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28	29	30	1	2	3	4

Chopin - Argerich - 24 Préludes Etc. [Deutsche Grammophon 415 836-2] {Germany 1986}

Posted By: luckburz

Date: 29 Apr 2012 08:44:52

Chopin - Argerich - 24 Préludes Etc. [Deutsche Grammophon 415 836-2] {Germany 1986}

Frederic Chopin / Martha Argerich - 24 Préludes Etc.
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 292 MB + Recovery Info
Label/Cat#: Deutsche Grammophon 415 836-2 | Country/Year: Germany 1986
Genre: Classical | Hoster: FP/FF

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

webfind [] selfrip [X]

Extraction Log:

EAC

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 9. February 2012, 19:38

Martha Argerich / 24 Preludes

Used drive : HL-DT-STDVDRAM GSA-H12L Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 0:31.67 | 33 | 2424
2 | 0:32.25 | 2:09.65 | 2425 | 12164
3 | 2:42.15 | 0:51.23 | 12165 | 16012
4 | 3:33.38 | 1:51.22 | 16013 | 24359
5 | 5:24.60 | 0:30.25 | 24360 | 26634
6 | 5:55.10 | 1:46.25 | 26635 | 34609
7 | 7:41.35 | 0:44.05 | 34610 | 37914
8 | 8:25.40 | 1:29.05 | 37915 | 44594
9 | 9:54.45 | 1:30.28 | 44595 | 51372
10 | 11:24.73 | 0:24.47 | 51373 | 53219
11 | 11:49.45 | 0:32.58 | 53220 | 55677
12 | 12:22.28 | 0:57.67 | 55678 | 60019
13 | 13:20.20 | 2:44.33 | 60020 | 72352
14 | 16:04.53 | 0:31.37 | 72353 | 74714
15 | 16:36.15 | 4:51.20 | 74715 | 96559
16 | 21:27.35 | 0:58.25 | 96560 | 100934
17 | 22:25.60 | 2:50.58 | 100935 | 113742
18 | 25:16.43 | 0:46.67 | 113743 | 117259
19 | 26:03.35 | 1:04.28 | 117260 | 122087
20 | 27:07.63 | 1:32.25 | 122088 | 129012
21 | 28:40.13 | 1:33.72 | 129013 | 136059
22 | 30:14.10 | 0:34.28 | 136060 | 138637
23 | 30:48.38 | 0:43.07 | 138638 | 141869
24 | 31:31.45 | 2:24.23 | 141870 | 152692
25 | 33:55.68 | 4:06.47 | 152693 | 171189
26 | 38:02.40 | 0:47.65 | 171190 | 174779
27 | 38:50.30 | 8:14.33 | 174780 | 211862
28 | 47:04.63 | 6:25.02 | 211863 | 240739
29 | 53:29.65 | 8:51.33 | 240740 | 280597

Range status and errors

Selected range

Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Martha Argerich - 24 Preludes.wav

Peak level 85.1 %
Extraction speed 4.7 X
Range quality 99.9 %
Test CRC 50EE5964
Copy CRC 50EE5964
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 5) [8B2D3398] (AR v2)
Track 2 accurately ripped (confidence 5) [AC33AE9A] (AR v2)
Track 3 accurately ripped (confidence 5) [222ED55D] (AR v2)
Track 4 accurately ripped (confidence 5) [B020F166] (AR v2)
Track 5 accurately ripped (confidence 5) [92F00F6E] (AR v2)
Track 6 accurately ripped (confidence 5) [849E2F1C] (AR v2)
Track 7 accurately ripped (confidence 5) [EDDA4A32] (AR v2)
Track 8 accurately ripped (confidence 5) [039EE559] (AR v2)
Track 9 accurately ripped (confidence 5) [7DF54C8F] (AR v2)
Track 10 accurately ripped (confidence 5) [1F56218B] (AR v2)
Track 11 accurately ripped (confidence 5) [323C9AC0] (AR v2)
Track 12 accurately ripped (confidence 5) [5FB5E49C] (AR v2)
Track 13 accurately ripped (confidence 5) [412007DC] (AR v2)
Track 14 accurately ripped (confidence 5) [2E9B53B8] (AR v2)
Track 15 accurately ripped (confidence 5) [FDB98BFC] (AR v2)
Track 16 accurately ripped (confidence 5) [BB725D19] (AR v2)
Track 17 accurately ripped (confidence 5) [9D471164] (AR v2)
Track 18 accurately ripped (confidence 5) [9ECE5E4E] (AR v2)
Track 19 accurately ripped (confidence 4) [D08A94FB] (AR v2)
Track 20 accurately ripped (confidence 5) [C44E5E6F] (AR v2)
Track 21 accurately ripped (confidence 5) [99099A7B] (AR v2)
Track 22 accurately ripped (confidence 5) [0CAA481A] (AR v2)
Track 23 accurately ripped (confidence 5) [EB6A8BDC] (AR v2)
Track 24 accurately ripped (confidence 5) [B7004666] (AR v2)
Track 25 accurately ripped (confidence 5) [C4907BA1] (AR v2)
Track 26 accurately ripped (confidence 5) [97427FF1] (AR v2)
Track 27 accurately ripped (confidence 5) [FD1EF4CC] (AR v2)
Track 28 accurately ripped (confidence 5) [A72C0312] (AR v2)
Track 29 accurately ripped (confidence 5) [BC80DC46] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum A9AD0AAAC5613B7C7CD90AC4B25B20937F7ED9948E55145CFD227FCFAFC95821 ====

Dynamic Range Log:

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-02-21 19:13:03

––––––––––––––––––––––––––––––––––––––––
Analyzed: Martha Argerich / 24 Preludes
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -6.04 dB -21.15 dB 0:32 01-Prelude No. 1 in C Major, Op. 28
DR12 -16.52 dB -34.57 dB 2:10 02-Prelude No. 2 in A Minor, Op. 28
DR11 -10.82 dB -28.11 dB 0:51 03-Prelude No. 3 in G Major, Op. 28
DR13 -6.83 dB -27.38 dB 1:51 04-Prelude No. 4 in E Minor, Op. 28
DR10 -7.35 dB -21.58 dB 0:30 05-Prelude No. 5 in D Major, Op. 28
DR14 -10.36 dB -30.77 dB 1:46 06-Prelude No. 6 in B Minor, Op. 28
DR10 -14.12 dB -35.12 dB 0:44 07-Prelude No. 7 in A Major, Op. 28
DR11 -3.34 dB -17.68 dB 1:29 08-Prelude No. 8 in F Sharp Minor, Op. 28
DR13 -3.76 dB -23.03 dB 1:30 09-Prelude No. 9 in E Major, Op. 28
DR8 -10.09 dB -27.50 dB 0:25 10-Prelude No. 10 in C Sharp Minor, Op. 28
DR11 -9.68 dB -25.67 dB 0:33 11-Prelude No. 11 in B Major, Op. 28
DR11 -3.27 dB -17.97 dB 0:58 12-Prelude No. 12 in G Sharp Minor, Op. 28
DR13 -11.33 dB -30.85 dB 2:44 13-Prelude No. 13 in F Sharp Major, Op. 28
DR10 -4.08 dB -18.72 dB 0:31 14-Prelude No. 14 in E Flat Minor, Op. 28
DR15 -2.38 dB -24.86 dB 4:51 15-Prelude No. 15 in D Flat Major, Op. 28
DR12 -2.33 dB -17.80 dB 0:58 16-Prelude No. 16 in B Flat Minor, Op. 28
DR12 -3.91 dB -22.30 dB 2:51 17-Prelude No. 17 in A Flat Major, Op. 28
DR11 -1.57 dB -15.61 dB 0:47 18-Prelude No. 18 in F Minor, Op. 28
DR13 -4.34 dB -21.16 dB 1:04 19-Prelude No. 19 in E Flat Major, Op. 28
DR13 -4.59 dB -24.48 dB 1:32 20-Prelude No. 20 in C Minor, Op. 28
DR12 -5.66 dB -24.27 dB 1:34 21-Prelude No. 21 in B Flat Major, Op. 28
DR10 -1.40 dB -13.14 dB 0:34 22-Prelude No. 22 in G Minor, Op. 28
DR11 -11.55 dB -27.13 dB 0:43 23-Prelude No. 23 in F Major, Op. 28
DR12 -1.68 dB -16.94 dB 2:24 24-Prelude No. 24 in D Minor, Op. 28
DR14 -3.89 dB -25.35 dB 4:07 25-Prelude in C Sharp Minor, Op. 45
DR10 -7.06 dB -22.30 dB 0:48 26-Prelude in A Flat Major, Op. Posth.
DR11 -3.46 dB -20.85 dB 8:14 27-Barcarolle in F Sharp Major, Op. 60
DR12 -3.00 dB -18.26 dB 6:25 28-Polonaise No. 6 in A Flat Major, Op. 53
DR15 -1.85 dB -21.41 dB 8:51 29-Scherzo No. 2 in B Flat Minor, Op. 31
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 29
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 467 kbps
Codec: FLAC
================================================================================

CD Info:

Frédéric Chopin / Martha Argerich – 26 Preludes / Barcarolle / Polonaise / Scherzo

Label: Deutsche Grammophon
Catalog#: 415 836-2
Series: Galleria
Format: CD, Compilation, Remastered
Country: Germany
Released: 1986
Genre: Classical
Style: Romantic

Tracklist:

24 Préludes Op. 28

1 No. 1 C-Dur 0:32
2 No. 2 A-Moll 2:10
3 No. 3 G-Dur 0:50
4 No. 4 E-Moll 1:51
5 No. 5 D-Dur 0:30
6 No. 6 H-Moll 1:46
7 No. 7 A-Dur 0:44
8 No. 8 Fis-Moll 1:29
9 No. 9 E-Dur 1:30
10 No. 10 Cis-Moll 0:25
11 No. 11 H-Dur 0:33
12 No. 12 Gis-Moll 0:58
13 No. 13 Fis-Dur 2:44
14 No. 14 Es-Moll 0:28
15 No. 15 Des-Dur 4:51
16 No. 16 B-Moll 0:58
17 No. 17 As-Dur 2:48
18 No. 18 F-Moll 0:47
19 No. 19 Es-Dur 1:04
20 No. 20 C-Moll 1:32
21 No. 21 B-Dur 1:34
22 No. 22 G-Moll 0:32
23 No. 23 F-Dur 0:43
24 No. 24 D-Moll 2:14

25 Prélude Cis-Moll Op. 45 4:04
26 Prélude As-Dur Op. Posth. 0:38
27 Barcarolle Fis-Dur Op. 60 8:07
28 Polonaise No. 6 As-Dur Op. 53 6:17
29 Scherzo No. 2 B-Moll Op. 31 8:51

Credits:

Piano – Martha Argerich

Notes:

(p) 1961 (op. 61), 1967 (op. 53), 1975 (op. 31), 1977 (Preludes)

Barcode: 028941583628

Discogs Url: http://www.discogs.com/release/3423996

Biography

by Joseph Stevenson

Born in Buenos Aires, Martha Argerich was enrolled for piano study at the age of five by her mother, with piano teacher Vincenzo Scaramuzza. He stressed lyricism and feeling. "When the sound is empty," he said to her, "it sounds like a pair of pants walking into the room with nothing inside them." She made her debut playing a Mozart concerto when she was eight, mentally preparing herself for the concert by making herself believe that, "if I missed a single note, I would explode." She did not miss a single note. In 1955 her family moved to Europe, where she studied in Switzerland with Madeleine Lipatti, then with Nikita Magaloff and eventually with Friedrich Gulda, an early idol.

In 1957, at the age of 16, she won the Geneva International Competition and the Ferruccio Busoni International Competition within three weeks. At the Bolzano Competition she met Arturo Benedetti Michelangeli. When she was about 20 and in the throes of an artistic crisis, she sought him out for advice.

In 1965 she became the first pianist from the Western Hemisphere to win first prize at the Chopin Competition in Warsaw, and the following year, she made her U.S. debut in Lincoln Center's Great Performers Series. Her long association with the Deutsche Grammophon label began in 1967.

Although she plays Haydn, Mozart, Beethoven, and Schumann, her repertoire centers on composers such as Rachmaninov, Ravel, and Prokofiev, and more modern composers, including Lutoslawski and Messiaen. After the first few years of her career she gave up playing solo recitals, preferring collaborative musical work. Only her first two albums were solo.

She first publicly played chamber music when she was 17, accompanying violinist Joseph Szigeti. Especially known as a chamber-music player and as a graceful musical collaborator, she has performed with pianists Stephen Kovacevich, Nicolas Economou, Nelson Freire, and Alexandre Rabinovich, violinist Gidon Kremer, and cellist Mischa Maisky.

Among her standout recordings are those of Messiaen's Visions de l'Amen, the Piano Concerto No. 1 of Tchaikovsky, and the third concertos of Prokofiev and Rachmaninov. The Deutsche Grammophon coupling of the Tchaikovsky and Prokofiev, conducted by her then-husband, Charles Dutoit, is considered among the great classics of recorded piano concerto repertory. allmusicguide

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