A breakout from the 44th Anniversary Deluxe Edition of 4 released earlier this year, Foreigner 4 Live Tour 1981-82 explores the bands explosive live performances, recorded live during their early 80's world tour to support the original album release. The new double LP RSD Exclusive vinyl includes shows at Anaheim Stadium in California, the Odeon in Birmingham, England, and at Westfalenhalle in Dortmund, Germany.

Cocteau Twins' first release following their exodus from the 4AD stable, Four-Calendar Café is also, tellingly, their most earthbound effort; as with Heaven or Las Vegas, the emphasis here is on substance as much as style – "Evangeline," "Bluebeard," and "Know Who You Are at Every Age" continue the trio's advance into more accessible melodic and lyrical ground without sacrificing even an ounce of their trademark ethereality.

Massa Dembele is a songwriter, griot, percussionist and master of the camel N'Goni, a West African harp.

Freedom Street is a reggae album by Jamaican singer Al Campbell, originally released in 1984. Produced by E.J. Robinson, the record is a staple of early '80s reggae, blending Campbell's smooth vocal style with heavy roots rhythms.

Jason Miles.. the architect of the sound of TuTu Amandla ,Siesta.. celebrates Miles Davis 100 with a grooving and modern new collection of songs with 100 Miles.The original songs are stories that reflect the professional and personal relationship Jason Miles had with Miles Davis over the final phase of his life and career. Featuring, Randy Brecker, Vinnie Coliauta, Jeff Coffin, James Genus, Ada Rovatti, Romero Lubambo, Kat Dyson,Russell Gunn,Patches Stewart,The Lisbon Electric 4Tet ,AMO

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.

Recorded during her sold-out world tour, HIT ME HARD AND SOFT: THE TOUR (LIVE) is available exclusively as a one-time pressing on 100% recycled vinyl, uniquely colored with a lenticular insert.On May 8, 2026, BILLIE EILISH - HIT ME HARD AND SOFT: THE TOUR (LIVE IN 3D) brings an invigorating new concert experience to the big screen from one of the most celebrated and acclaimed artists of the 21st century. Presented in immersive 3D, the film is directed by Academy Award® winners James Cameron and Billie Eilish.

One of Garcia’s most artistically unified statements of harmony, affirmation, and joy celebrates its golden anniversary with an expanded 3xLP set. Reflections (50th Anniversary Edition) presents the remastered original studio album, recorded with the Grateful Dead and the Jerry Garcia Band – plus two bonus LPs featuring studio outtakes, jams and four previously unreleased live recordings.

When talking about bossa nova, perhaps the signature pop music sound of Brazil, the first name that comes to mind is that of Antonio Carlos Jobim. With songs like "The Girl from Ipanema" and "Desafindo," Jobim pretty much set the standard for the creation of the bossa nova in the mid-'50s.

Édith Piaf is almost universally regarded as France's greatest popular singer. Still revered as an icon decades after her death, "The Sparrow" served as a touchstone for virtually every chansonnier, male or female, who followed her. Her greatest strength wasn't so much her technique, or the purity of her voice, but the raw, passionate power of her singing. (Given her extraordinarily petite size, audiences marveled all the more at the force of her vocals.) Her style epitomized that of the classic French chanson: highly emotional, even melodramatic, with a wide, rapid vibrato that wrung every last drop of sentiment from a lyric. She preferred melancholy, mournful material, singing about heartache, tragedy, poverty, and the harsh reality of life on the streets; much of it was based to some degree on her real-life experiences, written specifically for her by an ever-shifting cast of songwriters.

Anton Bruckner's Symphony No. 5 in B-flat major WAB 105, was written in 1875–1876, with minor changes over the next two years. It came at a time of trouble and disillusion for the composer: a lawsuit, from which he was exonerated, and a reduction in salary. Dedicated to Karl von Stremayr, education minister in the Austro-Hungarian Empire, the symphony has at times been nicknamed the "Tragic", the "Church of Faith" or the "Pizzicato"; Bruckner himself referred to it as the "Fantastic" without applying this or any other name formally.

Pianist Charlotte Hu (formerly known as Ching-Yun Hu) presents Liszt: Metamorphosis, her debut album for PENTATONE. On it, Charlotte explores Hungarian composer and virtuoso pianist Franz Liszt’s chameleonic and evolving approach to composing – the metamorphosis of his music spanning from his early works inspired by Beethoven to the abstract tonality of his later works, as well as his incredible ability to transcribe and transform the music of other composers he admired.

The trio has always been for Sophia Domancich the main thread of her journey, the fundamental form conducive to the greatest fulfillment. Her long companions with Paul Rogers and Tony Levin, then Simon Goubert and Jean-Jacques Avenel, her meetings with Hamid Drake and William Parker or with Mark Helias and Andrew Cyrille are all episodes that have placed her in a good place in the rich history of the jazz trio.

Etta James kindles a roaring fire of pure heart and soul in her 1968 album, Tell Mama. For her seventh studio album and second project for the Cadet imprint, James agreed to record with Rick Hall at the storied FAME Studios in Muscle Shoals, Alabama. The distraction-free environment paired with the improved technology at the studio resulted in one of the greatest albums of the 1960s. The clarity on the 12 tracks of this record are remarkable, showcasing the emotion and passion she invokes with her unforgettable voice. Tracks like “Tell Mama,” “Just A Little Bit,” and one of the most successful tracks of her career, a cover of “I’d Rather Go Blind,” paint a powerful portrait of the legendary Etta James.

Recorded at the crest of the early ’60s folk revival, Folk Singer, despite its title, is the blues in its purest form. Returning to the all-acoustic approach of his earliest recordings, Waters is joined by Buddy Guy on guitar and Willie Dixon on bass, with subtle drum accompaniment from Clifton James on select tracks including “Good Morning Little Schoolgirl” and “Feel Like Going Home.” Presented here in its highly sought-after mono mix, Folk Singer has never sounded better.