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The Wallflowers - The Wallflowers (1992)

Posted By: Designol

Date: 17 Dec 2018 12:45:48

Anyone who saw the Wallflowers perform live in the early '90s surely could tell the band had a good shot at making it big. With their folk-rock tunes led by the vocals of Jakob Dylan and Rami Jaffee's swelling Hammond organ, they sounded like nothing so much as the Band playing with Jakob's dad, Bob. The songs on their self-titled debut weren't quite there, however, so the Wallflowers breakout was deferred until 1996, when they released Bringing Down the Horse. Still, there are some fine moments on The Wallflowers, including "Shy of the Moon," the rocking "Ashes to Ashes," and the rambling "Sidewalk Annie."

Review by Daniel Durchholz

More than an hour's worth of story songs played with easy swagger, The Wallflowers is one sweet debut – and some of the best Dylan in quite a while. Jakob Dylan, that is. Bob's youngest boy, a twenty-two-year-old singer-guitarist, fronts this L.A. quintet, and while it flourishes the psychic unity of a true band, he's clearly the visionary. That vision – panoramic, wry and allusive – inherits power from the style Jakob's dad perfected: a musical language rich enough that its latest dialects range from Indigo Girls' engaging folk to the biblical doomsaying of Nick Cave.

Jakob, of course, is the proper heir to his father's glory; still, it's a bit jolting how very like prime Bob The Wallflowers sounds at first. With a guitar-organ-piano attack echoing the Band and a production recalling The Basement Tapes, the album's rootsy sensibility, in this age of MIDI, seems almost classical in its purity – and the expert offhandedness of the young guns, especially keyboardist Rami Jaffee and guitarist Tobi Miller, rivals that of veterans. Jakob's vocals, too, grainy in tone and intriguingly phrased, bear a marked family resemblance.

Yet The Wallflowers soon takes on its own ripe life. As a lyricist, Dylan is riskier than most of his contemporaries – "Drainpipes are filled with dirty rain/And the leisure train/Is speeding in the diamond lane/With electricity shut off again/Leaving the nightlife only for the madmen," from "Hollywood," captures his imagistic daring. "After the Blackbird Sings" ("Now I seen this girl/She had hands full of lightning/She rolled it down to me/A Lolita smile, with/A thorn in her eyes/She spun the world/Up on the edge of a pearl/A carnivals girl/Up on a ferris wheel forever") epitomizes the sort of tender, quirky vignette he excels at.

Even more than wit, however, it's Dylan's generosity of spirit that's impressive. From the tragicomic "Side Walk Annie" and "Sugarfoot" to the wistful "Be Your Own Girl," "Honeybee" and "Shy of the Moon," he peoples his narratives with recognizable misfits, oddballs too human to scorn. He can rise to fury, too – "Hollywood" and "Somebody Else's Money" kick ass – but his ire seems clean, not condescending; again, his rendering of emotion appears very real.

And with their flannel shirts and bluesy riffs, their sound more rock than folk and their musicianship never less than fervent, the Wallflowers themselves come across as genuine. Theirs is music that wears well – it's wise beyond its years.

Review by Paul Evans, RollingStone

Radio and most music journalists seemed to turn collectively deaf ears to this great debut CD by The Wallflowers, led by Jakob Dylan. It's an earthy and heartfelt album that must have gotten lost in the thick, heavy haze of early 1990s guitar-rock grunge that dominated the scene at the time. Admittedly, this Wallflowers album couldn't be more different from Alice in Chains than Bob Dylan is from Iron Butterfly, but if you like your music with a laid-back feel, this one fits the bill.

There's an innocent charm to this down-to-earth album that will leave you scratching your head as to why Dylan went undiscovered until 1996 with Bringing Down the Horse. Surprisingly, the musicians who helped Dylan on this album are no longer part of the Wallflower camp, though their formidable skills are evident and appreciated throughout the CD, especially the organ and piano portions. Dylan chose a plethora of skilled musicians to further enhance his great songs. Like Tom Petty, Dylan knows his bread and butter lies in songs that convey a down-home folksy sound and sense that middle America can appreciate. Dylan is adept at capturing simple moods and personalities within his songs, usually at the expense of a girl he knew well. Other songs aren't so movingly personal. "Oh my God, they sold Hollywood," he deadpans on the quiet seven-minute gem "Hollywood," a song that would sound right at home in some big-city bar.

Half of these tunes hover or significantly surpass the five-minute mark, perhaps indicating these guys simply hit the record button and let things flow. If a hit lies anywhere here, it would be the more electric-sounding "Ashes to Ashes," a no-nonsense rocker reminiscent of John Cougar in his prime. "Asleep at the Wheel" is strong as well, a genuinely tender piece with a beautifully played acoustic guitar and Dylan's gruff vocals. It's the epitome of this album: heartfelt and purposely non-obtrusive. At nine minutes long, the relaxed "Honeybee" is one of those songs where you simply sit back and let the music engulf you. It contains fine lyrics sung softly, shimmering organ work, pretty piano and a rising crescendo that helps end the album on a dramatic note. The final song, "For the Life of Me," questions the validity of suicide as a means of escaping, an attitude that many "hip" artists at the time communicated, perpetuated and perhaps unknowingly embraced back in 1992, when this album was made.

The Wallflowers' debut successfully melded rock and country. Through his stories within songs, Dylan is similar to his father; his surrounding instruments and tunefulness suggest images of a newer Tom Petty; his serious demeanor and musical integrity recall John Mellencamp and even Eddie Vedder. Honestly, this album might even best its hugely successful follow-up. Though it lacks the million-dollar hit, it has a flow and connecting oneness that is hard to brush off. There's a looseness and organic feel to these songs, a sense of not trying to please anybody or sell six million albums. Nothing sounds too planned or overly rehearsed, which is the way an outstanding debut record should sound

Review by Sal Nudo, Amazon.com

The Wallflowers at Allmusic
The Wallflowers Website
The Wallflowers at Wiki

Tracklist:

01. Shy Of The Moon (03:16)
02. Sugarfoot (05:28)
03. Sidewalk Annie (05:17)
04. Hollywood (07:02)
05. Be Your Own Girl (05:16)
06. Another One In The Dark (06:30)
07. Ashes To Ashes (05:00)
08. After The Black Bird Sings (04:48)
09. Somebody Else's Money (08:26)
10. Asleep At The Wheel (04:48)
11. Honeybee (09:14)
12. For The Life Of Me (04:16)

EAC log

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 10. July 2008, 1:51

The Wallflowers / The Wallflowers

Used drive : TSSTcorpDVD+-RW TS-L632H Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.70 | 3:16.52 | 70 | 14821
2 | 3:17.47 | 5:28.08 | 14822 | 39429
3 | 8:45.55 | 5:17.65 | 39430 | 63269
4 | 14:03.45 | 7:02.27 | 63270 | 94946
5 | 21:05.72 | 5:16.35 | 94947 | 118681
6 | 26:22.32 | 6:30.53 | 118682 | 147984
7 | 32:53.10 | 5:00.15 | 147985 | 170499
8 | 37:53.25 | 4:48.72 | 170500 | 192171
9 | 42:42.22 | 8:26.20 | 192172 | 230141
10 | 51:08.42 | 4:48.70 | 230142 | 251811
11 | 55:57.37 | 9:14.05 | 251812 | 293366
12 | 65:11.42 | 4:16.15 | 293367 | 312581

Track 1

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\01 - Shy Of The Moon.wav

Pre-gap length 0:00:02.93

Peak level 99.3 %
Track quality 100.0 %
Test CRC C68640FE
Copy CRC C68640FE
Accurately ripped (confidence 9) [5544334E]
Copy OK

Track 2

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\02 - Sugarfoot.wav

Peak level 99.4 %
Track quality 99.9 %
Test CRC 5E35DA44
Copy CRC 5E35DA44
Accurately ripped (confidence 9) [F291CEF0]
Copy OK

Track 3

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\03 - Sidewalk Annie.wav

Pre-gap length 0:00:01.13

Peak level 99.8 %
Track quality 100.0 %
Test CRC 9EA8431A
Copy CRC 9EA8431A
Accurately ripped (confidence 9) [760F631A]
Copy OK

Track 4

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\04 - Hollywood.wav

Pre-gap length 0:00:01.64

Peak level 99.6 %
Track quality 99.9 %
Test CRC 5AB2695C
Copy CRC 5AB2695C
Accurately ripped (confidence 9) [1F622C9A]
Copy OK

Track 5

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\05 - Be Your Own Girl.wav

Pre-gap length 0:00:01.00

Peak level 99.4 %
Track quality 99.9 %
Test CRC 7D307738
Copy CRC 7D307738
Accurately ripped (confidence 10) [BF3B16EA]
Copy OK

Track 6

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\06 - Another One In The Dark.wav

Pre-gap length 0:00:00.66

Peak level 99.7 %
Track quality 100.0 %
Test CRC 8411BB60
Copy CRC 8411BB60
Accurately ripped (confidence 8) [DE1A7D9C]
Copy OK

Track 7

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\07 - Ashes To Ashes.wav

Pre-gap length 0:00:02.13

Peak level 98.9 %
Track quality 99.9 %
Test CRC BFDA98B3
Copy CRC BFDA98B3
Accurately ripped (confidence 9) [C50C72DA]
Copy OK

Track 8

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\08 - After The Black Bird Sings.wav

Pre-gap length 0:00:03.00

Peak level 99.4 %
Track quality 100.0 %
Test CRC A47E2C6C
Copy CRC A47E2C6C
Accurately ripped (confidence 9) [632091BF]
Copy OK

Track 9

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\09 - Somebody Else's Money.wav

Pre-gap length 0:00:01.69

Peak level 99.3 %
Track quality 100.0 %
Test CRC 0FC47570
Copy CRC 0FC47570
Accurately ripped (confidence 9) [2C9772E7]
Copy OK

Track 10

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\10 - Asleep At The Wheel.wav

Pre-gap length 0:00:00.09

Peak level 62.3 %
Track quality 100.0 %
Test CRC 177A33EE
Copy CRC 177A33EE
Accurately ripped (confidence 9) [1B055581]
Copy OK

Track 11

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\11 - Honeybee.wav

Pre-gap length 0:00:02.60

Peak level 99.5 %
Track quality 100.0 %
Test CRC BB54A498
Copy CRC BB54A498
Accurately ripped (confidence 9) [A9852E51]
Copy OK

Track 12

Filename F:\Music Archive\The Wallflowers\The Wallflowers - The Wallflowers (1992) [FLAC]\12 - For The Life Of Me.wav

Pre-gap length 0:00:02.82

Peak level 99.0 %
Track quality 100.0 %
Test CRC EEC426FD
Copy CRC EEC426FD
Accurately ripped (confidence 8) [2AF84AAA]
Copy OK

All tracks accurately ripped

No errors occurred

End of status report

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2014-11-23 15:06:55

––––––––––––––––––––––––––––––––––––––––
Analyzed: The Wallflowers / The Wallflowers
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.05 dB -12.48 dB 3:17 01-Shy Of The Moon
DR11 -0.05 dB -12.45 dB 5:28 02-Sugarfoot
DR10 -0.01 dB -11.94 dB 5:18 03-Sidewalk Annie
DR10 -0.03 dB -13.64 dB 7:02 04-Hollywood
DR12 -0.05 dB -13.54 dB 5:16 05-Be Your Own Girl
DR10 -0.03 dB -14.38 dB 6:31 06-Another One In The Dark
DR12 -0.09 dB -13.89 dB 5:00 07-Ashes To Ashes
DR12 -0.05 dB -13.50 dB 4:49 08-After The Black Bird Sings
DR12 -0.05 dB -16.65 dB 8:26 09-Somebody Else's Money
DR13 -4.10 dB -19.63 dB 4:49 10-Asleep At The Wheel
DR12 -0.04 dB -16.94 dB 9:14 11-Honeybee
DR15 -0.08 dB -16.03 dB 4:16 12-For The Life Of Me
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 891 kbps
Codec: FLAC
================================================================================

All thanks to original releaser

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