jazz presence. Music consists from both predefined structures and more open sequences for interactive improvisation, distributing much musical information and several emotional elements in a professionally balanced and well-matured form.

Couldn't Stand the Weather is the second studio album by American blues rock band Stevie Ray Vaughan and Double Trouble. It was released on May 15, 1984, by Epic Records as the follow-up to the band's critically and commercially successful 1983 album, Texas Flood. Recording sessions took place in January 1984 at the Power Station in New York City. Stevie Ray Vaughan wrote half the tracks on Couldn't Stand the Weather. The album went to No. 31 on the Billboard 200 chart.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any of the other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any of the other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.