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Charles Manson Superstar (1989)

Posted By: DrPalmer

Date: 28 Oct 2010 12:31:21

Charles Manson Superstar is a documentary film about Charles Manson, directed by Nikolas Schreck, founder of Radio Werewolf and editor of The Manson Files. Most of the documentary (the entire interview) was filmed inside San Quentin Prison. Schreck narrated the segments while images were shown, and music played in the background. There was brief footage of Spahn Ranch, and a short clip of James Mason being interviewed about the Universal Order, and Manson. Olivier Messiaen's "Death and Resurrection," Bobby Beausoleil's "Lucifer Rising," Kryzstol Penderecki's "Apocalypsis," and Anton La Vey's "The Satanic Mass," and Manson's "Lie & Completion," were the songs played during the film.

IMDB

Charles Manson Superstar is a documentary made from the point of view that Manson is, in fact, not the horrible criminal his legacy has made him out to be, but that he is a much more complex person with deep emotions and intense personal philosophies. In short, the documentary is sympathetic to Manson, something that most people will likely find rather disturbing, strange, or perhaps, laughable.
Review from DigitallyObsessed

Nikolas Schreck's strange little doco Charles Mason Superstar looks to put a happy face on the lecherous murderer whose ability to twist impressionable minds amassed him a clan of groupies eager to kill. The thing that makes Schreck' s documentary unique is also the thing that sinks it. Schreck has a little extra sympathy for Manson and perhaps it's his less-than-critical approach that got him the lengthy interview with the jailed killer on which he built his film. Long sequences feature the disheveled psycho expounding on all manner of antiestablishment rhetoric, sometimes in an interestingly animated way but more often in the yammering blabbering style of a man who's had nothing but his own self-serving thoughts to keep him company all these years.
Review from DVDTalk

After over two decades of "lies and distortions", this feature length documentary promises to strip away the media manipulation which has turned Charles Manson into the personification of modern evil. To director Nikolas Schreck's benefit, this is a loving, even-handed profile of what Charlie represents, what made him what he is, and (mostly important) what a four-star lunatic he is nowadays. This portrait of "the last true heretic of our time" begins by briefly tracing Manson's childhood, then takes us to the notorious murders, while showing how the American media turned these rather unexceptional (albeit grisly) crimes into the most heinous acts in the 20th century. The whole family is put under Schreck's scrutiny, from the unreformed Squeaky Fromme to the now-Born Again Charles "Tex" Watson, while digging up oddball tidbits along the way–such as Manson's interest in Scientology during his '60s prison years; present-day footage of Spahn's Movie Ranch, where the Family fried their collective brains; even refuting the hilarious rumor that Charlie auditioned for The Monkees' TV show. The film's centerpiece is a long, rambling interview with the aging convict, direct from the slammer. Unfortunately, Manson is such a babbling nutcase that he can barely complete a sentence. He paces back and forth, bounces around the room with spastic karate kicks, and keeps repeating "You dig what I'm saying? You dig?" Sorry, Charlie, you're out to lunch, and despite an exhaustive 107 minutes, this mondo pic gives little insight into Manson's mind (except that his brain cells now have the consistency of soggy Corn Flakes). Not so surprising, the creepiest parts of the movie have to do with Manson's fans, such as the Universal Order, a U.S.-based Nazi organization. Or better still, Charlie's modern-day cultural glorification, which has turned his crimes into a fashion statement. And although Schreck tries for a well-intentioned testament to Charlie's "visionary" madness, most folks will simply see this as another opportunity to check in with this pathetic, incarcerated hairball, who's (hard to believe) squirrelier than ever.
Review from ShockCinema

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