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Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}

Posted By: ruskaval
Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}

Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 262 Mb | MP3 @320 -> 115 Mb
Full Artwork @ 600 dpi (jpg) -> 208 Mb | 5% repair rar
© 2013 Alia Vox | AVSA9899
Classical / Renaissance / Chamber Music / Viola da Gamba

Published in Rome in 1553 and re-discovered during the 20th-Century, the 'Tratado de Glosas' by Spanish composer Diego Ortiz offers, through many variations called 'recercadas', an unmatched panorama of the instrumental music of its time.

The reissue of this 1990 album in the Heritage series enables us to listen to one of Jordi Savall’s best accomplishments, alongside Ton Koopman and Rolf Lislevand. On various themes, including 'La Folia' and 'Doulce memoire', Diego Ortiz and Jordi Savall demonstrate their science and their spirit of invention for our greatest entertainment!
Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}

On 10th December, 1553, at one of the highpoints in the Golden Age of Spanish music, there appeared in Rome the TRATTADO DE GLOSAS SOBRE CLAUSULAS Y OTROS GENEROS DE PUNTOS EN LA MUSICA DE VIOLONES NUEVAMENTE PUESTOS EN LUZ by Diego Ortiz, who was also known under the name “el Toledano”. An inevitable reference point for the study of instrumental performance practice in the 16th century, this work is of exceptional interest, both for its purely historical significance and for its artistic value, since it contains the finest examples of the known repertoire for viola da gamba (vihuela de arco or violone) and harpsichord in the Renaissance period.

We know little today about the life of the Spanish viol player and composer Diego Ortiz. The first signs of his existence occur at the same time as the publication in Rome of the Trattado de Glosas (1553). The extent of knowledge required for the compilation of such a work leads us to think that it was composed when Ortiz was already in his maturity. It was composed – or revised, which seems to be the implication of the indication that the treatise was “nuevamente puestos en luz” (newly published), in the year 1553. By the time that he left his native country, Diego Ortiz had already completed his musical education. This is shown by the clear pioneering nature of his treatise from the strict point of view of musical style. A comparison with Sylvestro Ganassi's Regola rubertina (Venice, 1542-43), a treatise printed ten years before that of Ortiz and specifically dedicated to a study of viol technique, as well as the underniably Hispanic character of the work by Diego Ortiz, supports the hypothesis that Ortiz had already completed his musical education when he left his native country. However, despite recent research in his native town, we still do not know the exact date of his birth or the place where he received his musical education or even what he did before he undertook his journey to Italy.

Living in Toledo (until about 1530?), Diego Ortiz was at the time one of the most remarkable gamba players of the day and an illustrious master in the art of variation. We know that in 1553 he served as maestro da capilla at the court of the Viceroy of Naples (one of the states in the Italian peninsula which was under Spanish rule), Don Fernando Alvarez of Toledo (1507- 1582), the third Duke of Alba, Captain General of the army of Charles V and Philip II, and later Governor in the Netherlands (1567-1573). It seems that Diego Ortiz spent the following five years (until 1558) serving at the ducal palace in the same capacity as choirmaster. The last traces of the musician are found in the work of Scipioni Cerreto: Della Prattica Musica vocale et stromentale, Napoli 1601, in which Ortiz is mentioned “amongst the excellent composers from the city of Naples who are no longer with us”. He was also an excellent polyphonic composer, as we can see from his Musices liber primus, Hymnos, Magnificas, Salves, Motecta, Psalmos, aliaque diversa cantica complectens (printed in Venice in 1565). This large collection of sacred polyphony contains 69 works for four to seven voices.

Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}


Providing irrefutable evidence of the excellence achieved in the art of instrumental variation by Spanish composers of the 16th century, the work of Diego Ortiz, like that of Antonio de Cabezón and the vihuelistas of the time, not only reflects the genial musical personality of the composer but also shows a polished technical maturity serving a musical style of the first order; these characteristics are quite remarkable if we remember that these works were written at the very beginning of instrumental music. In the decisive evolution which European musical art underwent during the first half of the sixteenth century, the treatise of Diego Ortiz represents one of the essential contributions in the progress towards establishing an individual instrumental language, already emancipated from the restrictions imposed by purely vocal writing. Besides this it was part of the genesis of new forms and procedures like contrapuntal or ornamental variations, ostinato and basso continuo, which were to be of decisive importance in instrumental and vocal music of the seventeenth and eighteenth centuries.

The art of Diego Ortiz is supported by an aesthetic conception which falls midway between the austerity and purism expressed by Juan Bermudo in his Declaración de Instrumentos Musicales (Osuna, 1555) and the ornamental profusion combined with free interpretation advocated by Tomás de Santa Maria in his Arte de tañer Fantasia (Valladolid 1565). This point leads us to stress the contrast which exists between the decorative exuberance between the Plateresque style and the noble austerity of the Herrerrian style, which was neatly described in the words of Philip II: “simplicity in form, severity in the whole, nobility without arrogance, majesty without ostentation”. In parallel, these two aesthetic conceptions, which are always implicit in formal simplicity and ornamental richness, are perfectly integrated in the works of the musician from Toledo and in the organic development of each composition, allowing them to achieve a perfect equilibrium: in this we clearly see the essence and spirit of the Spanish Renaissance.

The Trattado de Glosas consists of two books. As well as an explanation on “how to play divisions”, the first book gives numerous carefully selected examples of “glosas” (ornamental variations) on different “clausulas” (cadences in their melodic form), on “punctos” (melodic intervals ascending and descending, seconds, thirds, fourths and fifths) or on “pasos” (successions of notes in conjunct degrees). All these forms of division were particularly intended for the viol “en concierto”, that is playing in a group, but were perhaps also useful to other instruments of the time. JORDI SAVALL
Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}


Alia Vox INFO

Personnel:
Jordi Savall, basse de viole Pellegrino Zanetti, Venezia 1550.

Ton Koopman, clavicémbalo & órgano di legno.
Andrew Lawrence-King, harpe.
Lorenz Duftschmid, violone.
Rolf Lislevand, Vihuela & guitarre.
Paolo Pandolfo, viola la gamba.

tracklist:
01 - Recercadas sobre el canto llano ''La Spagna''- I. Recercada segunda
02 - Recercadas sobre el canto llano ''La Spagna''- II. Recercada tercera
03 - Recercadas sobre el canto llano ''La Spagna''- III. Recercada primera
04 - Recercadas sobre el canto llano ''La Spagna''- IV. Recercada quarta
05 - Recercadas sobre el canto llano ''La Spagna''- V. Recercada quinta
06 - Recercadas sobre el canto llano ''La Spagna''- VI. Recercada sesta
07 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- I. Recercada quarta
08 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- II. Recercada primera
09 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- III. Recercada segunda
10 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- IV. Recercada tercera
11 - Recercadas para viola de gamba sola- I. Recercada tercera
12 - Recercadas para viola de gamba sola- II. Recercada segunda
13 - Recercadas para viola de gamba sola- III. Recercada primera
14 - Recercadas para viola de gamba sola- IV. Recercada quarta
15 - Recercadas sobre la cancion ''Doulce Memoire''- I. Recercada quarta
16 - Recercadas sobre la cancion ''Doulce Memoire''- II. Recercada primera
17 - Recercadas sobre la cancion ''Doulce Memoire''- III. Recercada segunda
18 - Recercadas sobre la cancion ''Doulce Memoire''- IV. Recercada tercera
19 - Recercadas sobre tenores- I. Recercada quarta sobre la ''folia''
20 - Recercadas sobre tenores- II. Recercada primera sobre el ''passamezzo antiguo''
21 - Recercadas sobre tenores- III. Recercada ottava sobre ''la folia''
22 - Recercadas sobre tenores- IV. Recercada ''Quinta'' boz
23 - Recercadas sobre tenores- V. Recercada tercera sobre el ''passamezzo'' moderno
24 - Recercadas sobre tenores- VI. Recercada sesta sobre la ''Romanesca''
25 - Recercadas sobre tenores- VII. Recercada settima sobre la ''Romanesca''
26 - Recercadas sobre tenores- VIII. Recercada quinta sobre el ''passamezzo'' antiguo
27 - Recercadas sobre tenores- IX. Recercada segunda sobre el ''passamezzo'' moderno

Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 25. March 2016, 7:54

Diego Ortiz / Recercadas del Tratado de Glosas

Used drive : ASUS BW-16D1HT Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

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Quality : High
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TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:55.00 | 0 | 8624
2 | 1:55.00 | 1:48.63 | 8625 | 16787
3 | 3:43.63 | 1:37.06 | 16788 | 24068
4 | 5:20.69 | 1:42.72 | 24069 | 31790
5 | 7:03.66 | 1:48.72 | 31791 | 39962
6 | 8:52.63 | 1:02.20 | 39963 | 44632
7 | 9:55.08 | 1:48.27 | 44633 | 52759
8 | 11:43.35 | 1:50.37 | 52760 | 61046
9 | 13:33.72 | 1:56.08 | 61047 | 69754
10 | 15:30.05 | 1:56.20 | 69755 | 78474
11 | 17:26.25 | 1:30.62 | 78475 | 85286
12 | 18:57.12 | 1:50.31 | 85287 | 93567
13 | 20:47.43 | 1:19.55 | 93568 | 99547
14 | 22:07.23 | 1:32.06 | 99548 | 106453
15 | 23:39.29 | 2:43.48 | 106454 | 118726
16 | 26:23.02 | 2:31.51 | 118727 | 130102
17 | 28:54.53 | 2:59.17 | 130103 | 143544
18 | 31:53.70 | 2:33.74 | 143545 | 155093
19 | 34:27.69 | 1:48.08 | 155094 | 163201
20 | 36:16.02 | 1:25.16 | 163202 | 169592
21 | 37:41.18 | 1:45.04 | 169593 | 177471
22 | 39:26.22 | 1:21.40 | 177472 | 183586
23 | 40:47.62 | 2:01.24 | 183587 | 192685
24 | 42:49.11 | 1:24.41 | 192686 | 199026
25 | 44:13.52 | 1:15.36 | 199027 | 204687
26 | 45:29.13 | 2:43.43 | 204688 | 216955
27 | 48:12.56 | 1:24.40 | 216956 | 223295


Track 1

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\01 - Recercadas sobre el canto llano ''La Spagna''- I. Recercada segunda.wav

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Track quality 100.0 %
Test CRC 9BB312AD
Copy CRC 9BB312AD
Accurately ripped (confidence 14) [2B655B6D] (AR v2)
Copy OK

Track 2

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\02 - Recercadas sobre el canto llano ''La Spagna''- II. Recercada tercera.wav

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Extraction speed 1.0 X
Track quality 100.0 %
Test CRC 08B9912E
Copy CRC 08B9912E
Accurately ripped (confidence 14) [02541180] (AR v2)
Copy OK

Track 3

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\03 - Recercadas sobre el canto llano ''La Spagna''- III. Recercada primera.wav

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Copy CRC 538B1F17
Accurately ripped (confidence 14) [0A44B071] (AR v2)
Copy OK

Track 4

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\04 - Recercadas sobre el canto llano ''La Spagna''- IV. Recercada quarta.wav

Peak level 68.7 %
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Accurately ripped (confidence 14) [66D78E81] (AR v2)
Copy OK

Track 5

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\05 - Recercadas sobre el canto llano ''La Spagna''- V. Recercada quinta.wav

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Accurately ripped (confidence 14) [61DFD3B4] (AR v2)
Copy OK

Track 6

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\06 - Recercadas sobre el canto llano ''La Spagna''- VI. Recercada sesta.wav

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Accurately ripped (confidence 14) [6DA35C00] (AR v2)
Copy OK

Track 7

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\07 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- I. Recercada quarta.wav

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Copy CRC 5902727F
Accurately ripped (confidence 14) [E438801A] (AR v2)
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Track 8

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\08 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- II. Recercada primera.wav

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Track 9

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\09 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- III. Recercada segunda.wav

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Copy CRC 5EFFB634
Accurately ripped (confidence 14) [2C6A09F6] (AR v2)
Copy OK

Track 10

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\10 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- IV. Recercada tercera.wav

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Copy CRC 25E039C8
Accurately ripped (confidence 14) [61E7C67E] (AR v2)
Copy OK

Track 11

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\11 - Recercadas para viola de gamba sola- I. Recercada tercera.wav

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Copy CRC E5B2BAA9
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Copy OK

Track 12

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\12 - Recercadas para viola de gamba sola- II. Recercada segunda.wav

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Accurately ripped (confidence 14) [E5E934DF] (AR v2)
Copy OK

Track 13

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\13 - Recercadas para viola de gamba sola- III. Recercada primera.wav

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Track 14

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\14 - Recercadas para viola de gamba sola- IV. Recercada quarta.wav

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Accurately ripped (confidence 14) [74ECE82F] (AR v2)
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Track 15

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\15 - Recercadas sobre la cancion ''Doulce Memoire''- I. Recercada quarta.wav

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Accurately ripped (confidence 14) [9B39C64F] (AR v2)
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Track 16

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\16 - Recercadas sobre la cancion ''Doulce Memoire''- II. Recercada primera.wav

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Accurately ripped (confidence 14) [CA6B4FA5] (AR v2)
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Track 17

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\17 - Recercadas sobre la cancion ''Doulce Memoire''- III. Recercada segunda.wav

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Accurately ripped (confidence 14) [F5AAF8FA] (AR v2)
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Track 18

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\18 - Recercadas sobre la cancion ''Doulce Memoire''- IV. Recercada tercera.wav

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Accurately ripped (confidence 14) [6FAE06BF] (AR v2)
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Track 19

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\19 - Recercadas sobre tenores- I. Recercada quarta sobre la ''folia''.wav

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Track 20

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\20 - Recercadas sobre tenores- II. Recercada primera sobre el ''passamezzo antiguo''.wav

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Track 21

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\21 - Recercadas sobre tenores- III. Recercada ottava sobre ''la folia''.wav

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Accurately ripped (confidence 14) [CE5F22FA] (AR v2)
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Track 22

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\22 - Recercadas sobre tenores- IV. Recercada ''Quinta'' boz.wav

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Accurately ripped (confidence 14) [27A09401] (AR v2)
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Track 23

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\23 - Recercadas sobre tenores- V. Recercada tercera sobre el ''passamezzo'' moderno.wav

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Accurately ripped (confidence 14) [2CA1A8F0] (AR v2)
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Track 24

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\24 - Recercadas sobre tenores- VI. Recercada sesta sobre la ''Romanesca''.wav

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Accurately ripped (confidence 14) [E7AFD46D] (AR v2)
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Track 25

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\25 - Recercadas sobre tenores- VII. Recercada settima sobre la ''Romanesca''.wav

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Accurately ripped (confidence 14) [80BFC651] (AR v2)
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Track 26

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\26 - Recercadas sobre tenores- VIII. Recercada quinta sobre el ''passamezzo'' antiguo.wav

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Track quality 100.0 %
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Accurately ripped (confidence 14) [BABC1228] (AR v2)
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Track 27

Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\27 - Recercadas sobre tenores- IX. Recercada segunda sobre el ''passamezzo'' moderno.wav

Peak level 98.8 %
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Accurately ripped (confidence 14) [D19FCFE4] (AR v2)
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All tracks accurately ripped

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.6

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1 | (19/20) Accurately ripped
2 | (20/20) Accurately ripped
3 | (20/20) Accurately ripped
4 | (19/20) Accurately ripped
5 | (20/20) Accurately ripped
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17 | (20/20) Accurately ripped
18 | (20/20) Accurately ripped
19 | (20/20) Accurately ripped
20 | (20/20) Accurately ripped
21 | (20/20) Accurately ripped
22 | (20/20) Accurately ripped
23 | (20/20) Accurately ripped
24 | (20/20) Accurately ripped
25 | (20/20) Accurately ripped
26 | (20/20) Accurately ripped
27 | (20/20) Accurately ripped


==== Log checksum 649F3982452EC916BF4F093958C607B8448771387052D1F8580127379E395E08 ====


Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}

Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}


All thanks goes to the original releaser!

Jordi Savall - La Lira d'Esperia: La Viele Medievale (1996) {Auvidis}
Jordi Savall & Pedro Estev... II: Galicia (2014) {Alia Vox}
Jean-Philippe Rameau - L'Orche...avall) (2011) [2CD] {Alia Vox}
Jordi Savall & Hesperion X...lkan Spirit) (2013) {Alia Vox}
Jordi Savall & Hesperion X...lumbus (2006) [2CD] {Alia Vox}
Jordi Savall & Hesperion X...to (2010) [3CD+DVD] {Alia Vox}

Jordi Savall & Hesperion X...logues (2011) [2CD] {Alia Vox}
Jordi Savall & Hesperion X...athare (2009) [3CD] {Alia Vox}
Jordi Savall & Le Concert ...rtures (2012) [2CD] {Alia Vox}
Jordi Savall & Hesperion X...riente (2007) [2CD] {Alia Vox}
Jordi Savall & Hesperion X...2CD] {10 Alia Vox Anniversary}

Jordi Savall & Hesperion X...efardi (1999) [2CD] {Alia Vox}
Jordi Savall & Hesperion X...ng (2013) [3CD Set] {Alia Vox}
Jordi Savall & Hesperion X...risons (2012) [2CD] {Alia Vox}
Montserrat Figueras - La Voix ...otion) [2CD] (2012) {Alia Vox}
Euskal Barrokensemble & En...{Alia Vox} [rel. Jordi Savall]

Jordi Savall & Hesperion X...x Paix (2008) [2CD] {Alia Vox}
Jordi Savall - Biber - Baroque...l Download 16-44.1] {Alia Vox}
Jordi Savall - Guerre & Pa...l Download 16-44.1] {Alia Vox}
Jordi Savall - La Sublime Port... 1430 – 1750 (2011) {Alia Vox}
Jordi Savall - Erasmus von Rot...ie (2013) [6CD Set] {Alia Vox}

Montserrat Figueras & Jord...ga su tiempo (2003) {Alia Vox}
Jordi Savall & Montserrat ...pour la Paix (2012) {Alia Vox}
Jordi Savall & Hesperion X...] {2000 Naive-Astree Remaster}
Jordi Savall & Montserrat ...e E Capricci (2008) {Alia Vox}
Jordi Savall & Montserrat ...as (2010) {Alia Vox AVSA 9876}

Jordi Savall & Hesperion X...nt 1200-1700 (2006) {Alia Vox}
Jordi Savall & Andrew Lawr...ol (2009) {Alia Vox AVSA 9865}
Jordi Savall, Andrew Lawrence-...II (2010) {Alia Vox AVSA 9878}
Jordi Savall - Marin Marais - ...e, 1717 (2006) {2CDs Alia Vox}
Jordi Savall & Le Concert ...stral Suites (2009) {Alia Vox}

Jordi Savall - Antonio Vivaldi...certo (2003) {Alia Vox AV9835}
Jordi Savall & Montserrat ...ia (2011) {Alia Vox AVSA 9881}
Jordi Savall & Hesperion X...ollas (2003) {Alia Vox AV9834}
Jordi Savall - Antonio Vivaldi...h DVD5 PAL Alia Vox AVSA9909D}
Jordi Savall & Hesperion X...ie (2012) {Alia Vox AVSA 9892}

Jordi Savall & Le Concert ...(2016) {2CD Alia Vox AVSA9914}


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