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Tomkins - Bernhard Klapprott - Complete Keyboard Music Vol.2 (1996)

Posted By: luckburz

Date: 7 Feb 2013 04:54:24

Tomkins - Bernhard Klapprott - Complete Keyboard Music Vol.2 (1996)

Thomas Tomkins (1572-1656) - Complete Keyboard Music Vol. 2
Bernhard Klapprott, Harpsichord & Virginal
EAC+LOG+CUE | FLAC: 432 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Scene" # 607 0704-2 | Country/Year: Germany 1996
Genre: Classical | Style: Renaissance, Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 20. September 2012, 13:05

Bernhard Klapprott / Tomkins: Complete Keyboard Musica Vol.2

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:55.30 | 0 | 8654
2 | 1:55.30 | 1:52.62 | 8655 | 17116
3 | 3:48.17 | 6:23.73 | 17117 | 45914
4 | 10:12.15 | 5:30.02 | 45915 | 70666
5 | 15:42.17 | 5:08.65 | 70667 | 93831
6 | 20:51.07 | 3:20.43 | 93832 | 108874
7 | 24:11.50 | 4:42.05 | 108875 | 130029
8 | 28:53.55 | 2:51.30 | 130030 | 142884
9 | 31:45.10 | 6:50.62 | 142885 | 173696
10 | 38:35.72 | 2:23.08 | 173697 | 184429
11 | 40:59.05 | 3:42.47 | 184430 | 201126
12 | 44:41.52 | 6:16.38 | 201127 | 229364
13 | 50:58.15 | 5:48.15 | 229365 | 255479
14 | 56:46.30 | 6:10.07 | 255480 | 283236
15 | 62:56.37 | 8:46.65 | 283237 | 322751

Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Tomkins- Bernhard Klapprott - Complete Keyboard Musica Vol.2.wav

Peak level 83.5 %
Extraction speed 7.9 X
Range quality 99.9 %
Copy CRC AA1ACE61
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 1) [9802863D] (AR v1)
Track 2 accurately ripped (confidence 1) [BAFA7710] (AR v1)
Track 3 accurately ripped (confidence 1) [86C86FC6] (AR v1)
Track 4 accurately ripped (confidence 1) [EED79AAF] (AR v1)
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Track 6 accurately ripped (confidence 1) [9708599A] (AR v1)
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Track 15 accurately ripped (confidence 1) [F90388B7] (AR v1)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: 4ZMoNhZ9ae88cExvtDfNRKqMy2o-] disk not present in database, Submit result: 4ZMoNhZ9ae88cExvtDfNRKqMy2o- has been uploaded

==== Log checksum 58FCCC5ECD7BD090B9EBB30B1A6320B4232C880BEC1E5FE4F00500861F65E2D7 ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-10-29 19:25:16

––––––––––––––––––––––––––––––––––––––––
Analyzed: Bernhard Klapprott / Tomkins: Complete Keyboard Musica Vol.2
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -3.48 dB -18.82 dB 1:55 01-Prelude
DR12 -6.55 dB -21.82 dB 1:53 02-Fancy
DR13 -3.09 dB -18.70 dB 6:24 03-In Nomine (version I)
DR13 -3.39 dB -19.04 dB 5:30 04-In Nomine (version II)
DR13 -2.53 dB -18.95 dB 5:09 05-In Nomine
DR13 -7.19 dB -23.18 dB 3:21 06-Voluntary (Virginal)
DR13 -3.44 dB -18.71 dB 4:42 07-Pavan
DR12 -3.26 dB -18.41 dB 2:51 08-Galliard
DR12 -6.58 dB -21.65 dB 6:51 09-Fancy - for viols
DR12 -8.92 dB -23.18 dB 2:23 10-Toy - Made At Poole Court (Virginal)
DR13 -8.28 dB -23.97 dB 3:43 11-Pavan (Virginal)
DR13 -3.66 dB -18.72 dB 6:17 12-Robin Hood
DR12 -6.04 dB -21.60 dB 5:48 13-Pavan
DR13 -6.53 dB -22.50 dB 6:10 14-Pavan
DR13 -1.56 dB -18.83 dB 8:47 15-Ground
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 15
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 843 kbps
Codec: FLAC
================================================================================

CD Info:

Thomas Tomkins (1572-1656) - Complete Keyboard Music Vol. 2 - Bernhard Klapprott, Harpsichord & Virginal

Label: MDG
Series: Scene
Catalog#: 607 0704-2
Format: CD, Album
Country: Germany
Released: 1996
Genre: Classical

Tracklist:

01. Prelude 1:55
02. Fancy 1:52
03. In Nomine (version I) 6:23
04. In Nomine (version II) 5:30
05. In Nomine 5:08
06. Voluntary (Virginal) 3:20
07. Pavan 4:42
08. Galliard 2:51
09. Fancy - for viols 6:50
10. Toy - Made At Poole Court (Virginal) 2:23
11. Pavan (Virginal) 3:42
12. Robin Hood 6:16
13. Pavan 5:48
14. Pavan 6:10
15. Ground 8:46

Played on harpsichord after Giovanni Battista Giusti by Cornelis A. Bom, Schoonhoven (Netherlands) & a virginal after Marten van der Biest by Klaus Ahrend, Moormerland near Leer (Germany). Both instruments are mean-tone tempered by Ibo Ortgies.

Recording Supervisor: Friedrich Wilhelm Rödding
Recording: 28.10.-1.11.1995
Oranienburg of Schloß Nordkirchen

Thomas Tomkins (1572 – 9 June 1656) was an English composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English madrigal school, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school.
Tomkins wrote madrigals, keyboard music, consort music, anthems, and liturgical music. Stylistically he was extremely conservative, even anachronistic: he seems to have completely ignored the rising Baroque practice around him, with its Italian-inspired idioms, and he also avoided writing in most of the popular forms of the time, such as the lute song, or ayre. His polyphonic language, even in the fourth decade of the 17th century, was frankly that of the Renaissance. Some of his madrigals are extremely expressive, with text-painting and chromaticism worthy of Italian madrigalists such as Marenzio or Luzzaschi.

He was also a prolific composer of verse anthems, writing more than any other English composer of the 17th century except for William Child. These pieces were highly regarded at the time, and are well represented in contemporary manuscript collections. Fortunately for the survival of his music, his son Nathaniel edited most of it and published a huge collection of it (titled Musica Deo sacra et ecclesiae Anglicanae; or Music dedicated to the Honor and Service of God, and to the Use of Cathedral and other Churches of England) in 1668, after his death; much of it otherwise would have been lost during the Civil War. wikipedia

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