Universal International's Colour Collection features a branded die-cut digipak (hence the name) and 15 Bachman-Turner Overdrive songs anchored by the classic FM radio hits "You Ain't Seen Nothing Yet," "Roll on Down the Highway," and "Takin' Care of Business." As far as "greatest-hits" compilations go, this one hits all of the right notes. Fans looking for a more comprehensive overview should pick up 1993's two-disc Anthology or Mercury's excellent 2005 Gold package.

Finally Blue Note issues a Latin collection from its Italian (Italiana SPA) and Brazilian (EMI-Odeon) vaults that reveals the true diversity of its catalog and exploits some of the serious sensuous grooves that DJs have been spinning for over a decade. This is the first of three volumes, all of which feature the rarest most representative tracks from the various trends in jazz that grew out of Brazilian pop in the '60s, '70s, and even '80s. For starters, there's the mean brass swagger of Luis Amuda Perez on "Upa Neguinho," which was written by Edu Lobo. Besides being a popular dance tune (you can hear that in the opening measures), it is a masterpiece of Brazilian big band arrangement. Also featured is the stellar "Noa Noa," a trademark of Sergio Mendez.

Martin David Robinson (September 26, 1925 – December 8, 1982), known professionally as Marty Robbins, was an American country and western singer and songwriter.

The album "As Time Goes By" by Greazy Alice documents a decisive moment for the quartet from New Orleans and presents a sound that revolves around Pianovich's songwriting.

SCHOOL’S OUT (DELUXE EDITION) begins with a newly remastered version of the 1972 original, which peaked at #2 on the albums chart.

"We’re so happy to finally release “Sunday” in duo with Torben Bjørnskov on AMM records. It’s a simple and cosy record of guitar and double bass done in one afternoon at the @jazzcentret."

James Melvin Lunceford (June 6, 1902 – July 12, 1947) was an American jazz alto saxophonist and bandleader in the swing era.

My selection of works by Rameau, Rachmaninoff and Bach for this album weaves a tapestry of nostalgia for a Golden Age — an epoch of eternal beauty and purity in which time itself has a completely different meaning. I have placed the works non-chronologically and in a tripartite form in order to present not only a better perception of time’s effects on the artist, performer and listener but also its presence in essence thanks to the composer’s art: Rameau’s Suite in G from his Nouvelles Suites de pièces de clavecin functions as a type of prelude, Rachmaninoff’s Variations on a theme of Corelli as the central element, and Bach’s French Suite in B minor as a postlude.

AURORA is the official soundtrack album to the miniseries Daisy Jones & The Six, featuring eleven original tracks from the series based on the book of the same name.

BBE Music is proud to present the latest J Jazz Masterclass Series reissue, 1978 soul/jazz tour de force album 'Push' by Noriko Miyamoto.

Eat It is the sixth album by English rock group Humble Pie, released in 1973.

Estonian Grammy Award-winning conductor Paavo Järvi is widely recognised as one of today’s most eminent conductors, enjoying close partnerships with the finest orchestras around the world.

What Severin von Eckardstein himself proposes around the figure of Claude Debussy is a veritable ‘sound universe’. Thus is woven this multifaceted programme which, in a way, retrospectively reconstructs, through impressions, a certain idea of the atmosphere that prevailed in France at the beginning of the 20th century. And this resonates even more with the location in which this recording took place, the Salle Cortot, adjacent to the École Normale de Musique de Paris. Alfred Cortot, who him- self never tired of repeating to his students that «the nationality, the era, the individual character of the composer, his level of culture, the events of his life, the circles he moved in, and even his reading, having influenced his creative work, a special approach to each work will be essential for any performer who wishes to bring it to life». Bringing to life. This is a phrase that is particularly apt to describe Severin von Eckardstein’s interpretative approach.

With this programme devoted to Bach, Stravinsky, Rameau and Prokofiev, Konstantin Emelyanov seems to be playing on a double dynamic. Double in terms of context: two worlds intertwine, and a dialogue ensues between Baroque contrapuntal writing and early 20th century Russian rhythmic innovation. A dialogue that is, above all, natural. How? Because an essential dimension seems to link this dual dynamic into a single movement, in a remarkable continuity: polyphony. Of course, in Bach, withwhom the programme begins, as in Rameau, a towering figure of the French Baroque, the dialogue between the voices is singularly perceptible, just as it has been particularly commented on.

Estonian Grammy Award-winning conductor Paavo Järvi is widely recognised as one of today’s most eminent conductors, enjoying close partnerships with the finest orchestras around the world.