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Johann Christoph Friedrich Bach - Freiburger Barockorchester - Concerti (2010)

Posted By: luckburz
Johann Christoph Friedrich Bach - Freiburger Barockorchester - Concerti (2010)

Johann Christoph Friedrich Bach - Freiburger Barockorchester - Concerti
EAC+LOG+CUE | WV: 352 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Carus # 83.306 | Country/Year: Germany 2010
Genre: Classical | Style: Early Classical Period

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selfrip [X] not my rip []

Johann Christoph Friedrich Bach - Freiburger Barockorchester - Concerti (2010)


Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 26. March 2012, 21:31

Freiburger Barockorchester / Johann Christoph Friedrich Bach - Concerti

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:17.17 | 0 | 37291
2 | 8:17.17 | 8:21.40 | 37292 | 74906
3 | 16:38.57 | 3:22.09 | 74907 | 90065
4 | 20:00.66 | 5:04.06 | 90066 | 112871
5 | 25:04.72 | 12:51.38 | 112872 | 170734
6 | 37:56.35 | 9:49.29 | 170735 | 214938
7 | 47:45.64 | 6:53.09 | 214939 | 245922
8 | 54:38.73 | 8:07.74 | 245923 | 282521
9 | 62:46.72 | 6:41.26 | 282522 | 312622
10 | 69:28.23 | 4:06.15 | 312623 | 331087
11 | 73:34.38 | 3:58.48 | 331088 | 348985


Range status and errors

Selected range

Filename Z:\NetLab\J.C.F. Bach - Concerti (Freiburger Barockorchester) (2010) {Carus 83.306}\Johann Christoph Friedrich Bach - Concerti.wav

Peak level 100.0 %
Extraction speed 8.4 X
Range quality 100.0 %
Test CRC 0B2DFAE6
Copy CRC 0B2DFAE6
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 2) [D8D7AB1D] (AR v2)
Track 2 accurately ripped (confidence 2) [DCF7E26C] (AR v2)
Track 3 accurately ripped (confidence 2) [357925EE] (AR v2)
Track 4 accurately ripped (confidence 2) [ADAA3582] (AR v2)
Track 5 accurately ripped (confidence 2) [0F412E28] (AR v2)
Track 6 accurately ripped (confidence 2) [40CE2403] (AR v2)
Track 7 accurately ripped (confidence 2) [D426170A] (AR v2)
Track 8 accurately ripped (confidence 2) [16E79EF2] (AR v2)
Track 9 accurately ripped (confidence 2) [B8609A9F] (AR v2)
Track 10 accurately ripped (confidence 2) [F2CA5426] (AR v2)
Track 11 accurately ripped (confidence 2) [E5875F4F] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum B5CE08A812AA03219A2B8045DD8911CBBE2FA164AAF0207DCD0B5AE461612A0C ====

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)


––––––––––––––––––––––––––––––
[Freiburger Barockorchester - Johann Christoph Friedrich Bach - Concerti.wav]
Detected average hi-boundary frequency: 2.023723e+004 Hz
Detected average lo-boundary frequency: 1.338685e+004 Hz
Detected average hi-cut frequency: 2.127975e+004 Hz
Detected average lo-cut frequency: 1.307339e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.955636e-001
First order smothness: 2.787857e-001
Second order smothness: 8.025867e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-05-15 20:44:06

––––––––––––––––––––––––––––––––––––––––
Analyzed: Freiburger Barockorchester / Johann Christoph Friedrich Bach - Concerti
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -17.10 dB 8:17 01-Symphony in G major, W. I/15; I. Largo
DR12 -5.68 dB -22.37 dB 8:22 02-II. Romanza. Andantino
DR13 -3.03 dB -20.20 dB 3:22 03-III. Minuetto - Trio
DR14 0.00 dB -20.16 dB 5:04 04-IV. Rondo. Allegretto
DR14 -0.20 dB -19.99 dB 12:52 05-Keyboard Concerto in E flat major, W. II/5; I. Allegro
DR13 -6.10 dB -24.15 dB 9:49 06-II. Romanza
DR14 -1.55 dB -22.00 dB 6:53 07-III. Rondo. Allegro
DR13 -1.86 dB -17.68 dB 8:08 08-Symphony in B flat major, W. I/20; I. Largo - Allegro
DR14 -0.50 dB -19.43 dB 6:41 09-II. Andante con moto
DR13 -1.46 dB -18.29 dB 4:06 10-III. Minuetto - Trio
DR13 -0.91 dB -18.75 dB 3:59 11-IV. Rondo allegretto scherzando
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 634 kbps
Codec: WavPack
================================================================================



CD Info:

CD Info:

Johann Christoph Friedrich - Freiburger Barockorchester - Concerti (The Sons of J.S. Bach Vol.3)

Label: Carus
Catalog#: 83.306
Format: CD, Album
Country: Germany
Released: 2010
Genre: Classical
Style: Classical Period

Tracklist:

1. Sinfonia Nr. 15 in G
2. Concerto grosso per il Cembalo o Pianoforte
3. Sinfonia Nr. 20 in B

Johann Christoph Friedrich Bach - Freiburger Barockorchester - Concerti (2010)


Disc reviews Gary Higginson "MUSICWEB"
JCF has gone down in musical history as the least talented or least original of the great Bach’s composer-sons. He was born before Johann Christian and is the only one “who continued to compose into the period of the Viennese classics. The works on this CD were all composed after the death of Mozart”, (booklet essay by Ulrich Leisinger); rather remarkable really.

What especially struck me was that this CD consists of only three works; in other words they are not of the length of ‘Sinfonias’ of the mid-century but are more fully developed and extended in the style of Mozart and Haydn and as precursors to early Beethoven.

Known as “The Buckeburg Bach”, JCF composed at the court of Schaumberg-Lippe in that town all of his life. The town orchestra developed into one of the very best in Europe and JCF wrote much for it. The 1780s saw him undergoing various personal and creative crises. However from about 1792 he bounced out of these due to the encouragement of his new boss, as it were, the young Princess Juliane for whom, in the last years of his life he was amazingly prolific.

Taking them in order as on the CD we begin with the Sinfonia in G major. One must remember that the great Haydn was writing his London Symphonies at this time. This four-movement work is not unoriginal and not uninfluenced by Haydn. In fact whilst listening I was wondering why a piece like this or any other of the many Sinfonias JCF composed are not better known. The booklet notes tell us that the manuscripts from the court were moved for safe-keeping from Berlin in the war and have not yet materialised. This work is only known through a 1920s copy. It is in four movements with a portentous G minor introduction which Haydn would have been proud of, followed by a lively Sonata-Allegro in the major key. Interestingly it ends in D as it leads neatly into the 3/4 time Romanza in rondo form. This is of equal length to the first movement and amongst several of its charming touches is a passage with pizzicato strings under oboes in thirds and a section for muted strings. The Minuet and Trio exemplifies the fact that the wind, especially the horns and oboes are as important as the strings, pretty well. In the trio section they have a moment in the sunlight all to themselves. The Rondo finale is witty and energetic and again horns feature strongly; a truly excellent piece of work.

JCF would certainly have been aware of Mozart’s piano concertos yet his own work is entitled ‘Concerto Grosso’ harking back to a more baroque format and to a nomenclature more associated with his father. There is even a figured bass part but its style is certainly quite up-to-date for JCF’s times. Although he stayed almost his entire life - over forty years anyway - in one place his music and especially this piece show clear influences from the world around him. Not the least of these links with his late brother CPE who had died in 1788. There is also a touch of his more Italianate younger brother JC who had died six years before that. This is a three movement work. The quite lengthy opening movement is reminiscent of CPE with its driving rhythms and wide-leaping melodies especially in the strings. A little eccentric, after the opening ritornello, is the entry of the piano with an unrelated and dreamy andante before the movement pursues its sonata-form progress. The second movement Siciliano is also marked Romanza and is in the relative minor. It is quite melancholy but has the grace and elegance of JC. It features a delightful passage between the soloist and the oboe. The finale is again lively and witty with some quite amusing touches. The pianoforte is a mellow instrument which is a copy of an early 18th century Viennese one. The recording balances it beautifully and naturally against the quite substantial orchestra. Christine Schornsheim plays with grace and beautifully-shaped phrasing to capture the work’s changing moods. The Freiburg orchestra likewise accompany with much sensitivity and stylistic understanding.

According to the booklet essay the B flat Symphony a 10 is JCF’s “best-known” symphony although for me it is, marginally, the least interesting work here. When I played it in part to my musician friend Colin down the road he proclaimed that it must be “one of Haydn’s lesser-known London Symphonies” although neither of us, and here I might stand corrected, could remember any performances when the harpsichord was used as continuo in the Master’s last works. However it is the wonderful use of woodwind that seems so Haydnesque and especially in the use of clarinets instead of oboes; this time there are no horns. The minuet and trio has some particularly delightful passages. The opening movement has a slow introduction and the finale is a rather earnest rondo.

As a centre-fold in the booklet there is an attractive black and white double spread of the Freiburg Barockorchestra holding their instruments. There is a summary below - which is most welcome - identifying the maker and date of each.

I was not expecting this music to be especially interesting. Instead I have found delight and surprise, not so much at the playing - I always knew that the Freiburg would offer a big commitment to the music - but at JCF’s material which certainly catches and holds the attention. His ideas are lively and clearly sprung from a fresh and fecund musical imagination. This disc will add considerably to your musical knowledge and enjoyment. musicweb-international

More from the "Sons of J.S. Bach"-series:
Carl Philipp Emanuel Bach - Freiburger Barockorchester - Concerti
Wilhelm Friedemann Bach - Freiburger Barockorchester - Concerti
Johann Christian Bach - Freiburger Barockorchester - Concerti

Johann Christoph Friedrich Bach - Freiburger Barockorchester - Concerti (2010)


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