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Le conseguenze dell'amore (2004)

Posted By: Someonelse
Le conseguenze dell'amore (2004)

The Consequences of Love (2004) [Artificial Eye]
A Film by Paolo Sorrentino
DVD9 | VIDEO_TS | PAL 16:9 | 01:39:32 | 7,59 Gb
Audio: Italian AC3 5.1/2.0 @ 448/192 Kbps | Subs: English
Genre: Crime, Drama, Romance | 10 wins | Italy

Titta di Girolamo apparently has a regular and tedious life with nothing strange a part from his own name (as he uses to say). He lives in a Hotel in Lugano (Switzerland) since almost ten years, spending his days waiting for something we don't know. His life is too rigid, too detached following a flat routine. Titta ignore everyone and probably he has no emotions at all. Basically there is no story. But one day he decided, breaking all his personal rules, to exchange some words with Sofia, the hotel's barmaid. Incredibly all the situation change, emotions, love, mafia, death come back violently into Titta's life.

IMDB
Artificial Eye
DVDBeaver

This film is also part of 'The Paolo Sorrentino Collection'

As Titta (Toni Servillo) watches impassively through the window of his hotel room, a suited man in the traffic island below, distracted by the sight of a passing woman, walks smack bang into a lamppost. With simple economy, this scene near the beginning of Paolo Sorrentino's The Consequences Of Love (Le Conseguenze dell'Amore) establishes several key features of the film, for it encapsulates Titta's status as an aloof observer, cocooned from the "street level" of everyday human affairs, as well as affording an early glimpse of the catastrophic disorder that desire can bring.

Le conseguenze dell'amore (2004)

There is no room in Titta's life for disorder. Neat and fastidious, with a greyly lugubrious air, he has lived a quiet exile in the same Swiss hotel for eight long years, estranged from his wife and children in the south of Italy, rarely talking to anybody, or venturing out, resolutely ignoring the civilities of bartender Sofia (Olivia Magnani), occasionally playing cards with a once-wealthy couple (Raffaele Pisu, Angela Goodwin), who have fallen on hard times, and always paying his expenses with perfect punctuality. It is a life dominated by clockwork routine, in which nothing out of the ordinary ever happens and the future already seems set in concrete. Even if the hotel manager wonders what his permanent guest actually does for a living, Titta is a master at guarding his secrets to the grave. Until, that is, he plunges feet first into a romance with Sofia and nothing can ever be the same again.

Le conseguenze dell'amore (2004)

From the start, Titta's evasive taciturnity makes him an enigmatic figure, so that viewers are immediately drawn into the other characters' curiosity about his person and circumstances. Sorrentino has crafted an assured mystery, first focusing on the minute details of Titta's strange entombment in the hotel, isolated, bored, and unable even to sleep, before slowly importing thriller elements, with some deft twists and, ultimately, life-or-death suspense. Yet what gives the film its dramatic power is that the criminal plot, which eventually emerges, is as understated as the central character, and so complements, rather than displaces, the very human story of Titta's living death, sentenced to stay in a place of transit and wait in silence.

Le conseguenze dell'amore (2004)

Servillo, who also starred in Sorrentino's previous film, L'Uomo In Più (2001), offers a performance of perfectly controlled containment, setting the tone of cool, sterile surfaces, shrilling underneath with nervous tension. Shot mostly within the hermetic confines of the hotel, The Consequences Of Love gives Titta's claustrophobia and alienation a vividness that is only enhanced by cinematographer Luca Bigazzi's vertiginous camera angles and Pasquale Catalano's disorienting triphop soundtrack. For in the end, as in the beginning, Titta is a prisoner, fixed in place and unable to escape, his only small consolation being his faith, unwavering, if highly questionable, in his fellow man.

This is a tense, tragic portrait of a life suspended. Simply unmissable.
Le conseguenze dell'amore (2004)

There are movies that are just a different version of another one, not remakes, but just similar to others, it is not. Although it talks about Mafia it is watched in another way and often it seems just a secondary theme. I went to watch that movie for case (because the otherone's theatre was full) and I was satisfied at the end. It surprised me, because of its black irony or cynicism and there are more and more interesting items to analyze. It doesn't follow the classical ways of movies, it is just different and I think not to be the only one to like that. I am very happy also because it is Italian, and I was afraid that Italian directors and producers were not enough brave to change themes. In this movie you can watch new Italian style as well, but is not blocked into clichés. I hope to be understandable enough, I know it is difficult, I hope also that this movie can be exported out of our frontiers, it is a good product to export. I want to point out also the music, very good soundtrack, the movie needs it because of its long silent pause and they are covered perfectly by that music. Many compliments to the director, and thank you, cinema needs these movies.
IMDB Reviewer
Le conseguenze dell'amore (2004)

Special Features:
- Trailer
- Filmography
- 2 behind the scenes documentaries
Le conseguenze dell'amore (2004)


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