Art by John Singer Sargent

John Singer Sargent (January 12, 1856 – April 14, 1925) was the most successful portrait painter of his era, as well as a gifted landscape painter and watercolorist. Sargent was born in Florence, Italy to American parents. He studied in Italy and Germany, and then in Paris under Emile Auguste Carolus-Duran.
In a time when the art world focused, in turn, on Impressionism, Fauvism, and Cubism, Sargent practiced his own form of Realism, which brilliantly referenced Velázquez, Van Dyck, and Gainsborough. His seemingly effortless facility for paraphrasing the masters in a contemporary fashion led to a stream of commissioned portraits of remarkable virtuosity (Arsène Vigeant, 1885, Musées de Metz ; Mr. and Mrs. Isaac Newton Phelps-Stokes, 1897, Metropolitan Museum of Art, New York). During his life his work engendered critical response from some of his colleagues: Camille Pissarro wrote \"he is not an enthusiast but rather an adroit performer\", and Walter Sickert published a satirical turn under the heading \"Sargentolatry\". He was dismissed as an anachronism at the time of his death, but appreciation of his art has since grown steadily, especially following a retrospective exhibition at the Whitney Museum of American Art in 1986.

It has been suggested that the exotic qualities inherent in his work appealed to the sympathies of the Jewish clients whom he painted from the 1890s on. Nowhere is this more apparent than in his portrait Almina, Daughter of Asher Wertheimer (1908), in which the subject is seen wearing a Persian costume, a pearl encrusted turban, and strumming an Indian sarod, accoutrements all meant to convey sensuality and mystery. If Sargent used this portrait to explore issues of sexuality and identity, it seems to have met with the satisfaction of the subject\'s father, Asher Wertheimer, a wealthy Jewish art dealer living in London, who commissioned from Sargent a series of a dozen portraits of his family, the artist\'s largest commission from a single patron. The paintings reveal a pleasant familiarity between the artist and his subjects. Wertheimer bequeathed most of the paintings to the National Gallery.