Philip Glass - The Music of Candyman

01) Music Box

Candyman Suite:

02) Cabrini Green
03) Helen's Theme
04) Face to Razor
05) Floating Candyman
06) Return to Cabrini
07) It Was Always You, Helen

From Candyman II:

08) Daniel's Flashback
09) The Slave Quarters
10) Annie's Theme
11) All Falls Apart
12) The Demise of Candyman
13) Reverend's Walk

"The Music of Candyman" CD is the original music scores written by Philip Glass and produced by his production company, Euphorbia Productions for the films "Candyman" and its sequel "Candyman: Farewell to the Flesh". Subsequent to the first "Candyman" film release, Philip Glass’ fans have been requesting access to these recordings. At this time Orange Mountain Music, Philip Glass’ new record company, is very happy to make these recordings available. Newly re-mixed to facilitate home stereo playback from the original masters by Don Christensen, this CD will be an important addition to any serious Glass fan’s collection as well as a stimulating record for all listeners. The "Candyman" films started out as "The Forbidden", a short story written by the acclaimed horror/fantasy author Clive Barker. It is the story of a graduate student’s investigation into a grisly urban legend with distinct racial and social undertones. Director Bernard Rose’s ("Paperhouse", "Immortal Beloved") adaptation has given the narrative an underlying intelligence and believability. Unlike most horror films "Candyman" is low on special-effects but still delivers hair raising suspense and surprising shocks, primarily with its creative imagery. Bernard Rose’s innovative and realistic direction, the excellent cast (Virginia Madsen as Helen the graduate student and Tony Todd as Candyman) and the Cabrini Green location (a notorious Chicago housing project) made this film an original in its genre. Written for piano, pipe organ and chorus, Philip Glass’s score is perfectly suited for this modern gothic tale. Using some of his well established techniques of rhythmic intensity and switching between major and minor key harmonies, Glass’s score is as trance inducing and terrifyingly seductive as Candyman himself.