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Bob Dylan - The Other Side Of The Mirror DVD9

Posted By: pitiuso
Bob Dylan - The Other Side Of The Mirror DVD9


Bob Dylan - The Other Side Of The Mirror DVD9
Live at the Newport Folk Festival 1963-1965
DVD 9 full | Folk-Rock | NTSC 4:3 | Relased 2007 | 83 ' | Subs in En, Fre, Ger, Ita, Es.


Complete Scans


Intro: All I Really Want To Do (7/24/1965) – Ensayos
1963
North Country Blues
With God On Our Side (con Joan Baez)
Talkin’ World War III Blues
Who Killed Davey Moore?
Only A Pawn In Their Game
Blowin’ In The Wind
(con The Freedom Singers, J.Baez, y Peter, Paul and Mary)
1964
Mr. Tambourine Man
Johnny Cash sings Don’t Think Twice, It’s All Right
Joan Baez sings Mary Hamilton as Bob Dylan
It Ain’t Me, Babe (con Joan Baez)
With God On Our Side (con Joan Baez)
Chimes Of Freedom
1965
If You Gotta Go, Go Now
Love Minus Zero/No Limit
Maggie’s Farm (eléctrico)
Like A Rolling Stone (eléctrico)
Mr. Tambourine Man
It’s All Over Now, Baby Blue


We first encounter a 22-year-old Dylan as he somewhat awkwardly ascends the stage of the Newport Folk Festival in 1963, where he took the folk music world by storm. Looking impossibly young and inexperienced, the world-weary Dylan of later years is nowhere in evidence. He laughs and jokes with the crowd as well as with his fellow musicians, and he obviously is delighted to have been given the opportunity to share his songs with a large and appreciative audience. Though his guitar playing is rudimentary and his instrument often is out of tune, the young singer displays a charisma and talent that, even at this early date, place him head-and-shoulders above the nearest of his peers. His 1963 performances of classics like North Country Blues and Who Killed Davey Moore? — with luminaries such as Doc Watson, Clarence Ashley, and Judy Collins listening incredulously as they wait to perform their own songs — reveal a musical prodigy whose talent was literally exploding and expanding before his audience’s eyes and ears. Blowin’ in the Wind — the festival’s closing number, which featured Dylan, Joan Baez, and Peter, Paul, and Mary as well as the Freedom Singers and Pete Seeger — leaves no doubt in anyone’s mind that Dylan was a major musical and cultural force.
By 1964, the work-shirt-wearing poet of the proletariat’s musical palette had expanded considerably. Eloquent Guthrie-esque homilies to the downtrodden had given way to a more literary, less structured free-form type of verse that incorporated more personal and less social subject matter. Though his work still was supported by his own considerably improved guitar playing — which gave the illusion that it remained embedded within the folk tradition — Dylan’s music now owed as much to Allen Ginsberg and Lawrence Ferlinghetti as it did to Studs Terkel and The Weavers. The nighttime performance of Chimes of Freedom, which concludes the 1964 segment of The Other Side of the Mirror, shows just how far his art had developed in a single year. This confident, daring and complex rendition of this then-new tune demonstrates, more than anything else, how Dylan clearly was leaving all of his contemporaries in the dust without even trying. He did not reject folk music as such — even his most recent recordings still demonstrate the reverence with which he holds traditional American song forms. Rather, his 1964 appearance at Newport asserts that his own muse was not one that would tolerate any restrictions or dogmatic ideas of what constituted a composition that was worthy of being heard.
Moving to 1965, it is clear that something had changed again. For starters, the audience looks different. Long-haired young men and women in embryonic hippie fashions sat alongside work-booted social theorists as Dylan performed yet another slate of new songs. Even more than in 1964, his acoustic, daytime performances of If You Gotta Go, Go Now and Love Minus Zero/No Limit were an indication of his new musical and philosophical directions. His change in approach had less and less to do with the ethos of traditional folk and more to do with the restless searching of the coming-of-age baby-boomers. :~ Music Box


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