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Onslow - Consortium Classicum - Nonet Op. 77, Grand Septuor Op. 79 (2008)

Posted By: luckburz

Date: 21 Jun 2013 17:06:19

Onslow - Consortium Classicum - Nonet Op. 77, Grand Septuor Op. 79 (2008)

George Onslow - Consortium Classicum - Nonet Op. 77, Grand Septuor Op. 79
EAC+LOG+CUE | WV: 251 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Gold" # 301 1480-2 | Country/Year: Germany 2008
Genre: Classical | Style: Classical Period

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]

EAC

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 7. March 2012, 21:03

Consortium Classicum / George Onslow - Nonet Op. 77, Grand Septuor Op. 79

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 9:29.60 | 0 | 42734
2 | 9:29.60 | 5:30.02 | 42735 | 67486
3 | 14:59.62 | 11:46.19 | 67487 | 120455
4 | 26:46.06 | 7:55.22 | 120456 | 156102
5 | 34:41.28 | 13:19.20 | 156103 | 216047
6 | 48:00.48 | 6:36.29 | 216048 | 245776
7 | 54:37.02 | 7:16.41 | 245777 | 278517
8 | 61:53.43 | 8:31.52 | 278518 | 316894

Range status and errors

Selected range

Filename Z:\NetLab\George Onslow - Nonet Op. 77, Grand Septuor Op. 79 (Consortium Classicum) (2008) {mDG 301 1480-2}\George Onslow - Nonet Op. 77, Grand Septuor Op. 79.wav

Peak level 99.2 %
Extraction speed 6.7 X
Range quality 100.0 %
Test CRC CC307666
Copy CRC CC307666
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 3) [9921B319] (AR v1)
Track 2 accurately ripped (confidence 3) [65969378] (AR v1)
Track 3 accurately ripped (confidence 3) [21457575] (AR v1)
Track 4 accurately ripped (confidence 3) [DF155F25] (AR v1)
Track 5 accurately ripped (confidence 3) [009E8529] (AR v1)
Track 6 accurately ripped (confidence 3) [8F77CA83] (AR v1)
Track 7 accurately ripped (confidence 3) [944EB97B] (AR v1)
Track 8 accurately ripped (confidence 3) [1BA32A6F] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum CB47EC8716ED8DF723DEA989F45DAF2B4CED94490AC45BC0BC545675B3E13F8F ====

auCDtect

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)

––––––––––––––––––––––––––––––
[Consortium Classicum - George Onslow - Nonet Op. 77, Grand Septuor Op. 79.wav]
Detected average hi-boundary frequency: 2.023446e+004 Hz
Detected average lo-boundary frequency: 1.269701e+004 Hz
Detected average hi-cut frequency: 2.108064e+004 Hz
Detected average lo-cut frequency: 9.097685e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.656190e-001
First order smothness: 3.850416e-001
Second order smothness: 7.091413e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-04-24 15:13:32

––––––––––––––––––––––––––––––––––––––––
Analyzed: Consortium Classicum / George Onslow - Nonet Op. 77, Grand Septuor Op. 79
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -1.07 dB -20.50 dB 9:30 01-Nonet op. 77 A minor; I. Allegro spirituoso
DR14 -1.07 dB -22.01 dB 5:30 02-II. Scherzo. Agitato
DR15 -2.33 dB -23.19 dB 11:46 03-III. Tema con Variazioni
DR15 -2.12 dB -22.30 dB 7:55 04-IV. Finale. Largo - Allegretto quasi Allegro
DR15 -0.95 dB -20.15 dB 13:19 05-Grand Septuor op. 79 B flat major; I. Allegro moderato
DR14 -1.24 dB -20.75 dB 6:36 06-II - Scherzo. Vivace
DR15 -2.94 dB -23.68 dB 7:17 07-III - Andante. Molto cantabile e grazioso
DR15 -0.07 dB -20.86 dB 8:32 08-IV - Finale. Allegretto
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 8
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 498 kbps
Codec: WavPack
================================================================================

CD Info:

George Onslow - Consortium Classicum - Nonet Op. 77, Grand Septuor Op. 79

Label: MDG
Series: Gold
Catalog#: 301 1480-2
Format: CD, Album
Country: Germany
Released: 2008
Genre: Classical
Style: Classical Period

Tracklist:

Nonet Op.77 (For Flute, Oboe, Clarinet, Bassoon, Horn, Violin, Viola, Violoncello And Double Bass) A Minor
1. Allegro Spiritoso
2. Scherzo. Agitato
3. Tema Con Variazioni
4. Finale. Largo - Allegretto Quasi Allegro

Grand Septuor Op.79 (For Flute, Oboe, Clarinet, Horn, Bassoon, Double Bass And Piano) B Flat Major
5. Allegro Moderato
6. Scherzo. Vivace
7. Andante. Molto Cantabile E Grazioso
8. Finale. Allegretto

Consortium Classicum:
Kornelia Brandkamp, flute
Gernot Schmalfuss, oboe
Pavel Sokolov, oboe
Dieter Klocker, clarinet
Jan Schroeder, horn
Helman Jung, bassoon
Albrecht Holder, bassoon
Andreas Krecher, violin
Niklas Schwarz, viola
Armin Fromm, violoncello
Michinori Bunya, double bass
Stefan Irmer, piano

review by James Manheim

The two large chamber works on this album were written in the late 1840s, at the end of English-French composer George Onslow's life. The large chamber groups involved look back to Beethoven's Septet, Op. 20, and beyond that to the divertimento tradition, and they are harmonically pretty standard, with large plans rooted in the post-Classical era of Hummel and his contemporaries. So they've been largely forgotten, victims of preposterous evolutionist perspectives, and Germany's Consortium Classicum has performed a valuable service by resurrecting them. The Nonet in A minor, Op. 77, is the real find. Onslow's handling of his large instrumental group is not just assured but extremely imaginative. The whole work features a wonderful variety of shifting timbres, and the long Tema con variazioni slow movement is virtually a study in texture. Sample the scherzo (track 2), with the almost impressionist shades conveyed in its serene middle section, and you'll realize that, as critic Charles Keil once said of polka music, that often the residual is the emergent. The Beethovenian Grand Septuor in B flat major, Op. 79, also has intriguing instrumental textures, with the piano in a tense space between solo instrument and supporting harmony; the instruments tend to come in and nibble away at the edges of its temporarily defined realm. Both works suggest that Onslow was one of the first composers to make a full acquaintance with Schubert's music. Another major strong point of this recording is the sound; the German audiophile label MDG outdoes itself here in an old riding stadium that displays the music's serenade-like textures to beautiful effect. Chamber players should absolutely get to know this music. There is nothing in the individual lines that would challenge good student musicians, but they stand to learn a great deal about subtle balance and interaction by playing this music. And they'll give their audiences a pleasant surprise, too. allmusicguide

Onslow - Consortium Classicum - Nonet Op. 77, Grand Septuor Op. 79 (2008)

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